Zvuloon Dub System is Israel's leading Reggae band. Adopting their name from one of the twelve tribes of Israel, the band was formed in 2006 by the Smilan brothers. They shared the same passion for roots reggae and dub, with influences from a variety of music styles, like Ethiopian jazz and rare grooves from the 70’s, USA's soul, funk and jazz, alongside with Israeli mizrahi (oriental) music.
Zvuloon Dub System - Anbessa Dub [FULL ALBUM]
band members:
Gili Yalo - lead vocals, Inon Peretz - trumpet, Ilan Adiri - tenor sax, Ilan Smilan - lead guitar, Simon Nahum - rhythm guitar, Lior Romano - piano and organ, Tal Marcus - bass, Asaf Smilan - drums and percussion guests artists:
Originally from Ethiopia, Ermias T. Kebede lived in different parts of the world including France and Italy. He currenly resides in the US, in the city of Chicago, IL.
Picked up the guitar in SJS High School in Addis Ababa and has been playing every kind of music since. He joined a variety of bands in his career, some of whose members have played with the likes of Dizzy Gillespie and Ziggy Marley.
Currently a member of ABOGIDA band touring with Teddy Afro, he also runs his own independent label, ETK MUSIC, under which he has released two albums "Mystic Groove" and "Glimpse of Victory".
A combination of world, jazz and Reggae music like never mixed before, "Mystic Groove" transports you into the planes of strong rhythms and hypnotic grooves with subtle yet distinct melodies paving the way.
"My primary motivation for completing the project "Mystic Groove" is to bring forth the mystical rhythms of Reggae to a wider audience. I have always been moved by the subtle yet powerful rhythm of the "one drop" beat that mainly categorizes Reggae music from the rest. I believe different types of music affect different parts of the human self and Reggae goes right to the spirit"
Most Rastafarians consider Ethiopia to be their spiritual homeland and identify with that country to some extent-some even incorporate Amharic phrases into their songs, the classic example being the Abyssinians' repatriation classic "Satta Massa Gana."
Chachi Tadesse - Enkuan Des Yalachu
Chachi Tadesse does this tradition one step better-she actually is Ethiopian, and sings primarily in Amharic.
And while reggae is the foundation of her art, there's more to it than that; "Musica," with its swaggering beat and turntable work, shows a marked hip-hop influence, while her singing on the dancehall-flavored "Unity" seems to draw at least as much on North African vocal traditions as on the Memphis-by-way-of-Kingston sound that characterizes most reggae singing. Her muttered toasting on "Gorraw" is quietly compelling. She gets help from guests both famous (Stephen Marley, Sizzla) and obscure (Lisa Danger, Billy Mystic), but her shimmering voice is always at the core of each song's sound. This is a remarkable album.
Chachi Tadesse - 01 - Musica (ft. Stephen Marley) (4:45)
Invisible System return with another highly original eclectic fusion album. Following their internationally acclaimed and Songlines World Music Awards Best Newcomer Nominated CD Punt (Made in Ethiopia), Street Clan is named after some graffiti Dan Harper found in Mali, West Africa. It is again not a pure world music album. It covers genres such as rock, dance, drum and bass, dub, reggae, Ethiopian, post-punk, kraut rock, pop, psychedelia and even this time r'n'b and dubstep.
17 tracks take you through a real journey of shockingly original pulsating sounds that tie to Punt but sound more accomplished and distinctive in style. The album was again recorded between Ethiopia, Mali and the UK whilst Dan Harper was aid working, with the mixing finished in country. Many known guests again feature on this album including Portishead's Adrian Utley and Skip McDonald (African Head Charge, The Sugar Hill Gang, Tackhead and Little Axe.
It’s impossible not to admire Dan Harper. Until five years ago, he was an aid worker in Ethiopia, where he not only became fascinated by the country’s remarkable music scene but built his own studio in Addis Ababa and managed to persuade leading local artists to record with him. He also invited producer and bassist Nick Page, also known as Count Dubulah, out to Ethiopia and introduced him to his musical friends; as a result, Page formed his highly successful Ethiopian fusion band Dub Colossus.
