Blogtrotters

Showing posts with label jazz funk. Show all posts
Showing posts with label jazz funk. Show all posts

Tuesday, July 4, 2017

Black Flower - [2016] - Live at Ancienne Belgique, Brussels 2016-11-03 [b+eth]











       Psyche-delicious and accessible 21st century Ethiodubjazz. As if John Zorn put on Fela Kuti’s shoes and imbibed Mulatu Astatke’s whirls.






Black Flower - Live at Ancienne Belgique






Black Flower - 01 - Sound Sacrament - Abeba Zeybekiko (10:40)
Black Flower - 02 - Alexandria (8:04)
Black Flower - 03 - The Legacy of Prester John (5:32)
Black Flower - 04 - Helios Victor (5:29)
Black Flower - 05 - Worshipper (Origami3) (4:07)
Black Flower - 06 - unknown 1 (7:28)
Black Flower - 07 - High upon the Mountain High upon the Hill (5:37)
Black Flower - 08 - Artifacts (7:40)
Black Flower - 09 - unknown 2 (5:46)
Black Flower - 10 - Realm and Era (10:57)
Black Flower - 11 - Bones (9:25)
Black Flower - 12 - Lunar Eclipse (19:39)





Friday, May 5, 2017

Ompa Bompa - [2016] - Ethio Jazz Project [fra+eth]











       No more significant than the term "jazz" but funny and percussive, "Ompa Bompa" becomes the name of the formation after being the title of a piece. Inaugurated around the compositions of the pianist, Ompa Bompa was born in June 2001 with five musicians who, through this training, will exploit their taste for exploration and creation. This repertoire gives rise to a first disc: "Clap Mental" (2003).

    In 2004, Ompa Bompa revisits the music of Duke Ellington and creates the "Duke, Jungle" repertoire, on the occasion of "Jazz en scène" (federation of jazz scenes and improvised music). ". Two new instruments (trumpet and alto saxophone) add to the copper section. This repertoire marked an important shift in the style and play of the group.

    "To Our Dearly Beloved" was created in 2009. The compositions of this repertoire offer the listener a personal and original reading of the famous novel by Toni Morrison "Beloved". This project gave rise to many performances and a record (2011) which you can purchase on this site (cf homepage).

    The band has performed in several festivals (Rhino Jazz Festival, Charlie Jazz Festival, Les Jazzeries d'Hiver in Saint Etienne, Alphonse in Madness in Prissé, Festival du Haut Livradois, Jazz au Sommet, Jazz in Vienna, Jazz en Scène ...), theater productions (The Peristyle of Lyon Opera, Cavajazz in Viviers, Presles Inns, Médiathèque de Firminy, Jazz Club de Savoie, Le Périscope in Lyon, Moulin à Jazz in Vitrolles, Pax in Saint Etienne, Le Puy de la Lune in Clermont-Ferrand, the Hot Club of Lyon) or cultural seasons (Miramas, Saint-Victor on the Loire, Horme, Saint Quentin Fallavier ...)





Ompa Bompa - Zethions








The musicians: 

Julien Bertrand: trumpet, bugle
Ludovic Murat: alto saxophone, flute
Vincent Périer: tenor saxophone, clarinet
Franck Boyron: trombone
Emmanuel Déplaude: piano, keyboard
Julien Sarazin: bass
Olivier Génin: drums




Friday, April 28, 2017

Ethioda - Tezet Reset [2016] [fra+eth]











            Ethioda is an amazing music band from Montpellier in the south of France. 

        This crew will rock your body and soul with ethiopian scales inspired vibrations wittyly mixed up with Afrobeat, Funk, Jazz, and good mood







Ethioda (feat. Macsinge) - Azmari





Ethioda - 01 - Ambassel Groove (4:14)
Ethioda - 02 - (Satie a dit ça) Beba (6:04)
Ethioda - 03 - Pentatiopik (4:59)
Ethioda - 04 - Azmari (4:23)
Ethioda - 05 - Echi (2:46)
Ethioda - 06 - Taaba (7:26)
Ethioda - 07 - Respecto (5:03)
Ethioda - 08 - Reset Tezet (1:47)
Ethioda - 09 - Tezet Reset (6:29)
Ethioda - 10 - Ethiodawa (6:25)
Ethioda - 11 - Opale (6:54)






Daniel Moreau (keyboards & composition) 
Baptiste Clerc (guitar & composition) 
Armel Courrée (saxophones & composition) 
Pascal Bouvier (trombone) 
Romain Delorme (bass, ms20) 
Julien Grégoire (drums) 
Eric Durand (percussions) 
Muyiwa Kunudji (trumpet) 
Maore (voice) 
Macsinge (voice) 



Monday, November 14, 2016

Mulatu Astatke & The Heliocentrics - Live at Broad Casting, Cargo, London, 17.april [2008] [uk+eth]




    EXQUISITE BOOTLEG RECORDING !   










