Blogtrotters

Showing posts with label folklore. Show all posts
Showing posts with label folklore. Show all posts

Friday, September 30, 2016

Orchestra Ethiopia - The Blue Nile Group [1969] [ethiopia]










       Orchestra Ethiopia was an Ethiopian performing group formed in 1963 by the Egyptian-born American composer and ethnomusicologist Halim El-Dabh (born 1921). The group, which was founded in Addis Ababa, comprised up to 30 traditional instrumentalists, vocalists, and dancers from many different Ethiopian regions and ethnic groups (including Amhara, Tigray-Tigrinia, Oromo, Welayta, and Gimira). It was the first ensemble of its type, as these diverse instruments and ethnic groups previously had never played together. For a time, due to El-Dabh's efforts, the Orchestra was in residence at the Creative Arts Centre of Haile Selassie I University (now Addis Ababa University).





Orchestra Ethiopia ‎– The Blue Nile Group [full album]




           Its main instruments included krar (medium lyre), masenqo (one-string fiddle), begena (large lyre), washint (end-blown flute with finger holes), embilta (end-blown flute without finger holes), malakat (straight trumpet), kabaro (drum), and other percussion instruments. On occasion, it also used the tom, an mbira-like instrument.

           Many of Orchestra Ethiopia's performances were theatrical in nature, such as the drama The Potter, which was arranged by El-Dabh.








             Following El-Dabh's departure from Ethiopia in 1964, subsequent directors included John G. Coe, an American Peace Corps volunteer (1964-1966); and Tesfaye Lemma (1966-1975), both of whom composed and arranged for the group. During Lemma's tenure as director, in 1968, another American Peace Corps volunteer, the Harvard-educated Charles Sutton, Jr., was assigned by the Peace Corps to assist the Orchestra as Administrator, a position in which he continued until 1970. Sutton had arrived in Ethiopia in 1966 and, immediately attracted to Ethiopia's traditional music, actually mastered the masenqo, studying with Orchestra member Getamesay Abebe. He began performing with the Orchestra in March 1967 (playing masenqo and singing in Amharic), at Lemma's invitation. The group performed frequently in hotels and at the U.S. Embassy in Addis Ababa, and appeared on national radio (including Radio Voice of the Gospel) and television. The group also had an audience with Emperor Haile Selassie I.










              In the spring of 1969, due to the efforts of Sutton and the Peace Corps, Orchestra Ethiopia toured the Midwest and East Coast of the United States, under the name "The Blue Nile Group". The group performed in twenty cities, including Manhattans Town Hall and The Ed Sullivan Show (in early March).

                The group released two LP recordings, both entitled Orchestra Ethiopia. The first, subtitled "The Blue Nile Group", was released on Tempo Records c. 1969; and the second was released on Blue Nile Records, in 1973 or 1974. The Orchestra was also featured in a National Geographic documentary film entitled Ethiopia: The Hidden Empire (1970). By 1975, due to the upheavals caused by the Derg revolution, the group finally disbanded, although many of its musicians continued to perform with other groups, and as soloists. The group's washint player, Melaku Gelaw, lives and continues to perform and record in Washington, D.C.; Tesfaye Lemma, now retired, lives in Washington, D.C. Masenqo player Getamesay Abebe and drummer, vocalist, and star dancer Zerihun Bekkele, both retired, continue to live in Ethiopia. Washint player Yohannes Afework, who had replaced Gelaw, lives in Addis Ababa and is retired from the Mazegajabet (Municipality) Orchestra. Coe, the former Executive Director of the Wyoming Arts Council, is now retired and living in Wyoming; and Sutton performs today as a jazz pianist in Connecticut (and continues to play masenqo for special occasions). Several other of the Orchestra's members have died in Ethiopia.

                  A selection of the Orchestra's archival recordings transferred from reel to reel audiotape to audio CDs by the Ethiopian-American engineer Andrew Laurence was released in Europe in late 2007, and was released in the United States in February 2008, as the 23rd volume in Buda Musique's Ethiopiques CD series, with the liner notes having been prepared by Sutton and Lemma.











