Woretaw Wubet, phenomenal Ethiopian singer and fabulous traditional instrument player, Woretaw Wubet, has been performing music since he was fourteen years old. While in Ethiopia he played with many traditional Ethiopian ensembles such as The Hager Fikir Theater.
Woretaw has traveled extensively outside Ethiopia including Kenya, Libya, Zimbabwe, Abu Dhabi, Dubai and North America.
In this recording Woretaw blends the Masinko, a traditional instrument, with keyboards to give it a contemporary flavor.
Guzo
is the debut release of young Ethiopian pianist Samuel Yirga. Against the odds,
Samuel found his way to music school in Addis Ababa and despite still being in
his 20s and only having left music school relatively recently, he has developed
at a pace remarkable for someone of his age.
He has gone on to become one of
Ethiopia's most promising young musicians and composers and in recent years,
Samuel has gained wider international recognition through his touring and
recording with Ethio-fusion group Dub Colossus.
The
title, Guzo, means "journey" in Amharic, the official working
language of Ethiopia.
Recorded partly in Addis Ababa and partly in the
UK
at Real World Studios, it is the product of his years experimenting with the
music of his roots and the outside influences of American jazz (particularly
Keith Jarrett and Herbie Hancock), Latin, and classical music. It explores the
traditional musical history of Ethiopia,
the more modern Ethiojazz that has brought his country's music to international
attention, ventures into big-band brass ensembles, moves through soul and funk,
and then simmers with the deeply impassioned solo piano tracks. Whilst the solo
piano pieces are introspective and deeply felt, Samuel has enlisted some great
singers and instrumentalists from Ethiopia,
Europe and the Caribbean. Featured vocalists
are the Creole Choir of Cuba, a Cuban choir whose songs go back to their
Haitian roots; Mel Gara, a British singer whose origins are in Iraq; and
Nicolette, a Nigerian-British singer, famous for her collaborations with
Massive Attack.
While
Sammy has been influenced by American jazz and funk, he also wanted to record
some tunes which showed the great range of traditional music in Ethiopia. On
these tracks, which he recorded in Addis
Ababa, he was joined by some of the country's best young
traditional instrumentalists.
"His
world is opening up," says Dubulah (aka Nick Page), the British musician
and producer behind Transglobal Underground, Syriana and Dub Colossus and also
producer of Guzo, "He's feeling his way around and this recording is a
statement of where he's intending to go and what he has to offer. I think the
result will surprise people."
'Guzo'
is both bold and sensitive. It is the start of Samuel Yirga's musical journey
and a platform to showcase the extraordinary skill as both musician and
composer of this emerging young talent. The album's roots might be firmly in
the Ethiojazz of Samuel's homeland, but this young man from Addis has opened up
a whole new door on a musical genre and region.
Tracklisting
1.
Abet Abet: is a traditional love song which features the raw and melodic notes
of the Ethiopian one-stringed fiddle, the messenqo. Recorded in Addis, Sammy is
accompanied by some of Ethiopia's
best young traditional instrumentalists.
2.
Tiwista: this is another well-known Ethiopian song and means 'nostalgia'. The
tune is arranged with Sammy's own jazz-influenced base line. The melody is led
by a subtle but powerful saxophone which weaves in and out of the piano through
the track.
3.
Ferma Ena Wereket: This tune's title means 'We don't need paper to love each
other'. "Everyone can sing about love," says Sammy, "but the way
you describe it is what's important." This track is a controversial
statement about marriage.
4.
Ye Bati Koyita: - a solo piano piece. The title means "A Time in
Bati" - Bati is a town in northern Ethiopia, and also the name of the
musical scale Samuel plays. Always the innovator, Samuel plays it not with the
original time signatures in which it was written, but swapping between
different timings to keep the tune fresh. The result is a mature, intricate
take on an old Ethiopian melody which ripples with classical and jazz
influences.
5.