          Playing in London for the first time in 15 years Ethio-Jazz sound pioneer Mulatu Astatke, plays an exclusive live date at Cargo. His backing band will be made up of the fantastic Heliocentrics (Now Again / Stones Throw), who also provide a support set on the night. Host and DJ Karen P is also very happy to be joined by long-time friend, Gilles Peterson alongside NYC’s legendary party purveyor Karl Injex.











Born in Ethiopia in 1943, Mulatu Astatke is an innovative multi-instrumentalist, composer, arranger and originator of the Ethio-Jazz sound. Having studied music in London and then the US, he established himself as a vital vibraphone, conga and percussion player on both sides of the Atlantic before returning to his homeland to introduce Jazz, Soul and Latin to Ethiopia’s native musicians and artists. Included in the now legendary Ethiopiques compilations, 
Jim Jarmusch’s Broken Flowers soundtrack, and much sampled by Hip-Hop and Dance producers alike, his sound will be familiar to many even if his name isn’t. These days Mulatu regularly lectures at Harvard and gave a memorable lecture at the Red Bull Music Academy in Toronto last year. Karen P’s Broad Casting is honoured to host Mulatu’s first UK performance in over 15 years.      



The Heliocentrics are drummer Malcolm Catto’s collective and are signed to Stones Throw’s sister imprint Now-Again. Having performed and recorded as DJ Shadow’s backing band, they have individually played major parts in bands such as the Soul Destroyers, Quantic Soul Orchestra and The Herbaliser. Malcolm himself released a solo album on Mo Wax and has been sampled by none other than Madlib. 

Pigeonholing The Heliocentrics sound is hard. Suffice to say that it takes in all manner of jazz, electronica, psychedelia and world music. Whilst they inhabit the funk universe of James Brown, they also capture some of the disorienting asymmetry of Sun Ra, the cinematic scope of Ennio Morricone and the sublime fusion of David Axelrod.






01. Mulatu Astatke & The Heliocentrics - Yèkèrmo Sèw (Live) (5:38)
02. Mulatu Astatke & The Heliocentrics - Gubèlyé (Live) (4:27)
03. Mulatu Astatke & The Heliocentrics - Yègellé Tezeta (Live) (4:04)
04. Mulatu Astatke & The Heliocentrics - Mulatu (Live) (7:36)
05. Mulatu Astatke & The Heliocentrics - Kulumanqualeshi (Live) (7:11)
06. Mulatu Astatke & The Heliocentrics - Kasalèfkut Hulu (Live) (6:33)
07. Mulatu Astatke & The Heliocentrics - Ethio Blues (Live) (5:28)
08. Mulatu Astatke & The Heliocentrics - Yèkatit (Live) (5:42)
09. Mulatu Astatke & The Heliocentrics - Munayé (Live) (5:56)
10. Mulatu Astatke & The Heliocentrics - Nètsanèt (Live) (6:34)

        



Monday, October 17, 2016

Black Jesus Experience - Migration [2014] [aus+eth]











       BLACK JESUS EXPERIENCE (BJX) is an eight piece band playing an irresistibly danceable blend of traditional Ethiopian song and 21st Century groove. With backgrounds as diverse as the 5 countries the members of BJX hail from, their music reflects the multicultural vibrancy of the band’s hometown, Melbourne, Australia.

       Singer Enushu Taye began entertaining her local community as a child in Addis Ababa. Forced to leave Ethiopia, Enushu migrated to Australia bringing hauntingly beautiful compositions inspired by her remarkable life story and the unique vocal traditions of Ethiopia. Enushu is joined on vocals by poetic giant and lyrical miracle Mr Monk, Zimbabwe born and Outback bred.





Black Jesus Experience - ETHIOBOP






        When not touring BJX run a weekly session at cultural hub The Horn creating new songs live on stage featuring guest artists from all walks of life. The comfort BJX has with this practice lies in the improvising traditions of that feed BJX including Hip Hop, Jazz, Azmari and Funk.

        They have recently released their 5th studio album, a collaboration with their long time mentor, the inventor of Ethio-Jazz: Mulatu Astatke. The album Cradle of Humanity was recorded and mixed across 3 continents and completed at the end of their East Africa tour in 2015, including performances at MTN Bushfire Festival (Swaziland), AZGO Festival (Mozambique) and African Union Expo (Addis Ababa, Ethiopia).

