Tsedenia GebreMarkos - Yefiker Girma [2016] - [2008E.C] [ethiopia]

       Tsedenia GebreMarkos is one of the leading musicians in the Ethiopian music scene. She gets her inspirations from traditional and contemporary Ethiopian music. In addition to having a lot of success with commercial hits such as “Ewedehalu”, “Atalay”, “Mengedegna” and “Yiker Beyalehu”, Tsedenia is also famous for having strong lyrics to raise awareness about issues she holds dear.

         She’s made a name for herself singing to raise awareness about HIV/AIDS in her country. Tsedenia broke ground when she became the first Ethiopian artist to ever win the prestigious African Kora Awards back in 2004 for “Ewedehalu”. In addition this multitalented star was featured in the hit movie “Motherland”, has a standing radio-show and is rumored to be featured in an upcoming film from the producers of “500 years Later”. Even if her melodious and soulful sound is what she is famous for, Tsedenia broke the barriers again when she decided to be innovative and join forces with Ethiopian dub band Dub Colossus. 

       They released an EP, ‘A Town Called Addis’ in June 2008 through Real World Records and a full length LP album of the same name was released in August 2008 exclusively through the Bowers & Wilkins Music Club. Always looking for bigger challenges and constantly rebranding herself is what enabled this Ethiopian jewel to win this year’s AFRIMA (All Africa Music Awards) “Best female artist in Eastern Africa”.

Tsedenia Gebremarkos - Yefikir Girma [የፍቅር ግርማ]

Tsedenia GebreMarkos - 01 - YeFikir Girima (የፍቅር ግርማ) (6:21)

Tsedenia GebreMarkos - 02 - Awikotal (አውቆታል) (4:26)

Tsedenia GebreMarkos - 03 - Yalefewin Fikir (ያለፈውን ፍቅር) (5:37)

Tsedenia GebreMarkos - 04 - Raya (ራያ) (4:47)

Tsedenia GebreMarkos - 05 - Abet Yachin Leta (አቤት ያቺን ለታ) (6:12)

Tsedenia GebreMarkos - 06 - Wey Fikir (ወይ ፍቅር) (4:41)

Tsedenia GebreMarkos - 07 - Kurat (ኩራት) (4:35)

Tsedenia GebreMarkos - 08 - Bementa Menged (በመንታ መንገድ) (5:23)

Tsedenia GebreMarkos - 09 - Fikir Bemehalek (ፍቅር በመሐለቅ) (5:26)

Tsedenia GebreMarkos - 10 - Hariyet (ሃርየት) (5:49)

Tsedenia GebreMarkos - 11 - Camp Fire (4:14)

Tadele Roba & Birhanu Tezera [Lafonten] - full cassette [1998] [ethiopia]

Tadele Roba & Birhanu Tezera ( Lafonten ) - Full Cassette Songs

Elias Assefa - Kelay [2015] [ethiopia]

Elias Assefa - Kelay

Elias Assefa - 01 - Séwunet (Being Human) (4:13)
Elias Assefa - 02 - Kélay (From Above) (5:50)
Elias Assefa - 03 - Yé Egzer Siel (God’s Painting) (6:56)
Elias Assefa - 04 - Zenaw (The News) (3:52)
Elias Assefa - 05 - Léka (It is Rather That) (5:14)
Elias Assefa - 06 - To ቶ (Symbol of Life) (4:00)
Elias Assefa - 07 - Gize (Time) (4:26)
Elias Assefa - 08 - Yenéfse Erkata (My Soul’s Satisfaction) (5:07)
Elias Assefa - 09 - Léwuletash (Tribute to You) (4:28)
Elias Assefa - 10 - Ebid New Sime (They Call me a Mad Man) (5:04)
Elias Assefa - 11 - Betsélot (With Prayer) (5:42)
Elias Assefa - 12 - Tibeb Ze Solomon (Solomon’s Wisdom) (5:32)
Elias Assefa - 13 - Sus (Addiction) (5:39)
Elias Assefa - 14 - Aman be (In Peace) (4:48)

Aster Aweke - Sikuar [2001] [ethiopia]

            When she arrived in her homeland in 1997 for the first time since she'd left in 1981, Ethiopian-born and Washington, D.C.-based songstress Aster Aweke was greeted by thousands of loyal followers awaiting her plane. During the month-long tour that followed, Aweke performed before more than 80,000 people and showed that she remains one of Ethiopia's best-loved performers. 