Nou Se Soleil: - Vocal introduction to I am the Black Gold of the Sun, sung by
The Creole Choir of Cuba.
6.
I am the Black Gold of the Sun: This song features guest vocalists The Creole
Choir of Cuba, Nicolette and Mel Gara and is a re-working of the 1970s
psychedelic soul classic. The three sets of vocals are underpinned by the
funk-laden chords and flourishes of Sammy's jazz-infused piano playing. Page
chose the song to cover because of Sammy's love of 1970s and '80s American
music, and brought in those artists because together they told the story of a
journey from Africa to the Caribbean, via the Middle East and Europe.
The song brings with it the sunshine of the Caribbean,
carried by the uplifting rich vocals of the Choir, as well as the urban tones
of the British-based singers.
7.
Dance With the Legend: a solo piano piece, which takes its inspiration from a
song by Ethiopia's
great singer Tilahun Gessese. The tune swings with a lilting rhythm and ripples
with classical and jazz influences.
8.
My Head: Recorded in the UK,
with the regular Dub Colossus horn section, this track is an upbeat latin
number.
9.
Drop Me There: This piano solo written by Sammy features three of Ethiopian
music's distinctive melodic scales and was written at Real World Studios last
winter. "It was very quiet there," says Sammy of his time at Real
World, "so I could really feel every note when I played."
10.
The Blues of Wollo: Based on a famous Ethiopian song called Ambassel, featuring
both traditional and modern instruments. Recorded in Addis, with wonderful
keening vocals from Genet Masresha.
Bonus
Track
11.
African Diaspora: featuring and co-written by Nicolette, African Diaspora is a
melancholic song which demands "Africa,
why are you letting your people leave?" The song reverberates with muted
horns and the gentle tones of Sammy's piano playing.
Reviews
...young
Ethiopian pianist who blends his soul and jazz influences with music of his
homeland.
(Guzo)
stacks up well next to the best music of swinging Addis. His three solo piano
pieces show huge range: "Drop Me There" is crystalline and
delicate..."Dance with the Legend" is as fluid as Keith Jarrett in Koln.
Downbeat
4 **** (USA)
No.
2 in Rhapsody's Top 10 World Albums...
Sometimes
an album just takes your breath away. Swirling together contemporary jazz and
Ethiopian grooves with a graceful boldness and elegant subtlety that makes this
Addis Ababa-born pianist's youth hard to believe, Guzo lures you in from the
first creeping...
Rhapsody (Online USA)
Yirga's
debut offers surprise after surprise.
Samuel
Yirga is a pianist from Ethiopia
whose debut record "Guzo"sits somewhere in the fertile ground where
jazz mingles with R&B and funk to create soulful beauty. ...Yirga's
appetite is big, and each surprise within Guzo renders easy comparisons
useless. Yirga's debut offers surprise after surprise.
Los Angeles Times (USA)
CD
of the year...Otherworldly jazz from young Ethiopian pianist with dizzying
potential
This
is both a bang up-to-the-minute album, but also a throwback to the glory days
of Ethiopian jazz in the late 1960s and 1970s... the balance of instrumentation
between brass, percussion and piano is a thing of wonder. ... the potential is
dizzying and his joy in playing transmits wonderfully to the listener.
The
Arts Desk (Online)
one
of the most exciting and innovative jazz players in the world.
(Samuel
Yirga's) classical sensibilities fused with the native folk sound has made this
young artist one of the most exciting and innovative jazz players in the world.
Huffington
Post (USA)
Samuel
Yirga: A Prodigy Reviving Ethiopian Jazz
Yirga
has had to fight for his right to be himself, and in the end, the voice and
vision of a distinctive composer shines through in this impressive debut.
NPR
Music Online (USA)
...masterfully
produced...
...his
new album Guzo is a talented blend of sounds...and sparkling cameo
performances.
The
Africa Report (UK)
...fierce
debut...an essential purchase for anyone...
who
has fallen for the jazzier end of the ethiopiques spectrum. Among the
highlights here - the swinging groove of My head...and I Am The Black Gold of
the Sun.