       The rhymes and chimes of Black Jesus Experience deliver the power and beauty of Africa through the vocal prism of Hip-Hop and freedom of Funk.



Black Jesus Experience - 01 - Smile (3:31)
Black Jesus Experience - 02 - Africa (4:43)
Black Jesus Experience - 03 - Bati (3:52)
Black Jesus Experience - 04 - Migration (6:12)
Black Jesus Experience - 05 - Ethio Bop (5:23)
Black Jesus Experience - 06 - Ichilalo (4:25)
Black Jesus Experience - 07 - Mother Earth (4:35)
Black Jesus Experience - 08 - Gimash Akarley (3:19)
Black Jesus Experience - 09 - After (4:47)
Black Jesus Experience - 10 - BB (5:09)



Wednesday, June 8, 2016

v.a. - Beyond Addis [Contemporary Jazz & Funk of Ethiopian sound from 70s] [2014]




   R   E   U   P   L   O   A   D   







       Beyond Addis is a collection of contemporary bands (compiled by J. J. Whitefield) inspired by Ethiopian music from the 70′s and features the likes of Akale Wube, Budos Band, Shawn Lee’s Ping Pong Orchestra, The Heliocentrics and more.

    The music of “Swinging Addis” of the 70′s was a clash of opposite elements: western instruments (drums, bass, guitar, horns) and the stylistic influence of Jazz, Soul, R&B and Rock’n’Roll bumping into traditional techniques of singing and composing, a legacy of Ethiopian popular music. 

    Mastermind of this revolutionary mix was Mulatu Astatke. Now, this compilation gives an overview of the work of young bands around the world inspired by Ethiopian music.









01. Akalé Wubé - Jawa Jawa (Alternate Take) (4:48)
02. The Heliiocentrics - Phantom of the Panther (2:21)
03. Imperial Tiger Orchestra - Yefikir Woha Timu (4:52)
04. Budos Band - Origin of Man (4:54)
05. Shawn Lee's Ping Pong Orchestra - Ethio (3:43)
06. Woima Collective - Woima (3:16)
07. Les Frères Smith - La Marche Des Smith (5:55)
08. Karl Hector & the Malcouns - Girma's Lament (2:55)
09. Zafari - Addis Ababa (3:39)
10. Whitefield Brothers - Sem Yelesh (3:22)
11. Transgressors - Beyond Addis (4:03)
12. Tezeta Band - Drop It! (4:53)
13. The Shaolin Afronauts - The Scarab (4:55)
14. Debo Band - Trek from Ethiopia (Part 1) (4:59)

bonus track - vinyl edition
15. International Ducks - The Green Cow (3:27)




Friday, May 13, 2016

Afro-Zen Allstars - Live @ WRIR!!! [2015] [usa+eth]










                 Afro-Zen Allstars' primary inspiration is the the haunting and danceable sounds created during Ethiopia's "Golden Age" (late '60's-mid '70's). This is music that takes hold of both mind and body and never let's go, and Afro-Zen Allstars present it in updated form with compelling new arrangements and world-class soloists.

            Established by guitarist/arranger George M Lowe, Afro-Zen Allstars features the formidable talents of past and present members of such luminary Richmond ensembles as Bio Ritmo,   No BS Brass!, Rattlemouth, Fado Nosso, Glows In The Dark, Hotel X, Monk's Playground, The Flavor Project, Ululating Mummies, and more. 





Afro-Zen Allstars - Bemin Sebeb Litlash






CJ Alicea, drums
Adrien Bayo, percussion
Brian Cruse, bass
John Lilley, alto and tenor sax
George M Lowe, founder, guitar and arrangements
Chris Sclafani, baritone and alto sax
Chris Vasi, guitar
Toby Whitaker, trombone



Afro-Zen Allstars - 01 - Yekermo Sew (6:00)
Afro-Zen Allstars - 02 - Lemon (Lomiwen Teqebeletch) (4:53)
Afro-Zen Allstars - 03 - Netsanet (6:27)
Afro-Zen Allstars - 04 - The Pillar of Truth (Yewnet Messosso) (5:00)
Afro-Zen Allstars - 05 - Muziqawi Silt (6:27)
Afro-Zen Allstars - 06 - Here Is Freedom (4:57)
Afro-Zen Allstars - 07 - Yekatit (4:21)



Friday, April 15, 2016

Sun Hop Fat - Sun Hop Fat [EP] [2013] [usa+eth]












          For years Sun Hop Fat has been at the forefront of introducing the unique sounds of Ethiopian Jazz to the masses. The music blends the rhythms of traditional American funk (James Brown, Parliament) and jazz (Yusef Lateef, Miles Davis) with harmonies and melodies from East Africa. The result is an up-tempo groove machine that borrows harmonies from the Middle East. The music focuses primarily on arrangements from the “golden era” of Ethiopian Jazz but includes original compositions as well. This all-star band includes standout musicians from other popular San Francisco Bay Area groups.