            Aweke has been equally successful throughout the world. Her second album, Kabu, spent four weeks in the top position on the CMJ New Music Charts, and was in the Top Ten of Billboard's World Music Charts for ten weeks in 1990. 

Aster Aweke - Sikuar (Sugar)

          A native of Gandor, a small town near Lake Tara, Aweke was raised in the capital city of Addis Ababa. The daughter of senior civil servant in the Imperial government, Aweke was determined to become a musician by the age of 13. By her late teens, she was singing in Addis Ababa clubs and hotels with such bands as the Continental Band, Hotel D'Afrique Band, Shebele Band, and the Ibex Band (before they became the internationally known Roha Band). Launching a solo career, Aweke was encouraged by musical entrepreneur Ali Tango, who financed and released five cassettes and two singles of her music. By 1981, Aweke had become disillusioned by Ethiopia's oppressive political climate and relocated to the United States. Temporarily settling in the Bay Area of California with plans to pursue an education; within two years, Aweke continued on to Washington, D.C., the site of the largest Ethiopian population in the U.S. After building a following with her performances in local Ethiopian restaurants, Aweke toured the U.S. and Europe in 1985. 

Aster Aweke - 01 - Gudde Fella (6:08)

Aster Aweke - 02 - Sew Hulu Be-hageru (6:33)

Aster Aweke - 03 - Ezoralehu (5:25)

Aster Aweke - 04 - Etiti (6:32)

Aster Aweke - 05 - Bichegna (5:29)

Aster Aweke - 06 - Sikuar (6:31)

Aster Aweke - 07 - Merkato (4:58)

Aster Aweke - 08 - Fikir Fikir (6:06)

Aster Aweke - 09 - Ela Alayim (6:46)

Aster Aweke - 10 - Ibi Tibi (5:39)

Aster Aweke - 11 - Sew Mehonne (7:20)

Aster Aweke - 12 - Wey Nedo (5:38)

v.a. - Digital Ethiopia pt.1 [likembe.blogspot.com compilation] [ethiopia]

original source :

   R   E   U   P   L   O   A   D   

          Back in the '80s Ethiopian music was extremely hard to come by outside of Ethiopia. Mahmoud Ahmed's brilliant Ere Mela Mela was released on LP by the Belgian label Crammed Discs around 1985, and later in the decade the exile singer Aster Aweke released Aster, recorded in the UK with mainly non-Ethiopian backup musicians. That was just about it, unless you were lucky enough to know Ethiopians who could supply you with scratchy, poorly dubbed cassettes from the motherland.

       All that changed in the '90s when political change opened the country up. A fine collection of traditional and modern music, Music From Ethiopia (Caprice CAP 21432) came out in 1992, and within a few years the incredible Ethiopiques series opened the world's ears to the classic sounds of "Swingin' Addis" from the '60s and early '70s

    

          When it became possible for Ethiopian musicians to travel freely it was only natural that they would gravitate to U.S. recording studios, and in the last 15 years there has arisen a robust market in CDs made here. For the most part these are "under the radar" - not available through the usual "World Music™" outlets like Sterns. The main issue I have with these American recordings is the overwhelming use of synthesizers. That said, many of these productions are surprisingly sophisticated, a far cry from the rinky-dink keyboards and drum machines of much contemporary African music.

1. Tlahoun Gessesse - Ewdish Neber (5:40)
2. Tlahoun Gessesse - Meleyayet Mot New (4:17)
3. Menelik Wossenachew - Gash Jembere (9:12)
4. Menelik Wossenachew - Yeayne Tesfa (6:35)
5. Mohammed Tawil - Si-Si (7:26)
6. Mulatu Astatke w. Teshome Mitiku - Wello (8:30)
7. Tilaye Gebre - Yenigat Kokeb/Yelelit Berehane (9:30)

v.a. - Digital Ethiopia pt.2 [likembe.blogspot.com compilation] [ethiopia]

original source :

