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Showing posts with label modern ethiopian music. Show all posts
Showing posts with label modern ethiopian music. Show all posts

Tuesday, April 25, 2017

Helen Berhe - Tasfelgegnaleh [2010] [ethiopia]




   UPLOAD ON DEMAND   










         Widely Helen Berhe is best known with her single clip Uzaza Allina. As this single clip is a Sudanese (Arabic) beat, the Addis born Ethiopian Helen Berhe is usually believed to be a Sudanese singer.






Helen Berhe - Uzaza Alena




                Recently, with the Ethiopian New Year, Helen Berhe staged out with her new album, known as “Tasfelegnaleh!” (I need you!). In relation with her album, the widely circulated Amharic weakly, “Addis Admass” has conducted a brief interview with her. Here is presented the translation of the interview.

      While others could not achieve wide acceptance and acknowledgement with their consecutive albums, Helen simply proved to be the best, with “Uzaza Allina” that usually viewed via television channels, YouTube and promoted her in a brief moment. The clip “Uzaza Allina” composed both in Arabic and Amharic replaced her natural and legal name Helen Berhe. 

               This young vocalist now came to the stage with her new album “Tasfelegnaleh”, after a three years tiresome preparation. This new album was released with the Ethiopian New Year. Addis Admass had conducted a brief interview with the emerging star on this new album and other related issues.











A.A: While you were a student many people say you were daily in Hager Fiker Theater? Is that true?

Helen: True. Since my childhood I had a special affection to music and dancing. I attend my high school at Menen School. While going and coming to school I visited Hager Fiker and enjoyed the music of the vocalists while they train. Their work got dominance on my soul and sometimes ignored my classes and went to Hager Fiker. One day I revealed my interest and asked the performance trainer to allow me to sing. He gave me the chance and listened my vocal and I song. “Your sound should be tamed” he told me later. He understood that my interest was high and allowed me to observe while the professionals sing and dance. This was a big opportunity to me. I followed my observation happily. 

I spend my schooling time in Hager Fiker, with out the knowledge of my family. Finally at the eve of a new year I was allowed to perform at the stage of Hager Fiker as a dancer.

A.A: Does that mean the Theater house recruited you?

Helen: No, I was not paid. But that was nothing to me. What was important to me was to be seen at the stage of Hager Fiker. Thus usually I continued to train at Hager Fiker. In the meantime some people from aboard came and asked to take me abroad. Even if they were told that I am still an amateur, they insisted and took me to Bahrain. 

A.A: How old were you then? Did your family agreed?

Helen: I was 18. I didn’t complete my high school. I took matriculation after I came back. My family didn’t know what really was happening and could not believe when I informed them that I am leaving to Bahrain. I was determined to leave, however, and could not deter me from leaving and with sorrow let me to go.

A.A: When does that happen? For how long did you stay at Hager Fiker? 

Helen: I went to Bahrain in 2002; I stayed at Hager Fiker not for more than 3 months. 

A.A: What happened in Bahrain, what was the reaction of your audience?

Helen: I staged in a Hotel known as Seychelles. Seychelles and Awol are two famous Hotels managed by a single owner. At a shift of every half month, I was staging in both hotels. There the vocalist and dancer is a single person. While you sing you dance. In their culture presents given to the performer are bunches of flowers. The spectator comes with a bundle of flowers and presents to the performer whom he admires. Finally these bundles of flowers will be collected and sold. We share the income of the sale equally with owner of the hotel. This is an extra income, on top of our salary. Really it was a good income. In their culture giving money to a performer is a taboo. And every spectator comes with bundles of flowers. 






Helen Berhe - Yene Geta





A.A: How much was your salary?

Helen: My salary was 500 USD per month.

A.A: the amateur Helen at Hager Fiker, became professional at Bahrain?

Helen: When I left to Bahrain I was neither a performer nor a vocalist. I had the love and affection, but not actually the desired experience. There in Bahrain, my compatriots like Abnet Agonafir, Minalush Reta and Ismael Idris shaped me to follow the right direction. 

A.A: For how long did you stay in Bahrain? How did you challenge home and family sickness?

Helen: I stayed in Bahrain for 2 years. It was a difficult time. Thought I got the material gains I was not free and left to Dubai.