Once he returned to England, where he now works as an unconventional music teacher in the West Country, Harper continued work on a fusion project of his own. He persuaded an impressive selection of British musicians to add their contributions to his Ethiopian recordings, and the result was the album Punt, credited to a band Harper called Invisible System. It included a remarkable cast, from the legendary Ethiopian singer Mahmoud Ahmed through to punk hero Captain Sensible, guitarist Justin Adams and Count Dubulah; the results veered from African styles to psychedelic rock, trip-hop and dub. Although this was originally something of an obscure DIY release, Harper managed to bring his work to national attention, and won impressive reviews.
Since then, the two Ethiopian fusion experiments have continued. Dub Colossus, now a rousing live band rather than merely a studio project, have a new album of Ethio-jazz and reggae fusions, Addis Through the Looking Glass, while Invisible System have a very different second set, Street Clan.
Once again, the album is based around recordings that Harper made in Africa – this time in Mali as well as Ethiopia – to which he adds his own guitar, bass, synth programming, percussion and production work. Then there are contributions from a new set of Western musicians, including the great American guitarist Skip McDonald, Adrian Utley(Portishead), Stuart Fisher (who has worked with Courtney Love), and members of psychedelic hippie heroes Ozric Tentacles. Then there’s Jamaican singer Dennis Wint, who Harper met in the Somerset town of Frome, where he lives and works.
Street Clan is even more wild, frantic and unexpected than Punt, with sections that work brilliantly and tracks where Ethiopian vocals are surrounded by a blitz of thrash guitar and percussion, results ranging from exhilarating to messy. The best tracks come towards the end, where the emphasis shifts from the clash of African vocals with full-tilt Western guitars, through to more conventional dub reggae. There’s still an African edge to Teenage Lion and Broken Heart, thanks to the vocal work from Zewditu Tadesse; but Wint dominates the songs with an energy and style that makes him sound like an unlikely male answer to early Patti Smith.
There's a huge sea change between Invisible System's debut and this sophomore outing. Where the first was definitely based around Ethiopian music, this is a much more amorphous and adventurous beast. If it needs to be defined, it's a rock -- maybe even post-rock -- album. Ethiopia is still there, and some of the music was recorded in Addis Ababa. But many of the sounds were made in England using a truly staggering range of musicians, and there's a powerful Jamaican influence at work here, too. If you need an analogy, think of the work of Adrian Sherwood, or even some PiL (in fact, "Mutant Miners" sounds like it could be have been smuggled off some fantastical PiL album). This is world music in the sense that it was made by people from different parts of the globe coming together, but its roots are in the here and now rather than in any tradition. It's challenging, adventurous, and heavily textured; the tracks were recorded live and later chopped up and mixed, although you'd never notice the joints. It might prove to be one of the finds of 2011, a real sonic adventure that speaks highly of Dan Harper, the man behind it all.
review by Chris Nickson
01 Tizita (feat. Portishead Adrian Utley, Ethiopiques)4:01 02 Ambassel (feat. Mimi + band (after signed as Dub Colossus also)) 5:25 03 Zedanmer (feat. Eat Static, Ethiopiques) 4:38 04 Bone Flaps (feat. Merv Pepler and Los Mutartis + Ethiopiques) 3:51 05 Backyard (feat. Skip McDonald (On U Sound, LIttle Axe, Sugar Hill Gang), Dennis… 4:47 06 Skunk Funk (feat. The Ullulators) 4:30 07 Opidervtu (feat. Eat Static, Ethiopiques) 4:26 08 Womens Love (feat. Ozric Tentacles, Rythmites, Ethiopiques, Sydney Salmon) 6:15 09 Mutant Miners (feat. Merv Pepler, Los Mutartis, Ethiopiques) 6:08 10 Live Up To Love (feat. Hilaire Chabby (Baba Maal), Dennis Wint, Ethiopiques) 3:15 11 Men Dont Cry (feat. Eat Static, Dennis Wint, Ethiopqiues) 2:46 12 Oumabetty (feat. Jonny / Akrilu (Mamoud Ahmed)) 3:13 13 Teenage Lion (feat. Ryhthmites Flash, Ethiopques,) 6:08 14 Broken Heart (feat. Dennis Wint, Leyikun Ethiopia) 3:33 15 Katabo (feat. Merv Pepler, Dennis Wint) 3:45 16 Naturalisation (feat. Dennis Wint, Joie Hinton) 7:57 17 Rapture (feat. Merv Pepler, Dennis Wint) 3:20
Layne was born in Eritrea, located in East Africa just North of Ethiopia near the Red Sea to Neghesty Kiros and Tadesse Iassu, Layne Tadesse is no stranger to war and a desire for freedom. On his debut album a song titled “NEGESHAY” is a tribute to his mother who passed away. In Tigrinya, the African language that is LT’S native tongue, the meaning of his mothers name is Queen, and LT refers to Neghesty as the “Queen of all Queens”.