           Sun Hop Fat has developed a solid following throughout Northern California by playing a number of clubs and festivals. The ability of the band to captivate sit down jazz crowds as well as steal the spotlight in prime festival slots, encouraging crowds to get up and dance, makes the group flexible in its appeal and garners support from diverse audiences.

      



Sun Hop Fat @ DNA Lounge









Sun Hop Fat - 01 - Dewel (3:20)
Sun Hop Fat - 02 - Kasaleftkut Hulu (9:08)
Sun Hop Fat - 03 - Sabye (6:09)









Anthony Ant - Trumpet 
Dave Eagle - Congas 
Jeremy Greene - Tenor/Alto Saxophone 
Nicholas Gyorkos - Trombone 
Dii Martin - Guitar 
Harrison Murphy - Keyboards  
Christopher Noonan - Baritone Saxophone 
Daniel Silberstein - Percussion 
Randy Schwartz - Drums 
Jesse Sheehan - Tenor Saxophone 
Jesse Toews - Bass 



Sun Hop Fat just released their first album. You can find it here on bandcamp site > Sun Hop Fat debut album




Monday, October 26, 2015

Lasta Sound - Lasta sound [2010] [usa +ethiopia]










       The name “Lasta Sound” evokes imagery of ancient Ethiopian culture and civilization. Lasta is one of Ethiopia's ancient regions, having been immortalized in songs and stories both from within Ethiopia and without. 




Lasta Sound - ጥቁር ሴት (Black Woman) - From the movie Journey to Lasta



          Lasta Sound exploded onto the scene in 2002, Lasta Sounds music was ultra modern in its arrangement, and production. It melded elements of Ethiopian music with Reggae, Funk and a dash of Afro-Cuban flava. The core of Lasta Sound consisted of Kirubel Assefa on Bass/Musical Director, Teferi Assefa on Drums and Tsegaye Selassie as Vocalist. 







        They introduced their self titled debut CD, “Lasta Sound”. They had conscious, forward thinking lyrics, with well thought out hooks and awesome driving bass lines. It was an auspicious debut. Lasta Sound was featured in Wondwossen Dikran's independent movie entitled “Journey to Lasta”. The soundtrack was also the recipient of Best Music Award at the New York International Independent Film and Video Festival in 2005. Kirubel, Tsegaye and Teferi were featured as the principal characters in the movie. 







      Subsequent appearances and performances cemented their appeal within their fans. Their fans response in Ethiopia was overwhelming. Lasta Sound is on the rise again.This time, Kirubel took on a larger role, as Musical Director/Producer/Writer and moved over as keyboard player. Tsegaye brings his incredible stage presence, and vocal talents. Mesgana Mulat on bass. Replacing Teferi on drums is Reggie Spivey. Kamasi Washington on Saxophone, and Ryan Porter on Trombone. 


The first single from the sophomore effort is entitled “Maraki”. In the context of the song, Maraki means “the girl who has captured my heart”. It’s an ode to a beautiful girl whose physical beauty and charm has rendered Tsegaye defenseless, and he professes his love and adoration for her. Sung for the most part in Amharic, it’s infused with reggae, while still retaining its Ethiopian musical sensibilities.





Lasta Sound - 01. Tekur Set (Black woman) (4:42)
Lasta Sound - 02. Mela Belu (5:37)
Lasta Sound - 03. Kidest Hagere Ethiopia (4:33)
Lasta Sound - 04. Kedashgn (4:49)
Lasta Sound - 05. Ethiopiawit Konjo (5:57)
Lasta Sound - 06. Negsalech (4:35)
Lasta Sound - 07. Prophecy (4:44)
Lasta Sound - 08. 6 Kilo (4:40)
Lasta Sound - 09. Mochalehu (5:28)
Lasta Sound - 10. Lasta Solution (3:37)





   band memebers :   

Kirubel Assefa – Bass, Keyboard & Hammond B3 Organ, & Background Vocals
Tsegaye Selassie – Lead & Background Vocals
Mike (Ras Mike) McTaggert - Guitar
Kamasi Washington - Saxophone
Ryan Porter - Trombone
Johnny Blackman - Drums
Aziz Saye - Percussions

Wednesday, April 8, 2015

Feedel Band - various songs [usa+eth]






        Feedel Band is a Washington DC based Ethio-Jazz Band and has been performing as a self contained unit, as well as supporting Ethiopian artists like Tilahun Gessesse, (The king of Ethiopian pop music), very recently with Aster Aweke (The queen of Ethiopian soul music) on her current “Ewedihalehu” or "I love you" US tour.