   R   E   U   P   L   O   A   D   

                                                                 Chachi Tadesse

1. Tadesse Alemu - Shinet (5:56)

2. Tadesse Alemu - Hedach Allu (9:11)

3. Hamelmal Abate - Tirulegn (5:51)

4. Hana Shenkute - Addis Fekere (6:40)

5. Abonesh Adnew - Limitawey (7:03)

6. Kuku Sebsebe - Hallo Belat (4:55)

7. Chachi Tadesse - Africa (5:19)

8. Chachi Tadesse - Medina (5:27)

Meklit Hadero - On a day like this.. [2010] [usa-ethiopia]

   R E U P L O A D   

Meklit Hadero - Float and Fall

       Meklit Hadero, known simply as "Meklit", is a singer and songwriter based in San Francisco, California. She is known for her soulful performing style, and for combining jazz, folk, and East African influences in her music. Born in Ethiopia, she was raised in the U.S. and attended college at Yale, where she studied political science.

       Shortly after graduation, Meklit moved to San Francisco and became immersed in the city's thriving arts scene. "Meklit is an artistic giant in the early stages," wrote a reporter from the San Francisco Chronicle after witnessing an early performance in the city's Mission District. "She sings of fragility, hope and self-empowerment, and exudes all three. What's irresistible, above all, is her cradling, sensuous, gentle sound. She is stunning."

        Named a TED Global Fellow in 2009, Meklit has served as an artist-in-residence at New York University, the De Young Museum, and the Red Poppy Art House. Currently a fellow of the Wildflowers Institute, Meklit has also completed musical commissions for the San Francisco Foundation and for theatrical productions staged by Brava! For Women in the Arts. She is the founder of the Arba Minch Collective, a group of Ethiopian artists in diaspora devoted to nurturing ties to their homeland through collaborations with both traditional and contemporary artists there. 

     As a Senior TED Fellow since 2011 , she co-founded the Nile Project with Egyptian ethno-musicologist Mina Girgis and has since participated in 2 artist residencies (Aswan, 2013 and Uganda in 2014) uniting musicians from 11 countries all along the Nile Basin.

       Meklit has released five records to date. The first was a self-produced and released eight-song EP entitled Eight Songs (2008). The second , her first full-length LP, On a Day Like This... released to wide critical acclaim in 2010 , was recorded at San Francisco's Closer Studios and produced by Eric Moffat and Unsound Recording. Hailed by Filter magazine for "[combining] New York jazz with West Coast folk and African flourishes, all bound together by Hadero's beguiling voice.". It won Meklit feature stories by NPR, PBS, and National Geographic. The San Francisco Chronicle called her " an artistic giant in the making " . She then ventured into a creative collaboration called CopperWire , along with two hip emcees also from the Ethiopian diaspora , Gabriel Teodros and Burntface . Together they created the first hip hop space opera , "Earthbound" which hit #5 in CMJ's hiphop charts . A complete change came with the 2012 release of her extraordinary harmonic duets with Oakland blues and soul crooner Quinn DeVeaux, simply titled Meklit & Quinn. The duo covered terrain as diverse as Arcade Fire (their version of "Tunnels" left many speechless with its simple beauty) , Lou Reed , Neil Young and Stevie Wonder.

       Now she makes yet another quantum leap , in her latest solo album We Are Alive . Produced by sonic genius Eli Crews (best known for his work with tUnE-yArDs) , her inimitable composition talents and unique voice take infinite and inventive flight , from her jazz-standard sounding "A-Train" to the fiery build of "Waiting for Earthquakes" , weaving through a dark and tantalizing version of The Police classic "Bring On the Night" via her funky take on an Ethiopian tune, "Kemekem " (which she subtitles " I Like Your Afro!") , winding up with the grande finale, the declaration "We Are Alive". USA Today says, " Meklit delivers a sound all her own... (We Are Alive) gets even better with every listen ",

  

      The Village Voice comments : "She's a blithe-voiced daughter of Joni who considers music a path to higher ground, with rest stops for the likes of Talking Heads and Lou Reed."

01. Meklit Hadero - Walk Up (5:34)

02. Meklit Hadero - Float And Fall (3:29)

03. Meklit Hadero - Leaving Soon (4:12)

04. Meklit Hadero - You And The Rain (4:30)

05. Meklit Hadero - Feeling Good (4:29)

06. Meklit Hadero - Abbay Mado (5:05)

07. Meklit Hadero - Soleil Soleil (2:33)

08. Meklit Hadero - Call (3:59)

09. Meklit Hadero - Walls (3:40)

10. Meklit Hadero - Under (4:27)

Ejigayehu 'Gigi' Shibabaw - Gigi [2001] [ethiopia]

   R   E   U   P   L   O   A   D   

        Ejigayehu Shibabaw, known by her stage name Gigi, is one of the most successful contemporary Ethiopian singers worldwide. She has brought the music of Ethiopia to wider recognition and developed it in combination with a wide variety of other genres often in collaboration with her husband Bill Laswell, a bassist and producer.