            In 2007, a recording entitled Zoro Gettem (Reunion) was released on the Nahom Records label; the CD, recorded in Washington, D.C. in September 2006, features four of the Orchestra's former members (Charles Sutton, Getamesay Abbebe, Melaku Gelaw, and Tesfaye Lemma) performing repertoire they had performed together in the late 1960s.





A1 Gonderinna Gojjam (Vocals: Zerihun Bekkele) (3:43)
A2 Yesergey Ilet (Vocals: Tsehay Indale) (4:06)
A3 Himem, Himemey (Vocals: Kebbede Weldemariam) (3:44)
A4 Hodey Lahodey (Vocals: Almaz Getachew) (2:18)
A5 Ambassel (Washint: Yohannes Afework, Krar: Kebbede                                                                                                         Weldemariam) (2:36)



B1 Mesenko (Vocals: Charles Sutton) (3:16)
B2 Muzikachin (Vocals: Tsehay Indale, Yeshi Mebratey) (3:36)
B3 Mikir Fellega (Vocals: Charles Sutton, Kebbede Weldemariam, Areru                                                                                                Shegen) (3:20)
B4 Imbilta (Imbiltas: Areru Shegen, Ishete Gebremeskel, Nadew Kassa)                                                                                                             (2:03)
B5 Wichinna Beyt (Vocals: Kebbede Weldemariam, Tsehay Indale,                                                               Zerihun Bekkele, Yeshi Mebratey) (4:25)


The Orchestra Ethiopia is directed by Tesfaye Lemma.



Thursday, September 22, 2016

v.a. - [2013] - Mystic Soundz From Afrika (Lost Field Recordings 1960-1973) [LP]











MYSTIC SOUNDZ FROM AFRIKA - Bagana






Tracklist


A1 – Drum Dirge               Ethiopia, 1971
A2 – Misengu                    Zaïre, 1973
A3 – Guji Men Chorus       Ethiopia, 1965
A4 – Bagana                      Ethiopia, 1971
A5 – Forked-Harp             Ivory Coast, 1965
A6 – Landa Orchestra       Togo, 1972
A7 – Flute Ensemble         Ethiopia, 1967



B1 – Tiger Recitative         Ethiopia, 1967
B2 – Amharic Love Song   Ethiopia, 1971
B3 – Somba Tipenti           Dahomey, 1965
B4 – Berba Music               Dahomey, 1965
B5 – Kondana                    Togo, 1960




Thursday, August 25, 2016

Alemayehu Fantaye & Yohanes Afework ‎– Traditionelle Musik Aus Äthiopien [1994] [ethiopia]










One of the best album of traditional ethiopian music.






Alemayehu Fanta, Aklilu Gebretsadik and Yohannes Afework @ Fendika






Alemayehu Fantaye & Yohannes Afework - 01 - Selamta (4:18)
Alemayehu Fantaye & Yohannes Afework - 02 - Sengo Megin - Zerafewa (5:14)
Alemayehu Fantaye & Yohannes Afework - 03 - Ambassel (3:53)
Alemayehu Fantaye & Yohannes Afework - 04 - Fanno Fanno (3:39)
Alemayehu Fantaye & Yohannes Afework - 05 - Medina Zelesenya (5:28)
Alemayehu Fantaye & Yohannes Afework - 06 - Bati (5:18)
Alemayehu Fantaye & Yohannes Afework - 07 - Ethiopia Hagere (3:56)
Alemayehu Fantaye & Yohannes Afework - 08 - Keto Aikerim Motu (3:48)
Alemayehu Fantaye & Yohannes Afework - 09 - Gojam Gonder (5:43)
Alemayehu Fantaye & Yohannes Afework - 10 - Abebayehoi (3:57)
Alemayehu Fantaye & Yohannes Afework - 11 - Bati Bati (4:40)
Alemayehu Fantaye & Yohannes Afework - 12 - Shemonmwane (4:56)



Saturday, June 25, 2016

The Warrior-Shepherds From The Omo Valley - Ethiopia [2008] [ethiopia]











      Between 2003 and 2006, Bastien Lagatta, musician and ethnomusicologist, undertook musical researches among the agro-pastoral societies of the Omo valley, thanks to the support of the CNRS, the Ministry of Foreign Affairs and the UNESCO. For months, he has shared the everyday life of the semi-nomads tribes Nyangatom, Mursi and Bodi, and has taken up the study of their musical repertories. The trek, of several hundred kilometres along the Omo river, in such an amazing natural environment, led him to the heart of Humanity with its peculiar mores, customs and habits. 