       Feedel band’s is founded in 2010 by Araya Woldemichael, and weeks later, his current band members joined him and together they have formed the first native Ethiopian group in north America as an Ethio -jazz music-oriented band that starred Moges Habte on Sax, Alemseged Kebede on Electric bass, Araya Woldemichael on keyboards and Samson Juffar on drums. After Samson Juffar’s departure to Ethiopia, drummer and percussionist Mikias Abebayehu took Samson’s place. In addition to guitarist Kaleb Temesgen and  drummer J , Trombonist Ben Hall and krarist Minale Bezu, the band found Its own and a very unique Ethio - jazz  sound. 




       Feedel or (alphabet) are Ge’ez script and a unique Ethiopian characters that are entirely phonetic structured in seven columns. In other words, each character in the Geez Feedel system has seven sounds. Feedel are not only a dazzling of human creativity but also, in practical terms, a powerful medium for communication and social interaction. The power of Feedel resides in the characters ability to represent virtually every sound. The ancient Ethiopians, who invented Ethiopic writing system, were poised, it seems, to capture and harness all sounds in the universe.




Feedel Band - Belhame





            Since 1997 the Éthiopiques series has made Ethiopian music a hipster obsession, exposing jazz heads and rockists to the jazzy funkiness that emanated from East Africa in the ’60s and ’70s. (Never heard of the collection? You may have heard songs from Volume 4—there are now 29 volumes in total—in Jim Jarmusch’s 2005 film Broken Flowers.) 

             Feedel’s sax player Moges who was born in Addis Ababa, and can be heard performing the funky James Brown Band-influenced cut “Muziqawi Silt” on Éthiopiques’ Volume 13 with his ’70s group The Walias Band. On the other hand Feedel's bass player Alemseged  Kebede's great  groovy bass lines can be found in Aster Aweke and Tilahune Gessesse's music. Feedel Band’s sound can best be described as a merging of ’60s R&B, funk and jazz with traditional Ethiopian songcraft. 




Feedel Band - Araya's Mood


       Feedel Band is taking Ethiopian music and Jazz, and blending it into a simmering stew of musical genre’s, textures and feeling. These boys have real feel – for their music, for their audience and for each other. Playing with maturity and passion is second nature to all of them ... 

       Feedel band has devoted much of a creative career spanning almost 20 years to this eternal, inspiring form - the very base and roots of Ethio-jazz.... gather inspiration from The Golden Age of Ethiopian popular music in the late 1960s and 70s— a time that had Addis Ababa littered with groups playing a brass-heavy concoctions influenced by American soul and jazz. So here they are, as enthusiastic as ever - Ethiopian's finest, most skilled practitioners in the art of the Ethiopian music. They take their newly created original pentatonic melodies and repurpose them with mutated instrumentation like 60s and 70s-era Ethiopian grooves: Congas, electric Guitar, Bass, Saxophone, traditional Krar, Masinko, Piano, Organ, Trombone and Drums. 


     What sets Feedel Band apart from other acts that play Ethio-Jazz style of music is that they commonly hybridize the regular Jazz style with Ethio-Jazz genres, or modernized the sound with out loosing its original traditional texture or feeling. The energy and power is overwhelming. They are creating and in some cases re-creating the musical language of what has been called Ethio -Jazz. 






      Since the bands inception, the reception that Feedel has received has been extraordinary. At FestAfrica 2011, APAP showcase "Drom" New York City, World cafe live Philadelphia, Global roots festival Minneapolis, MN and  most recently at The Kennedy Center in 2014 and the audience was enamored with their warm and engaging style. While their music is inspired by the Golden Age of Ethiopian popular music, but Feedel Band always perform their own original music. 


       Their newly released CD is called “Ethiopian Ocean” 




                           Feedel Band on Soundcloud : here   







01 - Feedel Band - Tropicalia 8-2-14 (6:21)
02 - Feedel Band - Araya's Mood (8:24)
03 - Feedel Band - Girl from Ethiopia (7:35)
04 - Feedel Band - Ethiopian Ocean (Ye Ethiopia Baher) (10:32)
05 - Feedel Band - Behelme (5:54)
06 - Feedel Band - Feedel Band (8:01)
07 - Feedel Band - Mestafaker (6:41)