v.a. - Beyond Addis [Contemporary Jazz & Funk of Ethiopian sound from 70s] [2014]

   R   E   U   P   L   O   A   D   

       Beyond Addis is a collection of contemporary bands (compiled by J. J. Whitefield) inspired by Ethiopian music from the 70′s and features the likes of Akale Wube, Budos Band, Shawn Lee’s Ping Pong Orchestra, The Heliocentrics and more.

    The music of “Swinging Addis” of the 70′s was a clash of opposite elements: western instruments (drums, bass, guitar, horns) and the stylistic influence of Jazz, Soul, R&B and Rock’n’Roll bumping into traditional techniques of singing and composing, a legacy of Ethiopian popular music. 

    Mastermind of this revolutionary mix was Mulatu Astatke. Now, this compilation gives an overview of the work of young bands around the world inspired by Ethiopian music.

01. Akalé Wubé - Jawa Jawa (Alternate Take) (4:48)
02. The Heliiocentrics - Phantom of the Panther (2:21)
03. Imperial Tiger Orchestra - Yefikir Woha Timu (4:52)
04. Budos Band - Origin of Man (4:54)
05. Shawn Lee's Ping Pong Orchestra - Ethio (3:43)
06. Woima Collective - Woima (3:16)
07. Les Frères Smith - La Marche Des Smith (5:55)
08. Karl Hector & the Malcouns - Girma's Lament (2:55)
09. Zafari - Addis Ababa (3:39)
10. Whitefield Brothers - Sem Yelesh (3:22)
11. Transgressors - Beyond Addis (4:03)
12. Tezeta Band - Drop It! (4:53)
13. The Shaolin Afronauts - The Scarab (4:55)
14. Debo Band - Trek from Ethiopia (Part 1) (4:59)

bonus track - vinyl edition
15. International Ducks - The Green Cow (3:27)

Afro-Zen Allstars - Live @ WRIR!!! [2015] [usa+eth]

                 Afro-Zen Allstars' primary inspiration is the the haunting and danceable sounds created during Ethiopia's "Golden Age" (late '60's-mid '70's). This is music that takes hold of both mind and body and never let's go, and Afro-Zen Allstars present it in updated form with compelling new arrangements and world-class soloists.

            Established by guitarist/arranger George M Lowe, Afro-Zen Allstars features the formidable talents of past and present members of such luminary Richmond ensembles as Bio Ritmo,   No BS Brass!, Rattlemouth, Fado Nosso, Glows In The Dark, Hotel X, Monk's Playground, The Flavor Project, Ululating Mummies, and more. 

Afro-Zen Allstars - Bemin Sebeb Litlash

CJ Alicea, drums
Adrien Bayo, percussion
Brian Cruse, bass
John Lilley, alto and tenor sax
George M Lowe, founder, guitar and arrangements
Chris Sclafani, baritone and alto sax
Chris Vasi, guitar
Toby Whitaker, trombone



Afro-Zen Allstars - 01 - Yekermo Sew (6:00)
Afro-Zen Allstars - 02 - Lemon (Lomiwen Teqebeletch) (4:53)
Afro-Zen Allstars - 03 - Netsanet (6:27)
Afro-Zen Allstars - 04 - The Pillar of Truth (Yewnet Messosso) (5:00)
Afro-Zen Allstars - 05 - Muziqawi Silt (6:27)
Afro-Zen Allstars - 06 - Here Is Freedom (4:57)
Afro-Zen Allstars - 07 - Yekatit (4:21)

Sun Hop Fat - Sun Hop Fat [EP] [2013] [usa+eth]

          For years Sun Hop Fat has been at the forefront of introducing the unique sounds of Ethiopian Jazz to the masses. The music blends the rhythms of traditional American funk (James Brown, Parliament) and jazz (Yusef Lateef, Miles Davis) with harmonies and melodies from East Africa. The result is an up-tempo groove machine that borrows harmonies from the Middle East. The music focuses primarily on arrangements from the “golden era” of Ethiopian Jazz but includes original compositions as well. This all-star band includes standout musicians from other popular San Francisco Bay Area groups.