              Greatly endearing, these men and women live in a world whose balance is precarious. These recordings reveal the importance of this patrimonial, cultural and artistic heritage.


Benjamin Goldenstein & Patrick Frémeaux





The Warrior-Shepherds From The Omo Valley - Ethiopia - 01 - Introduction: Troupeaux De Zébus Aux Paturages (1:01)
The Warrior-Shepherds From The Omo Valley - Ethiopia - 02 - Loniyang: Monodie (2:36)
The Warrior-Shepherds From The Omo Valley - Ethiopia - 03 - Loutouleniyang: Monodie (1:49)
The Warrior-Shepherds From The Omo Valley - Ethiopia - 04 - Lopelouk, Suivi De Lobokhiniyang (6:11)
The Warrior-Shepherds From The Omo Valley - Ethiopia - 05 - Lokengkori (1:48)
The Warrior-Shepherds From The Omo Valley - Ethiopia - 06 - Chants Des Vieux Bergers De La Génération Des Élephants (3:35)
The Warrior-Shepherds From The Omo Valley - Ethiopia - 07 - Loumougoulmoye: Chant Collectif Mixte (3:07)
The Warrior-Shepherds From The Omo Valley - Ethiopia - 08 - Chant De Travail: Duo Féminin (2:53)
The Warrior-Shepherds From The Omo Valley - Ethiopia - 09 - Niameley Ye Loporiang (4:40)
The Warrior-Shepherds From The Omo Valley - Ethiopia - 10 - Rienga Rienga Loporiang (6:08)
The Warrior-Shepherds From The Omo Valley - Ethiopia - 11 - Aleke Lokholoya (4:50)
The Warrior-Shepherds From The Omo Valley - Ethiopia - 12 - Flûte Mursi Morou (1:50)
The Warrior-Shepherds From The Omo Valley - Ethiopia - 13 - Oletchay (1:04)
The Warrior-Shepherds From The Omo Valley - Ethiopia - 14 - Naboula Nadongulu (1:44)
The Warrior-Shepherds From The Omo Valley - Ethiopia - 15 - Nangwayna Kara (1:25)
The Warrior-Shepherds From The Omo Valley - Ethiopia - 16 - Badio Laute (1:45)
The Warrior-Shepherds From The Omo Valley - Ethiopia - 17 - Kalalalibosso (1:13)
The Warrior-Shepherds From The Omo Valley - Ethiopia - 18 - Flûtes Morou (2:26)
The Warrior-Shepherds From The Omo Valley - Ethiopia - 19 - Kaenaniye (1:01)
The Warrior-Shepherds From The Omo Valley - Ethiopia - 20 - Komdaye (1:01)
The Warrior-Shepherds From The Omo Valley - Ethiopia - 21 - Ayolo Deguelaye (1:08)
The Warrior-Shepherds From The Omo Valley - Ethiopia - 22 - Noukouregnanineye (1:11)
The Warrior-Shepherds From The Omo Valley - Ethiopia - 23 - ADJenoloynetch (0:35)
The Warrior-Shepherds From The Omo Valley - Ethiopia - 24 - Flûtes Morou (1:02)
The Warrior-Shepherds From The Omo Valley - Ethiopia - 25 - Ambiance De Fête Au Village De Gui Ha (1:14)
The Warrior-Shepherds From The Omo Valley - Ethiopia - 26 - Trompe Trounotey (1:22)
The Warrior-Shepherds From The Omo Valley - Ethiopia - 27 - Danse Et Chant Collectif Mixte Pour Les Troupeaux (1:27)
The Warrior-Shepherds From The Omo Valley - Ethiopia - 28 - Duo Vocal Féminin (5:02)
The Warrior-Shepherds From The Omo Valley - Ethiopia - 29 - Epilogue: À Ce Voyage Musical… (1:05)



