Alemseged Kebede (Electric Bass) has influenced most of the new generation of Ethiopian bass players.
He first started playing professionally in the late 1970’s with famous singers such as: Tilahun Gessesse, Menilik Wosenachew , Muluken Melese, Aster Aweke and with many more Ethiopian singers in recent memory.
After moving to Canada and later to the US, he started playing in local restaurants, and clubs. In addition to bass, he also plays drums and keyboards.
He has arranged and produced more than 2 albums of his own and played bass almost on every Ethiopian singers music CD’s in recent times. Traveled allover the world and shared the stage with the great African bands like Manu Dibango, Hugh Masakela, and Ellis Marsalis. Alemseged remains a first call musician for many artists, who need his soulful, funky bass lines to complement their music.
Feedel Band - Meskerem
Feedel band’s original pentatonic melodies are repurposed with mutated instrumentation like 60s and 70s-era Ethiopian grooves played on congas, electric guitar, bass, saxophone, krar, mesenko, piano, organ, trombone and drums.
The members of Feedel Band are all acclaimed musicians in their own right Feedel’s sax player Moges Habtecan be heard performing the funky James Brown Band influenced cut “Muziqawi Silt” on Éthiopiques’ Volume 13 with his ’70s group the Walias Band. Their bass player Alemseged Kebede's groovy bass lines could be found in many of Aster Aweke and Tilahune Gessesse's music. Also in the band is Araya Woldemichael who is the founder of the band, composer, keyboardist and a producer. They will be joined by Mikias Abebayehu on drums/congas, Kaleb Temesgen on electric guitar, Kenneth Joseph on drums, Omar Little on trumpet, Minale Bezuon krar (stringed lyre)/vocal, Setegn Atenaw on mesenko/vocal, Feleke Hailu on alto sax, Thomas Young, Fasil Bezabeh and Almaz Getahun on traditional dances.
The Ex are an underground band from the Netherlands that formed in 1979 at the height of the original punk explosion. Initially known as an anarcho-punk band, they have since released over 20 full-length albums of musical experiments and numerous collaborations blending punk and free jazz with styles of folk music from all over the world.
The Ex - Lale Guma (Aha Begena, አሀ በገና)
The Ex + Fendika - 01 - Lale Guma (4:43) The Ex + Fendika - 02 - Addis Hum (5:25)
Yishak Banjaw, composer and keyboard player from Addis Ababa known to his country for his innovative compositions and unique sound. His ability to transform traditional Ethiopian songs into spacey Minimal-Wave gems creates an ultra hypnotic and psychedelic atmosphere, a sound that you have never experienced before. A genuine talent who carried the long tradition of Ethiopia into another level...
A / Mulatu Astatke - Mulah 2 B / Oscar Sulley - Uhuru Mash Up
Ethiopian Mulatu Astatke's unique blend of jazz, funk and afrobeat has found its way into many peoples record collections recently since the three quality "Ethio Jazz" LPs were reissued on the L'Arome imprint, and further popularised when the "Modern Jazz Instrumentals" record was used as the soundtrack to the Jim Jarmusch film "Broken Flowers".
Even before all of that people were unwittingly hearing some of these killer breaks on Mo' Wax era breakbeat and triphop tracks, all this combined should be telling you - this is music of the highest quality!!!And what we've got here is a remix for the dancefloor that's gonna be a monster, an esteemed West London producer has brought the heaviest of broken beats to create an exquisite piece of broken beat Ethio funk fusion.
The b-side is an equally strong rework of Ghanian Oscar Sulley's "Bukom Mashie".
The krar or kraar is a five- or six-stringed bowl-shaped lyre from Eritrea and Ethiopia. The instrument is tuned to a pentatonic scale. A modern krar may be amplified, much in the same way as an electric guitar or violin.
A chordophone, the krar is usually decorated with wood, cloth and beads. Its five or six strings determine the available pitches. The instrument's tone depends on the musician's playing technique: bowing, strumming or plucking. If plucked, the instrument will produce a soft tone. Strumming, on the other hand, will yield a harmonious pulsation. The instrument is often played by musician-singers called azmari. It usually accompanies love songs and secular songs.
Masinko tutorial
The masinko (also spelled mesenqo, mesenko, mesenko, mesinko, or mesinqo) is a single-stringed bowed lute commonly found in the musical traditions of Ethiopia and Eritrea. As with the krar, this instrument is used by Ethiopian minstrels called azmaris ("singer" in Amharic) . Although it functions in a purely accompaniment capacity in songs, the masinko requires considerable virtuosity, as azmaris accompany themselves while singing.
The square- or diamond-shaped resonator is made of four small wooden boards glued together, then covered with a stretched parchment or rawhide. The single string is typically made of horse hair, and passes over a bridge. The instrument is tuned by means of a large tuning peg to fit the range of the singer's voice. It may be bowed by either the right or left hand, and the non-bow hand sits lightly on top of the upper part of the string.