           Sun Hop Fat has developed a solid following throughout Northern California by playing a number of clubs and festivals. The ability of the band to captivate sit down jazz crowds as well as steal the spotlight in prime festival slots, encouraging crowds to get up and dance, makes the group flexible in its appeal and garners support from diverse audiences.

      

Sun Hop Fat @ DNA Lounge

Sun Hop Fat - 01 - Dewel (3:20)

Sun Hop Fat - 02 - Kasaleftkut Hulu (9:08)

Sun Hop Fat - 03 - Sabye (6:09)

Anthony Ant - Trumpet 

Dave Eagle - Congas 

Jeremy Greene - Tenor/Alto Saxophone 

Nicholas Gyorkos - Trombone 

Dii Martin - Guitar 

Harrison Murphy - Keyboards  

Christopher Noonan - Baritone Saxophone 

Daniel Silberstein - Percussion 

Randy Schwartz - Drums 

Jesse Sheehan - Tenor Saxophone 

Jesse Toews - Bass 

Sun Hop Fat just released their first album. You can find it here on bandcamp site > Sun Hop Fat debut album

Lasta Sound - Lasta sound [2010] [usa +ethiopia]

       The name “Lasta Sound” evokes imagery of ancient Ethiopian culture and civilization. Lasta is one of Ethiopia's ancient regions, having been immortalized in songs and stories both from within Ethiopia and without. 

Lasta Sound - ጥቁር ሴት (Black Woman) - From the movie Journey to Lasta

          Lasta Sound exploded onto the scene in 2002, Lasta Sounds music was ultra modern in its arrangement, and production. It melded elements of Ethiopian music with Reggae, Funk and a dash of Afro-Cuban flava. The core of Lasta Sound consisted of Kirubel Assefa on Bass/Musical Director, Teferi Assefa on Drums and Tsegaye Selassie as Vocalist. 

        They introduced their self titled debut CD, “Lasta Sound”. They had conscious, forward thinking lyrics, with well thought out hooks and awesome driving bass lines. It was an auspicious debut. Lasta Sound was featured in Wondwossen Dikran's independent movie entitled “Journey to Lasta”. The soundtrack was also the recipient of Best Music Award at the New York International Independent Film and Video Festival in 2005. Kirubel, Tsegaye and Teferi were featured as the principal characters in the movie. 

      Subsequent appearances and performances cemented their appeal within their fans. Their fans response in Ethiopia was overwhelming. Lasta Sound is on the rise again.This time, Kirubel took on a larger role, as Musical Director/Producer/Writer and moved over as keyboard player. Tsegaye brings his incredible stage presence, and vocal talents. Mesgana Mulat on bass. Replacing Teferi on drums is Reggie Spivey. Kamasi Washington on Saxophone, and Ryan Porter on Trombone. 

The first single from the sophomore effort is entitled “Maraki”. In the context of the song, Maraki means “the girl who has captured my heart”. It’s an ode to a beautiful girl whose physical beauty and charm has rendered Tsegaye defenseless, and he professes his love and adoration for her. Sung for the most part in Amharic, it’s infused with reggae, while still retaining its Ethiopian musical sensibilities.

Lasta Sound - 01. Tekur Set (Black woman) (4:42)

Lasta Sound - 02. Mela Belu (5:37)

Lasta Sound - 03. Kidest Hagere Ethiopia (4:33)

Lasta Sound - 04. Kedashgn (4:49)

Lasta Sound - 05. Ethiopiawit Konjo (5:57)

Lasta Sound - 06. Negsalech (4:35)

Lasta Sound - 07. Prophecy (4:44)

Lasta Sound - 08. 6 Kilo (4:40)

Lasta Sound - 09. Mochalehu (5:28)

Lasta Sound - 10. Lasta Solution (3:37)

   band memebers :   

Kirubel Assefa – Bass, Keyboard & Hammond B3 Organ, & Background Vocals

Tsegaye Selassie – Lead & Background Vocals

Mike (Ras Mike) McTaggert - Guitar

Kamasi Washington - Saxophone

Ryan Porter - Trombone

Johnny Blackman - Drums

Aziz Saye - Percussions

Feedel Band - various songs [usa+eth]

        Feedel Band is a Washington DC based Ethio-Jazz Band and has been performing as a self contained unit, as well as supporting Ethiopian artists like Tilahun Gessesse, (The king of Ethiopian pop music), very recently with Aster Aweke (The queen of Ethiopian soul music) on her current “Ewedihalehu” or "I love you" US tour.