Thursday, July 16, 2015

v.a. - Ethiopia : The Falasha & The Adjuran Tribe [FW04355,1975]








Introduction 


The tribal cultures of Eastern Africa, and in fact, the world, are fast disappearing. Within twenty years, Kenya will reach the take-off point of economic development, and by the turn of the century, foreign industrialization will transform the pastoral nomadic way of life in Northern Kenya and Soutbern Ethiopia into a 19th-Century midwestern town. The ties of the people with the land will be broken. A major highway will run through Central Ethiopia bringing tourists and money to a country which does not have enough water for its own people, whose lakes are polluted and infested by lethal worms which produce incurable intestinal disorders.

As the world reaches the 21st-Century, the Ethiopians may not have enough water to drink, much less to wash their clothes. Men in Adis now wear socks and shoes, the children wear paisley shirts, yet in the South, in the semi-desert conditions, life is still survival; the people live from one day to the next trading goods, bartering, and praying for rain for the harvest. The legends of the past are only preserved in song, and the wandering bards are rarely seen,as they work in the fields as much as fifteen hours a day. A medicine man 1s rare, because the spirit of the old religions and customs are not permitted to continue in a culture which is fast breaking its way into the Twentieth Century. Mythology 1s song in Ethiopia, and the song is the experience of life o As the animals die, the songs of the water-hole and the market disappear; the deeds of the warriors who fought the Turks and the Egyptians are silenced forever.


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THE FALASHIM PEOPLE


One of the last traditionally Hebraic tribes of Ethiopia, the Falashim live in Ambover, in a village about ten miles ~om Gondar. In order to reach the village, one must either walk seven miles from where the bus stops, or take a Landrover over cow pastures and farming lands, through small valleys and over small hills. Quiet people, the Falashim still worship in the same traditions as their ancestors did 2,000 years ago.

Speaking Geez, the ancient language from which Amhara, the national language of Ethiopia developed, the Falasha worship in a small hut without an altar.


The Kohnian, or prayers, are conducted by the leader, while the other m@mbers chant and singo Geez is also the language used by the Coptic Church for prayer, but at times Hebrew words are interspersed. The
Falasha people used to conduct the service entirely in Hebrew, but since the time of the Sudanese War in 1892, when the Hebrew books were
burned, they have been praying in Geez.


The Falasbim believe that in 586 the first exiles from Babylon came through Egypt to Ethiopiao There are still other conclaves or groups of isolated Falasha who live around Gondar, in the GoJjam Province, but their numbers are steadily decreasing because of intermarriages.

The Falashim or Falasha people migrated from a very substantial community in Jerusalem, during the l7th, l8th and 19th Centuries.


The combination of the Turkish seizure of the Ethiopian seaboard, the plague which ravaged Jerusalem in 1838, and the unacceptance of the Armenians who persecuted the new Turkish subjects, forced the Falashim to flee to their present location.


In Ambover, one of the centers of the Falasha, the people live around the school, which was built in 1970, yet it is not uncommon for a
villager to live on an ajoining hilltop. The Falashim children learn three languages in school: English, Amharic, and Hebrew. Atter they reach the age of fifteen, they must either be accepted by the university in Addis, or go to work in the fields. Extremely poor people, the Falasha depend on the land to survive, yet farming La difficult without machines. The chanting of the Falasha is the celebration of life, and was recorded 8/11/72. The ceremony has rarely been heard.


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The Adjuran are a semi-nomadic group of wandering cattle herders who
live north of Isiolo, Kenya, and south of Dilla, Ethiopia, approximately a distance of 500 miles. The small, pastoral agricultural villages are along a road of tar, clay and dirt, which is sometimes non-existant in the mountains of the Maji Province o Part of the Garris Tribe, 'N'hich is Berber, these people make temporary shelters, trade, barter, and raise cattle. Their music is traditional; singers, dancers, religious nomads, Moslems, who raise their hands in trance-like dances, undulate their bodies, inhale/exhale short audible modulations of poly- rhythmic chanting. With their raised arms, the Adjuran hop together, lifting one foot, jumping three or four feet into the air, imitating their camels which graze a short distance awiay, licking a white powder from their hands.