AA: while you came out to the public with Uzaza Allina did you get the consent of the singer?

Helen: Yes, In Dubai I performed at Palm Hotel. The singer of Uzaza Allina, Nada, came to the hotel while I was performing. I was singing a Sudanese music. After the show she asked me if I am willing to join her at her concert. She had a concert at Sheraton Gera in Dubai. And we discusses over it. On that concert she played Uzaza Allina. I liked it very much. I asked her consent to perform it in Amharic and she was more than willing. I came back to Addis and discussed over it with Amharic lyrics and poem artists. Eyobel Berhanu and Zelalem Terefe wrote the lyrics, poem and the basic lyrics. Wondimeneh Assefa composed it and reached the public.

A.A: Did you expect such an applaud.

Helen: I did not expect such an applaud. Tigist Woyisso came to Dubai and inquired me why I sit ideal while I have such a clip. She came with clip to Addis and handed it to ETV. The clip was arranged in haste while I was busy to go to Dubai and I did not expect such massive applaud. However, I was amazed with the public reaction.

A.A: How much did you benefit from the clip?

Helen: I got a priceless name and fame. The name of the clip /song/ has already replaced my legal and natural name. It helped me as a spring board to jump to the future. It reminded me to be courageous and visional. On top of that, I have got a financial benefit that could be achieved from a single clip. It helped me to perform in Africa, Europe and the Middle East. 










A.A: I heard you are coming up with a new album known “Tasfelegnaleh”. How much are you convinced with the quality of your work?

Helen: As I have told you earlier, I have got a wide applaud from my audiences. This indicates that my audiences expect something better than Uzaza allina. Therefore I have tried to work hard and to come with my best performance.

I have assigned all my time, money, talent and experience to this work. I brushed aside all things and concentrated on this. I am coming to my audience not only with my single talent but the talents and skills of Habtamu Bogale, Eyobel Berhanu, Zelalem Terefe, Tamrat Desta, Abel Mulugeta, Asnake Gebreyes, Alemayehu Demeke, Getish Mamo have accompanied me. Additionally, the best known composer Abegaz kibrework (Shewota) has composed my six beats. On top of that, for the first time in his career he arranged me one lyric. The rest 8 beats are composed by Wondimeneh Assefa who composed Uzaza Allina. Therefore, I think this work will be one of the best. 

A.A: Do you have clips.

Helen: From this album one music is arranged in a clip. The clip known as “Libe”, is directed by Sintayehu Sisay. It is a well arranged clip filmed in Addis Ababa, Ziway and Langano beach.

A.A: Now what do you feel? 

Helen: You see, for me now it is challenging. The work that consumed my time, money and talent with years of preparation is a big deal in my life. My excitement begins when I get the reaction of my audience.

Finally I want to thank to all my friends who granted me their all rounded assistance in all forms. My great gratitude goes to Migbar Mekete to his unlimited support.





Helen Berhe - 01 - Tasfelgegnaleh (4:42)
Helen Berhe - 02 - L'bbe (4:20)
Helen Berhe - 03 - Yene F'kr (5:00)
Helen Berhe - 04 - Zena Zena (5:34)
Helen Berhe - 05 - S'mh Aydellem (3:49)
Helen Berhe - 06 - Semay (5:33)
Helen Berhe - 07 - N'geregn (6:32)
Helen Berhe - 08 - L'hid (5:28)
Helen Berhe - 09 - Title 2 (5:07)
Helen Berhe - 10 - Kedugnam (4:48)
Helen Berhe - 11 - Athun Yelela (6:08)
Helen Berhe - 12 - B'semahakta (5:01)
Helen Berhe - 13 - Attasferaragn (4:24)






Mulatu Astatke - Mulatu of Ethiopia [1972] [FLAC]




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        Mulatu Astatke might be most known to international audiences through his tracks on the excellent Ethiopiques CD anthology series of Ethiopian music. Long before those tracks were compiled for that series, however, he had an American release with this 1972 instrumental album, on which he's billed as "Mulatu of Ethiopia." 











       Like much of the best of the circa-early-'70s contemporary Ethiopian music on Ethiopiques, it's a fine, at times captivating blend of late-'60s American soul and jazz with Ethiopian music, resulting in something not quite comparable to anything else. 