       Feedel band’s is founded in 2010 by Araya Woldemichael, and weeks later, his current band members joined him and together they have formed the first native Ethiopian group in north America as an Ethio -jazz music-oriented band that starred Moges Habte on Sax, Alemseged Kebede on Electric bass, Araya Woldemichael on keyboards and Samson Juffar on drums. After Samson Juffar’s departure to Ethiopia, drummer and percussionist Mikias Abebayehu took Samson’s place. In addition to guitarist Kaleb Temesgen and  drummer J , Trombonist Ben Hall and krarist Minale Bezu, the band found Its own and a very unique Ethio - jazz  sound. 

       Feedel or (alphabet) are Ge’ez script and a unique Ethiopian characters that are entirely phonetic structured in seven columns. In other words, each character in the Geez Feedel system has seven sounds. Feedel are not only a dazzling of human creativity but also, in practical terms, a powerful medium for communication and social interaction. The power of Feedel resides in the characters ability to represent virtually every sound. The ancient Ethiopians, who invented Ethiopic writing system, were poised, it seems, to capture and harness all sounds in the universe.

Feedel Band - Belhame

            Since 1997 the Éthiopiques series has made Ethiopian music a hipster obsession, exposing jazz heads and rockists to the jazzy funkiness that emanated from East Africa in the ’60s and ’70s. (Never heard of the collection? You may have heard songs from Volume 4—there are now 29 volumes in total—in Jim Jarmusch’s 2005 film Broken Flowers.) 

             Feedel’s sax player Moges who was born in Addis Ababa, and can be heard performing the funky James Brown Band-influenced cut “Muziqawi Silt” on Éthiopiques’ Volume 13 with his ’70s group The Walias Band. On the other hand Feedel's bass player Alemseged  Kebede's great  groovy bass lines can be found in Aster Aweke and Tilahune Gessesse's music. Feedel Band’s sound can best be described as a merging of ’60s R&B, funk and jazz with traditional Ethiopian songcraft. 

Feedel Band - Araya's Mood

       Feedel Band is taking Ethiopian music and Jazz, and blending it into a simmering stew of musical genre’s, textures and feeling. These boys have real feel – for their music, for their audience and for each other. Playing with maturity and passion is second nature to all of them ... 

       Feedel band has devoted much of a creative career spanning almost 20 years to this eternal, inspiring form - the very base and roots of Ethio-jazz.... gather inspiration from The Golden Age of Ethiopian popular music in the late 1960s and 70s— a time that had Addis Ababa littered with groups playing a brass-heavy concoctions influenced by American soul and jazz. So here they are, as enthusiastic as ever - Ethiopian's finest, most skilled practitioners in the art of the Ethiopian music. They take their newly created original pentatonic melodies and repurpose them with mutated instrumentation like 60s and 70s-era Ethiopian grooves: Congas, electric Guitar, Bass, Saxophone, traditional Krar, Masinko, Piano, Organ, Trombone and Drums. 

     What sets Feedel Band apart from other acts that play Ethio-Jazz style of music is that they commonly hybridize the regular Jazz style with Ethio-Jazz genres, or modernized the sound with out loosing its original traditional texture or feeling. The energy and power is overwhelming. They are creating and in some cases re-creating the musical language of what has been called Ethio -Jazz. 

      Since the bands inception, the reception that Feedel has received has been extraordinary. At FestAfrica 2011, APAP showcase "Drom" New York City, World cafe live Philadelphia, Global roots festival Minneapolis, MN and  most recently at The Kennedy Center in 2014 and the audience was enamored with their warm and engaging style. While their music is inspired by the Golden Age of Ethiopian popular music, but Feedel Band always perform their own original music. 