Like the Garris, the Burgia, the Borana, the Adjuran also sing ot the camel, the King, the cow and the baby.The love of man for man is instinctual; it is revealed in the actions of the dance - the ritual play of the animal or man, even before there was speech. The King, Emperor Haile Selassie, is praised as a hero, for letting the people be free (not for letting them live in destitution).  Although the tribes are rounded up by the local police and ushered intothe villages for the ceremonial festivities of the Emperor's eightieth birthday, they do not regret coming because they are permitted to eat all the raw meat they can  the two-day celebration. Tedj, honey-mead beer, is abundant, and this is the event when camel herders arrive in Moyak to talk, love, reminisce, and barter their goods o The Borana come across the border from Kenya, and the Rindilla sine on the water barrels.





   Jewish Community in Gondar, Ethiopia   





01 - Members of the Falasha Tribe recorded in Ambover & Ethiopia - Falasha: The Complete Ceremony of Shabbat Shalom (24:15)

02 - Jella Madi, Hussien Hassen, Hurene Kyah, Abdi Ebrahim, Abdula Kenteno, Addulahe Aden, Gado Abdi & Ade - Camel Song (7:13)
03 - Jella Madi, Hussien Hassen, Hurene Kyah, Abdi Ebrahim, Abdula Kenteno, Addulahe Aden, Gado Abdi & Ade - Song of the King (5:46)
04 - Jella Madi, Hussien Hassen, Hurene Kyah, Abdi Ebrahim, Abdula Kenteno, Addulahe Aden, Gado Abdi & Ade - Cow Song (4:53)
05 - Jella Madi, Hussien Hassen, Hurene Kyah, Abdi Ebrahim, Abdula Kenteno, Addulahe Aden, Gado Abdi & Ade - Baby Song (5:46)

06 - Various Artists - Judiac Falasha (2:38)



Friday, June 5, 2015

v.a. - Golagul - Chants d'amour et de resistance [eritrea] [1999]

      
   R   E   U   P   L   O   A   D   


                       Eritrea, ancient province Ethiopia became independent at the beginning of the 90's and has lived a painful history. But nothing has ever prevented the people of Eritrea from singing, and not even the numerous famines. 

               The People of the plain of Zula (Afar, Tigré and Saho) give rhythm to their everyday life in simple, repetitive singings. The leader, man or woman, throws a comment on rhythms (handclaps and kebero percussion), the others start again, insisting on the same rhythmic, as an obsessive loop. History the concern of protecting the culture and politics, stimulates more than a singer. " On one hand, he killed you, whereas on the other one he fed you " tells a Saho about Haile Sélassié.

            A kebero is a double-headed, conical hand drum used in the traditional music of Eritrea and Ethiopia. A piece of animal hide is stretched over each end, thus forming a membranophone. A large version of the instrument is also used in Orthodox Christian liturgical music, while smaller versions are used in secular celebrations.




01. Ana meto agébé [Tigré Tribe] 2:57
02. Ayrègèdè [Afar Tribe] 2:05
03. O'h yéharshema [Saho Tribe] 2:34
04. Haleto lale lalô [Saho Tribe] 2:19
05. Sêda [Afar Tribe] 3:05
06. Toriyota [Afar Tribe] 1:38
07. Erab Ghedam [Tigré Tribe] 3:48
08. Adate [Tigré Tribe] 2:59
09. Aran heutoukta [Saho Tribe] 6:41
10. Innyo soklié [Saho Tribe] 3:39
11. Kéké [Afar Tribe] 2:31
12. Sänädirlê [Saho Tribe] 2:24
13. Farum Ghedan [Saho Tribe] 6:46
14. Selâm [Tigré Tribe] 3:49
15. Yewêlâlè [Tigré Tribe] 2:17
16. Erytrea nèdègé [Saho Tribe] 4:24
17. Worada [Saho Tribe] 4:13
18. Lâleh [Afar Tribe] 2:47


Thursday, April 30, 2015

v.a. - [2009] - Southern Ethiopia - music of the Maale [praises and blessings] [ethiopia]










Maale are one the 40 ethnic groups of southern Ethiopia. 