     It is undeniably funky, with wah-wah guitar and organ aplenty. There's plenty of contemporary jazz in the arrangements, too, the sax runs sometimes showing the influence of the likes of John Coltrane. Yet there's a melancholy minor cast to the melodies that marks this off as something quite different, and the rhythms likewise have irregularities that are more African than American. The only major strike against the LP is its short running time, with the seven tracks adding up to a mere 26-and-a-half minutes or so.







get it in FLAC !!!


Monday, April 24, 2017

Dereje Mekonnen - Dereje Mekonen With Shebele Band [ethiopia]










                  Dereje Mekonnen began his career in the early 1980s as a keyboardist in the Ibex band, who accompanied the R&B singer Mahmoud Ahmed on three albums. He then founded the formation Dallol, a reggae band with whom he played in Chicago and accompanied Ziggy Marley on his albums Conscious Party (1988) and One Bright Day (1989), which were awarded the Grammy. 

              After numerous tours with Ziggy Marley and the Melody Makers, he founded the band Gizzae in 1991, with whom he performed primarily in Chicago and the Midwest of the USA. He also worked with Ethiopian musicians such as Tilahun Gessesse and Ephrem Tamiru. He also produced the first album of Ejigayehu Shibabaw, One Ethiopia (1998). 

                     Dereje Mekonnen died at the age of 49.







Dereje DJ Makonnen - Alemen Zorialehu [ደረጄ መኮንን አለምን ዞሪያለሁ]





Dereje Mekonen with Shebele Band - 01 - Etitu Beredegn (6:13)
Dereje Mekonen with Shebele Band - 02 - Yagere Lidje (6:34)
Dereje Mekonen with Shebele Band - 03 - Selewebetu Sadenk (5:02)
Dereje Mekonen with Shebele Band - 04 - Atawerulegn Lela (4:33)
Dereje Mekonen with Shebele Band - 05 - Laley Laley (Tegregna (6:14)
Dereje Mekonen with Shebele Band - 06 - Temar Lidje (5:49)
Dereje Mekonen with Shebele Band - 07 -Emu Eadigere (Guragegna) (4:23)
Dereje Mekonen with Shebele Band - 08 - Besebara Fole (6:23)
Dereje Mekonen with Shebele Band - 09 - Shilela (3:52)
Dereje Mekonen with Shebele Band - 10 - Hagerua Wasa Megera (4:43)
Dereje Mekonen with Shebele Band - 11 - Yaleselesea (Oromegna) (4:27)




Sunday, April 23, 2017

Friday, April 21, 2017

Teodros Makonnen (with Mulatu Astatke) - Memories [2000] [ethiopia]















Teddy Mak - Wetatuan Lij




Teodros Makonnen - 01 - Japanwan Wedije (6:54)
Teodros Makonnen - 02 - Ere Min Yishalegneal (4:54)
Teodros Makonnen - 03 - Senibet (3:26)
Teodros Makonnen - 04 - Setihed Siketelat (3:04)
Teodros Makonnen - 05 - Temari Negne (3:45)
Teodros Makonnen - 06 - Ene Yalanchi Alnorem (4:11)
Teodros Makonnen - 07 - Anisiyada (4:49)
Teodros Makonnen - 08 - Tiz Alegne Yetintu (4:01)
Teodros Makonnen - 09 - Ououta Ayaskefam (2:37)
Teodros Makonnen - 10 - Alchalkum (3:42)
Teodros Makonnen - 11 - Ewedish Nebere (3:47)
Teodros Makonnen - 12 - Kifu Ayunkash (4:52)
Teodros Makonnen - 13 - Meleyayet Motnew (6:54)
Teodros Makonnen - 14 - Jazz (4:05)



Tuesday, April 18, 2017

Mahmoud Ahmed - Yitbarek [2003] [ethiopia]





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01. Mahmoud Ahmed - Yitbarek (3:48)
02. Mahmoud Ahmed - Almaz (20:34)
03. Mahmoud Ahmed - Fitsum Dink Lij Nesh (5:52)
04. Mahmoud Ahmed - Tseguruna Werdo Werdo (4:44)
05. Mahmoud Ahmed - Kulum (11:03)
06. Mahmoud Ahmed - Lale Lale (5:25)
07. Mahmoud Ahmed - Asheweyna (5:51)
08. Mahmoud Ahmed - Mushiraye (6:54)
09. Mahmoud Ahmed - Hay Loya (3:24)



Sunday, April 16, 2017

Roha Band - Instrumental Music [ethiopia]












         This album was already posted on Awesome Tapes From Africa blog, but without tags. This is a different rip. Enjoy!