With war between Eritrea and Ethiopia beginning shortly after Layne was born, his mother and father fled to Sudan and lived in a refugee camp for three and half years. During that time Layne was able to learn Arabic and the study of Quran religion. Shortly after that Layne, and all his siblings and parents were picked to go to America. Three days prior to flying to America Layne’s older brother Dawit decided to go back to Eritrea and joined the Armed struggle EPLF to fight the Ethiopian communist army. Without his brother Layne along with his siblings and parents landed in Philadelphia and lived there for four years before moving to Southern California. With a diploma from Colton High School and an associate degree from Chaffey Collage. Layne is a positive example turning adversity into opportunity and credits his family for his early musical interests. He grew up around many musicians and most of them family members.
Throughout High school and collage Layne performed in plays and competed in talent shows and came across many genres of music. First group he was a member of was called Black Fugitives. Black Fugitives were a mixture of Hip-Hop and R&B. However, because he was introduced to Reggae by his family at an early age Layne soon recognized his true calling in music . By taking a piece of his experience with other genres, Layne has created a unique sound that touches the masses. Traditionally it has been a type of music suited for adults only. Many of his loyal fans believed Layne has reinvented Reggae by helping this genre of music cross the barriers that separates our youth and adults.
Layne Tadesse - Ghetto Corner
Versatile, multitalented, flexible, diverse, are just a few words to describe Layne as an artist and a person. If you have not yet seen one of his live performance then you have missed something great. As a live performer, Layne’s presence is electric, from his trademark Acappella Intros to the last note of the show, he keeps the eyes and ears of the audience glued to the stage. Now with a loyal and always growing fan base, Layne Tadesse plans to spread positive vibes and souls stirring music to the rest of the world.
The title of his album "Humble Beginnings" is the perfect phrase to describe the musical career of Ras Abel.
Born in Addis Abeba in 1972, Ras Abel moved to the USA in 1989. While attending the college in Maryland in early 1990s Abel met a guy named Belatchew who encouraged young Ras' ability to express his lyrics. During the summers Abel, Belatchew on bass and his younger brother Dula met their soul JAH, creating music together. As their love for music grew, they decided to record a demo in 1994. They made two tracks, "Love is in the air" and "Forward to Zion".
Due to the various difficulties, Ras was unable to pursue a musical career in full time. However, Ras continue to work with Dula in his studio in St. Paul, Minnesota, where he spent 1996-1999 in coordination with Dula and Tensae (co-producer of "Humble Beginnings") eventually produced "Humble Beginnings" in 2000.
While living in Washington, Ras Abel and Tensae tried to make music of Jah. Initially band was named "Maebel", which means tidal wave in Amharic. Later they changed their name to "Melekebet", name of native Ethiopian instrument, used to make an anouncements in ancient times.
"Melekebet" was consisted of Salomon on drums, Tensae on bass and Ras Abel on guitar, rhythm guitar and vocal. Their sound was unique blend of reggae and Ethiopian music. Band dismemmbered in early 2001. and Ras Abel took hiatus in the music of Jah.
In 2008 Ras Abel returned to music once again. Abel recorded his second album with drummer Jeff Franca.
Curently he is playing with his band "Tesfa". He also features on the album "Sur Mahber", a compilation of songs with various artist made with american group "Soldiers of Jah Army".
In "Dancehall Celebration," he gives props to the new "conscious" roots-and-culture face of dancehall reggae; and in "Afrikawi," sung in the provincial Ethiopian language Tigrinya, he pays tribute to Zeray Deres, an Ethiopian warrior who stood up to the invading Italians.
Ras Abel's voice is rich, with full range. The music on this CD ranges from Nyahbinghi rhythms, to ska, to Hard Roots, to some Ethiopian traditional music styling. Hard, real upbeat music and messages from a young lion making a 'Humble Beginning'. Respect!.
"Humble Beginnings" is not of humble quality. All tracks reveal that these young lions are under the influence of the masters of premium quality reggae. The lyrics are not shy about singing praises to His Imperial Majesty Haile Selassie I, Pan African Development and progressive livity for mankind.