       Their newly released CD is called “Ethiopian Ocean” 

                           Feedel Band on Soundcloud : here   

   Feedel Band official site : here   

01 - Feedel Band - Tropicalia 8-2-14 (6:21)

02 - Feedel Band - Araya's Mood (8:24)

03 - Feedel Band - Girl from Ethiopia (7:35)

04 - Feedel Band - Ethiopian Ocean (Ye Ethiopia Baher) (10:32)

05 - Feedel Band - Behelme (5:54)

06 - Feedel Band - Feedel Band (8:01)

07 - Feedel Band - Mestafaker (6:41)

Mister Ott - Live at Bohemian Grove [2012] [aus+eth]

       Mister Ott is the alter ego of Matt Ottignon, Sydney based Kiwi saxophonist. In particular, Matt has a keen interest and involvement with the very unique sounds of Ethiopian music. It’s that unique mixture of traditional music with jazz and soul from the 50's and 60's that is the inspiration for Mister Ott - music that washes away the dust of everyday life and gives the soul room to breathe.

MISTER OTT - Gonder [composed by Matthew Ottignon]

     Live at Venue 505, 15th June 2013

Recorded live on Sep 2nd, 2012, at Sydney's underground Sunday music series at Bohemian Grove. 

This was the band's first performance, and features all covers of Ethiopian music. The band name became Mister Ott some time after the artwork was created for this recording.

released 09 February 2012 

01 - Mister Ott - Akale Wube (Getatchew Mekuria) (5:32)

02 - Mister Ott - Yekermo Set (Mulatu Astatke) (7:27)

03 - Mister Ott - Ye Woyen Haregitu (Alemayehu Eshete) (6:13)

04 - Mister Ott - Chik Chikka (Mulatu Astatke) (7:22)

05 - Mister Ott - Kulun Mankwalesh (Mulatu Astatke) (3:53)

06 - Mister Ott - Yekatit (Mulatu Astatke) (8:40)

07 - Mister Ott - Eywat Sentenafegagn (Getatchew Mekuria) (5:12)

08 - Mister Ott - Muziqawi Silt (Wallias Band) (5:42)

Matt Ottignon - tenor sax, flute 

Ellen Kirkwood - trumpet 

Mick Stuart - guitar 

Luke Dubber - keys 

Eden Ottignon - bass 

Dan Kenedy - drums 

Engineer - Mick Stuart (on his portable recording rig) 

Mulatu Astatke - Mochilla presents timeless Mulatu Astatke [2010] [ethiopia]

   R   E   U   P   L   O   A   D   

Mulatu Astatke - Timeless (Live)

       Ethiopian composer/arranger/vibraphonist Mulatu Astatke reached a lot of Western ears in the ‘90s when the fourth installment of the Ethiopiques series featured his work. That album presented innovative recordings from the ‘60s and ‘70s that fused jazz and Ethiopian sounds. Astatke got more exposure when some of his pieces were used in the soundtrack for Jim Jarmusch’s Broken Flowers. 

       

       In 2009, Astatke and a fine group of American musicians performed at California State University, Los Angeles, and Timeless captures the concert. Featured players include woodwinds wizard Benny Maupin, former McCoy Tyner sideman Azar Lawrence on tenor sax, and trombonist and Tribe veteran Phil Ranelin. A number of younger players also make contributions, including keyboardist Brandon Coleman, violist Miguel Atwood-Ferguson, and trumpeter Todd Simon, who displays a nice feel for Ethiopian scales. 

     Astatke’s vibraphone solos are always welcome, and if you had to pick a standout track it would be “Mulatu,” where the band finds a deep groove.

1. Mulatu Astatke - Yèkèrmo Sèw (7:32)

2. Mulatu Astatke - The Radcliffe (8:29)

3. Mulatu Astatke - I Faram Gami (7:45)

4. Mulatu Astatke - Yèkatit (7:15)

5. Mulatu Astatke - Kasaléfkut Hulu (8:05)

6. Mulatu Astatke - Mulatu (7:10)

7. Mulatu Astatke - Munayé (7:47)

8. Mulatu Astatke - Yègellé Tezeta (5:24)

9. Mulatu Astatke - Ebo Lala (6:31)

Bass Clarinet, Flute, Soprano Saxophone – Bennie Maupin

Drums – Tony Austin

Drums [Hand], Percussion – Munyungo Jackson

Electric Bass, Acoustic Bass – Trevor Ware

Electric Guitar – Dan Ubick

Electric Piano, Piano, Organ – Brandon Coleman

Percussion – Alan Lightner

Tenor Saxophone – Azar Lawrence

Trombone – Joel Yennior, Phil Ranelin

Trumpet, Flugelhorn – Todd Simon

Viola – Miguel Atwood-Ferguson

Vibraphone, Percussion – Mulatu Astatke

Tezeta Band - Tezeta Band EP [usa] [2010]