                                                                            


Roha Band - Instrumental Music





Roha Band - 01 - Kememot Aldenem (7:07)
Roha Band - 02 - Endegena, Yeshi Haregitu & Mekeran Bitchelew (4:34)
Roha Band - 03 - Hode Mela Mela (5:52)
Roha Band - 04 - Akale (4:43)
Roha Band - 05 - Lale Lale (Guragegna) (5:07)
Roha Band - 06 - NegaJiredu (Oromegna) (3:11)
Roha Band - 07 - Enetarek (5:19)
Roha Band - 08 - Tizita Garedew (8:56)
Roha Band - 09 - Eyekorekoregn (6:12)
Roha Band - 10 - Fikrey Telemeni (Tegregna) (5:08)
Roha Band - 11 - Haderegna (4:46)





Aster Aweke - Kabu [1989] [ethiopia]





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       This Ethiopian beauty's Aster and Kabu albums show why she’s sometimes been dubbed the “African Aretha Franklin.”





                                                     

Aster Aweke - Tchewata






        There’s no mistaking Aster Aweke’s primary influences. Listen, for example, to her early ’90s albums Aster and Kabu, with their Memphis-style horn section, soulful keyboards and crackling drums, and it’s immediately apparent why she’s sometimes been dubbed the “African Aretha Franklin.” Lady Soul, along with the Godfather, James Brown, and vocally versatile jazz singers such as Ella Fitzgerald and Sarah Vaughan, loom largely in her roots, her deep R&B/funk groove a reminder that bridges are meant to be crossed. Aweke doesn’t leave the traditional behind by any means; she respects it, she draws from it, but she’s never beholden to it.


       And then there’s that voice, as supple and mystifying an instrument as has ever been. Simultaneously tamed and wild, its flights of fancy are wondrous things. You can’t help but be awed.

      Aweke was born in Gondar, Ethiopia, some time between the late ’50s and 1961, depending on which account you believe. She grew up in the capital city of Addis Ababa and began singing as a teen, working with several groups, most notably the Roha Band. As Ethiopia entered a period of unrest following the death of iconic leader Haile Selassie, Aweke left for the United States. She became increasingly popular within the Ethiopian community in the States, performing in restaurants and clubs, particularly in her adopted home of Washington, D.C., one of the largest Ethiopian expat communities in the country.












    Aweke signed to the small Triple Earth label in 1989, and the two aforementioned albums were then picked up by Columbia Records, which had high hopes for her commercial potential in the West. The sales didn’t pan out but Aweke has continued to record and tour—her 1995 Live In London CD is an excellent primer that displays her charismatic appeal to the fullest.




Saturday, April 15, 2017

Aster Aweke - Ebo [1993] [ethiopia]





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Aster Aweke - Ebo










1. Aster Aweke - Minu Tenekana (6:04)
2. Aster Aweke - Ebo (8:02)
3. Aster Aweke - Yale Sime (7:04)
4. Aster Aweke - Yene Konjo (6:53)
5. Aster Aweke - Bale Garie (6:34)
6. Aster Aweke - Esti Lnurbet (6:43)
7. Aster Aweke - Yewah Libane (8:13)
8. Aster Aweke - Ashe Weyina (6:07)




Gete Aneley - Chebel Lebe [2004] [ethiopia]




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1. Gete Aneley - Ayenama (9:08)
2. Gete Aneley - Ambassel (6:03)
3. Gete Aneley - Yemnejar Leje (7:53)
4. Gete Aneley - Megalo Wello (6:27)
5. Gete Aneley - Agerre Gonder (7:57)
6. Gete Aneley - Derbabey (6:11)
7. Gete Aneley - Chebel Lebe (5:02)
8. Gete Aneley - Aya Belew (5:45)
9. Gete Aneley - Hole (5:19)