       Gigi was born and raised in Chagni in northwestern Ethiopia. She has described learning traditional songs from an Ethiopian Orthodox priest in the family home. She lived in Kenya for a few years before moving to San Francisco in about 1998.

       Gigi recorded two albums for the expatriate Ethiopian community, but it was her 2001 album, titled simply Gigi, that brought her widespread attention. She had been noticed by Palm Pictures owner Chris Blackwell, who had years earlier introduced reggae to the mainstream through his former label, Island Records. Blackwell and Gigi's producer (and later, husband) Bill Laswell, decided to use American jazz musicians (including Herbie Hancock, Wayne Shorter, Pharoah Sanders, and others) to accompany Gigi on the album.

      The result was a fusion of contemporary and traditional sounds. The album was a critical success internationally and generated controversy in her home country for such a radical break with Ethiopian popular music. This release was soon followed by Illuminated Audio, an ambient dub style remix of the album by Laswell.

      2003 saw the release of Zion Roots, under the band name Abyssinia Infinite. Bill Laswell played guitar and keyboard (instead of his usual bass), and several of Gigi's family members contributed vocals. The album was a return to a mainly acoustic sound for Gigi, incorporating instruments such as the krar and the tabla. The track "Gole" is in Agaw, the language of Gigi's father's village.

    Gigi is married to her producer Bill Laswell, and they have a son, Aman, who has accompanied his parents with vocals. Her younger sister, singer Tigist Shibabaw, died under unknown circumstances in 2008.

Gigi - Gud Fella

Gigi - Vocals
Bill Laswell - Producer, Bass, Guitar, Keyboards
Abonesh Adenew, Dawit Melesse, Hebest Tirunehe, Imani Uzuri, Mizanekristos Yohannes, Tigist Shibabaw - Backing Vocals
Thomas Gobena - Bass
Hamid Drake, Mikias Abebayehu - Drums, Percussion
Karsh Kale - Drums, Tabla, Keyboards
Mark Taylor - French Horn
David Gilmore, Nicky Skopelitis, Zakki Jewad - Guitar
Abegasu Shiota, Amina Claudine Myers, Dereje Mekonnen, Herbie Hancock - Keyboards
Abdou M'Boup, Aiyb Dieng, Melaku Gelaw, Setegne Satenaw - Percussion
Henry Threadgill, Pharoah Sanders, Wayne Shorter - Saxophone
Art Baron - Trombone- Accordion






01. Ejigayehu 'Gigi' Shibabaw - Gud Fella (5:35)
02. Ejigayehu 'Gigi' Shibabaw - Mengeoegna (5:33)
03. Ejigayehu 'Gigi' Shibabaw - Tew Ante Sew (4:20)
04. Ejigayehu 'Gigi' Shibabaw - Abay (5:18)
05. Ejigayehu 'Gigi' Shibabaw - Bale Washintu (5:35)
06. Ejigayehu 'Gigi' Shibabaw - Guramayle (4:27)
07. Ejigayehu 'Gigi' Shibabaw - Sew Argen (5:16)
08. Ejigayehu 'Gigi' Shibabaw - Aynama (5:05)
09. Ejigayehu 'Gigi' Shibabaw - Kahn (3:47)
10. Ejigayehu 'Gigi' Shibabaw - Zomaye (4:00)
11. Ejigayehu 'Gigi' Shibabaw - Abet Wubet (4:07)
12. Ejigayehu 'Gigi' Shibabaw - Nafeken (5:23)
13. Ejigayehu 'Gigi' Shibabaw - Adwa (5:02)

Alemayehu Eshete - Yefeker Kal Vol.8 [1997] [ethiopia]

           Alemayehu Eshete (Amharic: ዓለማየሁ እሸቴ?) (also written Alèmayèhu Eshèté in French) is an Ethiopian Ethio-jazz singer active since the 1960s who primarily sings in Amharic. Eshete's talent was recognized by colonel Rètta Dèmèqè who invited the young singer to perform with Addis Ababa's famous Police Orchestra. Eshete had his first hit ("Seul") in 1961 before moving on to found the orchestra Alèm-Girma Band with Girma Bèyènè. Over the course of 15 years, Eshete released some 30 singles until the arrival of the communist Derg junta, which forced Eshete and many other artists into exile.