The Maale music is very rich. It encompasses a cappella polyphonic singing, vocal polyphonies accompanied on the lyre, whistled polyphonies, solo flute playing, flute orchestras, horns, drums, and it displays a great originality in the vocal and instrumental techniques. 

For the Maale, music is the mean of a constant exchange between generations. The youngest ('children') praises the eldest ('fathers') and the eldest bless the youngest. Thus the music appears as a strong factor of social cohesion.




01 - Southern Ethiopia - Music of the Maale - Maale Zoro (2:44)
02 - Southern Ethiopia - Music of the Maale - Andalko (5:05)
03 - Southern Ethiopia - Music of the Maale - Abi (4:01)
04 - Southern Ethiopia - Music of the Maale - Dami (4:03)
05 - Southern Ethiopia - Music of the Maale - Irbe wala (2:37)
06 - Southern Ethiopia - Music of the Maale - Haya Haya Bolado (2:46)
07 - Southern Ethiopia - Music of the Maale - Nay malkiti (0:52)
08 - Southern Ethiopia - Music of the Maale - Gaade (4:08)
09 - Southern Ethiopia - Music of the Maale - Meni merti (3:30)
10 - Southern Ethiopia - Music of the Maale - Alo be (2:07)
11 - Southern Ethiopia - Music of the Maale - Shulungo (0:59)
12 - Southern Ethiopia - Music of the Maale - Aleko (3:34)
13 - Southern Ethiopia - Music of the Maale - Ank'ado (1:29)
14 - Southern Ethiopia - Music of the Maale - Are Indo (Pele) (3:42)
15 - Southern Ethiopia - Music of the Maale - Are Indo (Golo) (4:57)
16 - Southern Ethiopia - Music of the Maale - Salo (3:03)
17 - Southern Ethiopia - Music of the Maale - Durungo (1:34)
18 - Southern Ethiopia - Music of the Maale - Irbo Nay Koysi (3:49)
19 - Southern Ethiopia - Music of the Maale - Be Ta Belio & Olize (4:40)
20 - Southern Ethiopia - Music of the Maale - Kaye (1:16)
21 - Southern Ethiopia - Music of the Maale - Sorayti (1:17)
22 - Southern Ethiopia - Music of the Maale - Makanka dorba (2:40)
23 - Southern Ethiopia - Music of the Maale - Osta (2:59)







Friday, November 21, 2014

v.a. - Traditional music ensemble of the Ras-Theatre, Addis Ababa, Ethiopia [1982] [Melodiya, C80-17751-2]






Ras Theatre - Dedero







traditional music ensemble of the ras theatre - yaniti (4:35)
traditional music ensemble of the ras theatre - ethiopia adei (3:30)
traditional music ensemble of the ras theatre - our country (3:57)
traditional music ensemble of the ras theatre - dedero (3:29)
traditional music ensemble of the ras theatre - yabishan bira (5:55)
traditional music ensemble of the ras theatre - peace to the proletariat (2:48)
traditional music ensemble of the ras theatre - belew belew (3:59)
traditional music ensemble of the ras theatre - the militant communist (3:52)
traditional music ensemble of the ras theatre - rebahel zemeslar (3:22)
traditional music ensemble of the ras theatre - tizita (3:41)



Tuesday, September 30, 2014

Thursday, May 15, 2014

Petites Planètes - Now Ethiopia • GAMO GAMO • Tribal songs from the south [2012] [ethiopia] [FLAC}



originaly posted HERE :



GAMO GAMO • tribal voices from the south






1. Aba Chefo   07:14
2. Gamo   07:41
3. Oho Amba   05:45
4. Funeral Polyphony   02:44
5. Dita   08:30



recorded by Vincent Moon & Jacob Kirkegaard 
in Addis Ababa, Ethiopia

may 2012 

mixed by Jacob Kirkegaard