Thursday, April 13, 2017

Theodros Mitiku - Fiker Ayaregim [Instrumental] [2016] [ethiopia]















Theodros Mitiku - Awash






Theodros Mitiku - 01 - Enigenagnalen (6:33)
Theodros Mitiku - 02 - Balegariw (6:06)
Theodros Mitiku - 03 - Fiker Ayaregim (3:08)
Theodros Mitiku - 04 - Ene Weshetennew (7:36)
Theodros Mitiku - 05 - Ketesmamash (6:34)
Theodros Mitiku - 06 - Man Ende Enat (8:12)
Theodros Mitiku - 07 - Yeabay Wuha (6:49)
Theodros Mitiku - 08 - Eshiruru (6:07)
Theodros Mitiku - 09 - Tegegnetual (2:10)
Theodros Mitiku - 10 - Mushiraye (6:58)
Theodros Mitiku - 11 - Teshebere Hode (6:29)
Theodros Mitiku - 12 - Mewdeden Wodedcut (5:36)






Wednesday, April 12, 2017

Seleshe Damesse (Gash Abera Mola) - Yamiral Hagere [2013] [ethiopia]











         Seleshe Damesse was born and grew-up in Jan-Meda, an area between Sedest Kilo and Ferensay Sefer.

          Seleshe remebers that he was initially captivated by the music world while attending, during his childhood, the frequent musical performances of Guard Musical Band with such celebrated singers as Tilahun Gessesse and Bizunesh Bekele.

           Seleshe who recalls that he was coached how to play kirar ( an Ethiopian equivalent to Guitar) by  his father, was enrolled by higher musical education institutions in Vermont, Goddard College, Burllington College and worked with Michigan State University Masters program on African and Asian music research.

           During his stay abroad, Seleshe had presented a number of solo and group concerts with world renowned musicians. Moreover, he had published a total of 11 albums in Djibouti, the United states of America and Germany respectively.








Gash Abera Molla - Yameral Hagere [ያምራል-ሀገሬ]






     The artist  whose musical works were widely covered by international televisions and radio stations, had also secured the esteem and The Boston Globe, Washington post and many other known journals.

     Furthermore, Seleshe had also won, among others, the UN Environmentalist award, as well as the London Green Award for his volunteer contribution.

         Seleshe an artist with his own unique skills in the presentation of the culture and history of Ethiopia by  means if folkloric first-ever Ethiopian music album arrange and conducted by a fully-fledged orchestra.

      The artist has taken his time to dramatically, penitently or orally incorporate, as usual, his outlook on natural mysteries and traditional  music in his new album.




Seleshe Damesse (Gash Abera Mola) - 01 - Yamiral Hagere (5:17)
Seleshe Damesse (Gash Abera Mola) - 02 - Mintiwab (ምንትዋብ) (4:35)
Seleshe Damesse (Gash Abera Mola) - 03 - Ye'arada Tizita (የአራዳ ትዝታ) (6:47)
Seleshe Damesse (Gash Abera Mola) - 04 - Yeserge Leta (የሠርጌ ለታ) (5:13)
Seleshe Damesse (Gash Abera Mola) - 05 - Gojam (ጎጃም) (5:15)
Seleshe Damesse (Gash Abera Mola) - 06 - Be'anchi Aro (በአንቺ አሮ) (4:50)
Seleshe Damesse (Gash Abera Mola) - 07 - Abay (አባይ) (8:29)
Seleshe Damesse (Gash Abera Mola) - 08 - Azila (አዚላ) (3:43)
Seleshe Damesse (Gash Abera Mola) - 09 - Minjar (ምንጃር) (4:03)
Seleshe Damesse (Gash Abera Mola) - 10 - Raya (ራያ) (4:10)
Seleshe Damesse (Gash Abera Mola) - 11 - Yezegeyeshibet (የዘገየሽበት) (4:22)
Seleshe Damesse (Gash Abera Mola) - 12 - Gash Abera Mola (ጋሽ አበራ ሞላ) (7:14)
Seleshe Damesse (Gash Abera Mola) - 13 - Hagere (ሀገሬ) (6:42)