      Alemayehu Eshete has since gained fame in Europe and the Americas with the release of Buda Musique's Ethiopiques series of compilations on compact disc. Ethiopiques Volume 9 is devoted entirely to recordings of Eshete's earlier music, and Volume 22 covers his career between 1972 and 1974. Other songs have also appeared on Volumes 3, 8, 10, and 13 or the series. In 2008 Eshete toured the United States with fellow Ethiopian singer Mahmoud Ahmed, backed by Boston's 10-piece Either/Orchestra.

Alemayehu Eshete & Badume's Band - Yeweyn Haregitu / Feleqleqe

         Alemayehu Eshete is one of the living legends of modern Ethiopian popular culture and one of the outstanding Ethiopian vocalists who emerged during the golden age of Ethiopian popular culture in the turbulent 1960s. Alongside Mahmoud Ahmed (who opened last year's Hullegeb Festival), Tilahun Gessesse and Bizunesh Bekele, he was among the first to adopt elements from rock-n-roll and American soul, including body movements, dance and hair styles, eventually coming to be known as "the James Brown of Addis." In the following years Eshete released over 30 albums that became enormous hits in Ethiopia and led various orchestras, including the famous Police Orchestra and groups that he himself established.

    Following the rise of the military junta, like many other artists, Eshete left Ethiopia and established himself in Europe and the US as a vibrant and exciting vocalist, including performances alongside Ahmed. The highly regarded Ethiopiques series devoted two albums to his works, the first focusing upon his earlier works and the second, upon his career during the early 1970s.

Alemayehu Eshete - 01 - Yemewded Kal (4:57)

Alemayehu Eshete - 02 - Hello Hello Bil (4:52)

Alemayehu Eshete - 03 - Kurate Nesh (6:17)

Alemayehu Eshete - 04 - Sesete Nesh (5:09)

Alemayehu Eshete - 05 - Mignote (6:22)

Alemayehu Eshete - 06 - Tsebay (5:26)

Alemayehu Eshete - 07 - Shalala (5:03)

Alemayehu Eshete - 08 - Ande Negne (6:54)

Alemayehu Eshete - 09 - Wey Nedo (5:28)

Alemayehu Eshete - 10 - Yene Gela (5:51)

Abbush Zallaqaa - Jaala Jiloo [2013] [ethiopia]

Abbush Zallaqaa - Ee Malawwee

Abbush Zallaqaa - 01 - Jaala Jiloo (6:10)

Abbush Zallaqaa - 02 - Mappenzii (6:13)

Abbush Zallaqaa - 03 - Fullaanneey (6:01)

Abbush Zallaqaa - 04 - Na’baarsisin (4:53)

Abbush Zallaqaa - 05 - Ee Malawwee (6:57)

Abbush Zallaqaa - 06 - Na’baarbaadin (4:42)

Abbush Zallaqaa - 07 - Heellemmaa (6:07)

Abbush Zallaqaa - 08 - Sila Jiraattee (5:37)

Abbush Zallaqaa - 09 - Hinandaa (6:06)

Abbush Zallaqaa - 10 - Guyyaa Suni (6:23)

Abbush Zallaqaa - 11 - Mala-Mali (5:32)

Abbush Zallaqaa - 12 - Agarttaan (5:14)

Abbush Zallaqaa - 13 - Ashamitu (4:32)

Abbush Zallaqaa - 14 - Amoo Tee (5:16)

Abdi Nuressa - [2009] - Irree Aadaa [usa+ethiopia]

             Another rising star is the Washington-based Oromo singer Abdi Nuressa. The 34-year-old singer-songwriter is a breath of fresh air, combining love, politics and empowerment. 