Samson Kidane, singer and songwriter from Eritrea, live in Cologne, Germany and writes his songs on the krar, the national musical Instrument of Eritrea. This plucked instrument is similar to the ancient lyre European and West African kora harp.
This rare instrument is played today only in the zones adjacent to the Nile countries of Africa, and the Arabian peninsula.
With his music Samson Kidane miraculously combine his African roots with modern music styles such as hip-hop, reggae and rock. But still you can hear his songs with East African and Arabic influences.
Samson Kidane is as cosmopolitan who is looking for the unifying between cultures. He sings in Tigrinya, the outsider a melodious, musical language. The lyrics of his songs are influenced by his early life in a war-torn Eritrea, and deal critically with the situation of his homeland.
They also tell of depth and passion, love and religion. His band plays in a classic line: with guitar, bass, drums and percussion support the four musicians discreet and reserved the own music style.
01 - Samson Kidane Band - Celdi (3:24)
02 - Samson Kidane Band - Fithi (3:22)
03 - Samson Kidane Band - Mesiluni ich dachte (2:56)
The first home grown Reggae artist Jonny Ragga (Yohannes Bekele) was born in 1977 in Addis Ababa, Ethiopia. From a very young age Jonny was passionate about reading and writing poetry. His teachers, who spotted his talents very early on, would persuade him to read his poetry in front of the whole elementary school. His love affair with music began taking shape while Jonny was attending Bole high school. Initially, he loved all kinds of music, but what inflamed his passion started to become clear after some time. He fell in love with Reggae. Jonny got the opportunity to practice his reggae singing and Dj (sinje) style at a place called Ram Jam which was the most popular reggae club in Addis at the time. When he reached the age of 17, he decided to join Medina Band and start performing live.
In 2005, Jonny released his and Ethiopia’s first critically acclaimed Reggae album ‘Kulfun Sechign’ (Give me the Key). This album was widely heard and received massive attention. It also introduced him to the international music scene.
In 2005, Jonny won the ‘Best Music Video Award’ at the Ethiopian Music Awards. He was nominated in the ‘Best African Reggae Artist’ category, and brought home the first and only Channel O’s All African Music Award after winning the category ‘Best East African Artist’ in 2006 at a ceremony held in Johannesburg, South Africa.
Jonny has collaborated with many well known local and international artists. Chachi Tadesse, Teddy Afro, Lafontain, Shewandagn Hailu, Haile Roots, Michael Belayneh , Nyomi Grey (Ny, a young talented artist from UK), Kenny Allen (an African American R&B artist) and Zola (a South African rapper and actor) are some of the artists that he has worked with so far.
Jonny went on to co found, produce and host the popular weekly radio program ‘Jam Jam’ on Ethiopica Link on 98.1 FM, and was a guest host on DSTV’s ‘Urban Massive’ TV show. He also directed and produced music videos for many Ethiopian Artists.
Jonny has been touring the world and entertaining his fans for over 15 years. He has traveled to North America, Europe, Middle East and other parts of Africa performing his music to his fans abroad.
Jonny is involved in every aspect of his music, from writing his lyrics and melodies to musical arrangement. He is currently working on his new album project and has set up his own music production company called JR Music Production. He established JR Music Production in 2006, in an effort to create opportunities for upcoming talented artists. He also involves himself in many awareness creating projects alongside other international organizations, on issues affecting the youth and women.
01. Jonny Raga - Gimmy The Key4:02 02. Jonny Raga - My Pocket And Your Purse4:15 03. Jonny Raga - Hello Addis Ababa4:44 04. Jonny Raga - Shuck And Tuss4:08 05. Jonny Raga - One Way Ticket4:32 06. Jonny Raga - Attractive Girl4:31 07. Jonny Raga - Pick It Up3:55 08. Jonny Raga - Shashamane4:00 09. Jonny Raga - Abeshawy4:09 10. Jonny Raga - You, Ethiopia4:32 11. Jonny Raga - Get The Devil Out4:29 12. Jonny Raga - Matured4:59 13. Jonny Raga - Mama4:49 14. Jonny Raga - Your Love Is Fire4:10 15. Jonny Raga - Love Of Music5:28 16. Jonny Raga - Your Love Is Fire (Remix)1:29