                                 
                                               R  E  U  P  L  O  A  D   

           Tezeta Band is the sound of memory, of nostalgia, of sweaty soulful dance music, part jazz, part motown, part Ethiopian folk music, inspired by and arranged from the Golden Age of Ethiopian music, the late 1960’s and early 1970’s. Imagine James Brown, Elvis Presley, and John Coltrane merged into one sound, one source, melting together in the clubs and lounges of Ethiopia.

      Tezeta Band is a musical reunion of The Five Fingers of Funk (Talbott Guthrie-drums, Ted Hille - Saxophone, Tim Cook - Keyboards, Curt Bieker -  Trombone & Josh Prewitt - Trumpet) formed in 1992 with rapper Pete Miser. For nearly ten years, the Five Fingers were the premier 100% Live Northwest Hip-Hop experience that rocked stages from Portland, Oregon to Portland, Maine and opened for such acts as De La Soul, The Roots, Maceo Parker, Fishbone,Run DMC, Digital Underground, Bootsy Collins and The Greyboy Allstars. 

myspace page

      Now, with the help of Brent Martens (From Asylum Street Spankers and currently the Escapists, Royal Motel Orchestra, and Duo Royale) and Bassist/Composer John Teagle. In 2006 the idea for the band came after a few members came across the Ethiopiques CD series and were inspired to put together a weekly session based on this music. Quickly realizing that they were on to a new challenge that was both exciting and unique, the band was formed and has evolved since.

The Black Jesus Experience - Arada/Brand New World [2011] [EP] [australia+ethiopia]

The Black Jesus Experience - Arada

       Black Jesus Experience is an 8-10 piece band playing an irresistibly danceable blend of traditional Ethiopian song and 21st century groove. With backgrounds as diverse as the 5 continents the members of 'BJX' hail from, their music reflects the multicultural vibrancy of the band's hometown, Melbourne, Australia.

         When not touring BJX run a weekly session at cultural hub The Horn where BJX create new songs live on stage. The comfort BJX has with this practice lies in the improvising traditions of that feed BJX including hip hop, jazz, azmari and rutu pa'u.

           The music is also fed quite literally before each performance by the ritual of a group meal prepared by singer Enushu and MD Peter Harper in the Ethiopian tradition, "those who eat from the same plate will not betray each other". This inspires and reinforces bonds musical, social and spiritual, bonds BJX invite their audiences to join.

         Enushu began entertaining her local community as a child in Addis Ababa. Forced to leave Ethiopia, Enushu migrated to Australia bringing hauntingly beautiful compositions inspired by her remarkable life story and the unique vocal traditions of Ethiopia. Enushu is joined on vocals by poetic giant and lyrical miracle The Monk, Zimbabwe born and Outback bred.

      Highlights for BJX include two tours of "the Motherland" Ethiopia, performing sellout shows with Ethiojazz legend Mulatu Astatke in Europe and Australia (an association which won BJX and Mulatu "The Age Best Tour" award) Glastonbury, Big Chill, City Of London Festival, WOMADdelaide, the Big Day Out, Golden Plains and Melbourne International Jazz Festival and supporting Tony Allen among other great festivals.

        The rhymes and chimes of Black Jesus Experience deliver the power and beauty of Africa through the vocal prism of Hip-Hop and freedom of Funk.

   Discography :    

Dark Light (2009)

Yeluinta (2010)

Migration (2014)

    band members are :    

Enushu Taye - vocals
Peter Harper - tenor saxophone, composer
Ian Dixon - trumpet, flugelhorn, composer
Liam Monkhouse - mc/vocal
Chris Frangou - electric bass
Matt Head - drums
Hue Blanes - keyboards
Nashua Lee - electric guitar

                 listen Black Jesus Experience live stream here