          Born in the Western part of Oromia region and brought up in Addis Ababa, Abdi emigrated to the US as a teenager. He was naturally influenced by the different cultures to which he was exposed but has remained true to his roots, as clearly seen in his music. He kicked off his singing career by performing cover versions of old Oromo classics such as those of Ali Birra. His debut album, Iree Adda, was released at the end of July 2009, marking his arrival on the music scene. The album, bearing an English subtitle The Power of Culture, can be seen as a political statement and an expression of the longing to return to his roots. The strong and energetic rhythms, taken from the Oromo tradition, are mingled in a subtle way with the sounds of reggae, funk, folk and hip-hop. 

Abdi Nuressa - Ayyaana Laalattuu

      One song in particular on that album, 'Ayyaana Laalattu' (Afan Oromo for 'opportunist'), put Abdi Nuressa on the map. Crossing the language barrier, the song was a big hit both in Ethiopia and abroad, among people who speak the language and those who don't. It proved the star's argument that "if we Oromo artists can deliver quality music, the language can never be a barrier, especially in our time."

Abdi Nuressa - 01 - Nutuu Laafe (4:50)

Abdi Nuressa - 02 - Ee Sobaan Wallolle (5:26)

Abdi Nuressa - 03 - Qotee Bulaa (4:32)

Abdi Nuressa - 04 - Utuman Sijaaladhuu (4:05)

Abdi Nuressa - 05 - Tokkummaatu Wayyaa (6:24)

Abdi Nuressa - 06 - Yaa Raahaa (6:05)

Abdi Nuressa - 07 - Sinbirree Ta'ee (3:58)

Abdi Nuressa - 08 - Wal-argaan Hinoolu (5:01)

Abdi Nuressa - 09 - Shaggoyee Xabanna (4:39)

Abdi Nuressa - 10 - Guyyaa Gammachuu (6:14)

Abdi Nuressa - 11 - Argee Laalee Laalee (5:58)

Abdi Nuressa - 12 - Ayyaana Laalattuu (4:48)

Abdi Nuressa - 13 - Bareeduu Baadiyaa (4:52)

Dereje Mekonnen - Tarik [ethiopia]

       Dereje Mekonnen began his career in the early 1980's as a keyboard player in the Ibex band, which accompanied the singer Mahmoud Ahmed on three albums. Then He founded the formation Dallol, a reggae band with which he concerted in Chicago. He also accompanied  Ziggy Marley on his albums Conscious Party (1988) and One Bright Day (1989), which were awarded the Grammy. After numerous tours with Ziggy Marley and the Melody Makers, he founded band Gizzae in 1991, with which he appeared mainly in Chicago and the Midwest of the USA. He also worked with Ethiopian musicians like Tilahun Gessesse and Ephrem Tamiru. Dereje also produced the first album of Ejigayehu Shibabaw, One Ethiopia (1998). 

Dereje Makonnen died young, at the age of 49 years.

Ibex Band - Yezemed Yebada

       To most of his adoring fans that got close to knowing him by first name, he was just simply known to them as "DJ" and more importantly to his own family and ours, we called him Dereje. The 5th one down from a family of eleven (also his favorite chord progression...) and in my humble opinion: the most gifted keyboard player there is among Ethiopian Musicians. 

      Dereje "DJ" Makonnen was not one to drop names nor pre-occupy his time and energy with whom he has worked with and/or help bring them to stardom, he wanted to play music since he can actually see the blueprint of what the song should be each time the singer/artist bring the lyrics and the "Zema" (pronounced Zay_MAH: a word in amharic which means melody). 

     Dereje Makonnen was one of the key element in revolutionizing modern Ethiopian Music (meaning using non-traditional musical instruments) He was always playing the guitar [his favorite instrument] the keys and also the bass at the forefront of trying new sounds and arrangement styles that no one was attempting. Many of the current Ethiopian musicians refer to him as a mentor.

Dereje Mekonnen - 01 - Che belew (3:49)

Dereje Mekonnen - 02 - Anchi Hoye (5:28)

Dereje Mekonnen - 03 - Ethiopia (5:00)

Dereje Mekonnen - 04 - Yekermo sew (4:52)

Dereje Mekonnen - 05 - Mamaye (3:51)

Dereje Mekonnen - 06 - Yidenekal (5:16)

Dereje Mekonnen - 07 - Ambassel (4:18)

Dereje Mekonnen - 08 - Sileyat (4:21)

Dereje Mekonnen - 09 - Tarik (3:06)

Dereje Mekonnen - 10 - Eyuat sitinafikegn (4:52)