Wubeshet Fesseha

Wubeshet Fesseha

Akal Gela

 

Almaz Kebede and Wubeshet Fesseha

Blue and White Cover

Tsehay Amare---Selam Wegenoche---1998 E.C

REPOST

 

RE

 

 

Elizabeth Teshome and Solomon Deneke

             

  

Sifelig Ayalew and Tadesse Lakew---------1984 E.C

 

 

Helen Paulos and Phillip Martin

 An Ethio-Sudanese Inspired Songs which are so Popular in Both Countries.

http://www.mediafire.com/folder/qrjhxx01vuww2g6,tnzqrmnrybs1e88/shared

Tsehay Amare

 

Shiw Elim Behagerachin

A Very Homeseek Album Titled Song

Side A

    

Aster Awoke and Wubeshet Fisseha---1968 E.C

Welcome Again after a Four Year Break!

 Aster Awoke and Wubeshet Fesseha--1968 E.C

A rare Second work Produced by Ali Tango

http://www.mediafire.com/folder/ppeeni6dpvnvyw1,fbhjrr6qffb4uol,yx4y0qpia2qw27d,2rkqqhjxejp9fef,qkcpqo6sofu89x1,f1nmhfvkcwsexzc,urxgdo426tc4mef,fsb0hhz1d5u7fuk,g2dye9t7sd6pt9m,so150dd6vezmv53/shared

v.a. - Ernesto Chahoud presents TAITU - Soul-fuelled Stompers from 1960s-1970s Ethiopia [2018] [ethiopia]

       Ernesto Chahoud’s Taitu is a collection of soul-fuelled stompers straight from the dancefloors of 1970s Addis Ababa. A breathless journey through the unique Ethio sound that bands were forging at the time, the 24-track compilation is the result of the Lebanese DJ and crate digger’s decade long love affair with the ‘golden age’ of Ethiopian music.

Tilahun Gessesse - Aykedashim Libe

        Among the musical gems featured are 7″s by some of the heavyweights of the scene including Mulatu Astatke and Alemayehu Eshete, the vocalist dubbed the ‘Ethiopian Elvis’, alongside tracks by more obscure artists such as Merawi Yohannis and Birkineh Wurga.

           For Taitu, Chahoud has selected 24 of his essential Ethio-Soul 7″s, that never leave his DJ box, and together they capture this opportune moment in Ethiopian music history that saw bands experiment with an armful of influences: gliding through R&B, rock & roll, jazz, funk, soul and boogaloo. What came out was a distinctly Ethiopian interpretation: pentatonic scales, horn-driven melodies and soul-shattering vocals sung in Amharic.

           The songs are difficult to box in to one genre but they share a simplicity and rawness, added to by their lo-fi quality – with many recordings made in rudimentary studios with only a couple of mics for the entire band.

         From the R&B stomper ‘Honey Baby’ by Alemayehu Eshete to Astatke’s swaggering ethnic-jazz instrumental ‘Emnete’ and the bluesy melancholic vocals of Hirut Bekele on ‘Ewnetegna Feker’, ‘Taitu’ is a window in on the exciting records being made in Ethiopia in the 1970s.

Menelik Wossenatchew - 01 - Fikratchin (3:05)

Mulatu Astatke - 02 - Emnete (3:28)

Tèshomè Meteku - 03 - Hasabe (4:00)

Birkineh Wurga - 04 - Alkedashim (3:16)

Selomon Shibeshi - 05 - Endiet Zenegashiw (4:06)

Alemayehu Eshete - 06 - Chiro Adarie Negne (4:27)

Hirut Bekele - 07 - Ewnetegna Feker (3:15)

Bezunesh Bekele - 08 - Felagote (2:56)

Alemayehu Eshete - 09 - Mekeyershene Salawke (1:48)

Tilahun Gessesse - 10 - Aykedashim Libe (4:57)

Merawi Yohannis - 11 - Teleyeshign (2:27)

Alemayehu Eshete, Hirut Bekele, Hirut Bekele & Alemayehu Eshete - 12 - Temelese (3:19)

Alemayehu Eshete - 13 - Honey Baby (2:37)

Seifu Yohannes - 14 - Ebo Lala (3:34)

Bezunesh Bekele - 15 - Aha Gedawo (3:52)

Alemayehu Borobor - 16 - Yeshebelewa (3:35)

Seifu Yohannes - 17 - Mela Mela (4:09)

Tilahun Gessesse - 18 - Sigibgib Joroye (3:28)

Alemayehu Eshete - 19 - Gizew Honeshyna (2:39)

Bahta G. Hiwot - 20 - Tessassategn Eko (4:02)

Gétatchèw Kassa - 21 - Fikrishin Eshaleyu (3:22)

Hirut Bekele - 22 - Almokerkum Nebere (3:21)

Muluken Melesse - 23 - Alagegnhwatem (4:07)

Ménélik Wossenachew - 24 - Tezeta (4:28)

Tamrat Molla - 25 - Ene Yewodedquat (4:14)

The Music of Ethiopia - [1967] - Azmari Music of the Amharas (Anthology AST 6000, recorded by Ashenafi Kebede (LP)) [ethiopia]

Another extraordinary blog dedicated to world music sound I just found is :

MusicRepublic - World Traditional Music from LPs and Cassettes

Album and text are originally posted >>> HERE

This anthology showcases the music of the Azmari bards, or minstrels, from the Amhara Region in Northeastern Ethiopia. Most Amharas, aka as Abyssinians, are Christians, members of the Ethiopian Orthodox Tewahedo Church founded in the 4th century. 

Melaku Gelaw - Misgana (Praise)

The gorgeous program featured here includes Melaku Gelaw playing solo washint wooden flute (A1, A4) and solo krar lyre (A2); and singing and playing krar (B1); Wolde Marriam singing and playing krar (A3); the powerful and inspired interplay between Asegedech Mekonnen’s spellbinding singing and Getamesay Abebe’s masinko, or masenqo, single-stringed bowed lute (A5, A6, B2, B3); and Getamesay Abebe singing and playing masinko (B4).

Melaku Gelaw (medium sized washint) - A1 - Misgana (Praise) (1:25)

Melaku Gelaw (krar) - A2 - YefiKir KeTaima (2:58)

Wolde Marriam (vocal and krar) - A3 - Satina Baburay (Heat-Driven Train of Mine) (3:07)

Melaku Gelaw (long washint) - A4 - Fanno (1:48)

M. Asegedech (vocal) / A. Getamesay (masinko) - A5 - Shilela (4:59)

M. Asegedech (vocal) / A. Getamesay (masinko) - A6 - Ambasel (4:57)

Melaku Gelaw (vocal and krar) - B1 - Shemonmuanaye (My Charming One) (2:51)

Asegedech Mekonnen (vocal) / A. Getamesay (masinko) - B2 - Tizita (5:04)

Asegedech Mekonnen (vocal) / A. Getamesay (masinko) - B3 - Bafi (5:14)

A. Getamesay (vocal and masinko) - B4 - Medina Zelesegna (5:44)

                             FULL BOOKLET INCLUDED