Mojo (UK)
Powerful
and beautiful...9 out of 10
Stereoplay (Germany)
...Yirga
should be an exciting prospect to discover for any jazz fan.
One
moment he's pouring out emotive, classical jazz, the next fusing traditional
Ethiopian sounds and Ethiojazz with sparse piano and elements of funk, or
working alongside soulful guest vocalists.
Loughborough
echo online (UK)
...rich
beyond its measure.
...some
outstanding jazz soloing...
The
Weekend Australian (Australia)
...an
enjoyably diverse set as leader.
Guzo
ranges from ruminative solo piano to the ebullient party blast of My Head...
The Creole Choir of Cuba join him for an epic take on the psychedelic soul
groove I Am The Black Gold of The Sun.
The
Times (UK)
Guzo
- Track 5 on Songlines Top of the World
...It's
not often that one is greeted by such a strong debut, so effortlessly shot
through with intelligence and creativity. ...a project that successfully takes
the tunes and arrangements of Ethiopia's
much-documented golden age and updates the into a modern setting, consolidating
their originality and power in the process.
Songlines (UK)
...
it's a great introduction
If
you're already a fan of Ethiojazz, this is as good an indication as any of its
new direction and if you're unfamiliar with the genre, it's a great introduction.
The
Morning Star (UK)
Dub
Colossus's young Ethiopian pianist is an incandescent talent.
The
Independent (UK)
Summer
anthem? Recon so.
(I
am the Black Gold of the Sun)...some sublime vocals from The Creole Choir Of Cuba..
Echoes (UK)
...His
talent is remarkable
...influences
of blues and funk clearly audible in the slower parts, while the frantic
rhythms gripped listeners with anxiety.
Spaceship
News, Perth
(Live review from The Ellington Jazz
Club)
....an
impressive album.
The
Guardian (UK)
...accomplished
debut.
Yirga
draws on his country's best-known musical currency - the dark flavours of
Seventies Ethio-Jazz - on this accomplished debut.
The
Daily Telegraph (UK)
...solo
mixture of abstraction and funky jamming
...solo
mixture of drifting Monkish abstraction and HeadHunter-styled Hammond
and Rhodes funky jamming. 'I Am The Black Gold
Of The Sun' benefits from the Creole Choir Of Cuba's blissful gospel singing.
The
Financial Times (UK)
Impressive
debut from Ethio-jazz pianist - 7/10
Twentysomething
Yirga is a man on a mission - to become Ethiopia's greatest pianist. He's
surely halfway there. The best tracks here align him convincingly with the
rediscovered 'Ethio Jazz' of the 1960's - "Twista", with its funky
one-string fiddle, both entice.
Uncut
Magazine (UK)
Incredible
... this album has absolutely blown my socks off!
Gilles
Peterson - BBC 6 Music (UK)
An
impressive debut album that attests to the originality of its author.
Guzo,
the debut set by Ethiopian pianist Samuel Yirga, is such a set. In short, this
is an impressive debut album that attests to the originality and expressiveness
of its author.
BBC
Music Online (UK)
It
goes without question that Yirga has talent...Yirga is a performer.
...his
debut solo album Guzo is sure to launch him straight into the forefront. It
goes without question that Yirga has talent; every track demonstrates
virtuosity and jazz know-how....Yirga is a performer. The album oozes with
feeling and heart. Every track is so full of artistic sensibility that it's
hard not to be sucked up in the performance. ...piano solos like 'Yeh Bati
Koyita' and 'Drop Me There', which are painfully beautiful. ...rarely is an
album able to bring it's audience along for a passionate ride, full of ups and
downs. Guzo does exactly that. And if Yirga can perform with such spirit on an
album, I can only imagine what it would be like to hear him live, something I
am definitely looking forward to.
NOMAD's
Playlist (Australia)
...melodic
themes that touched the heart.
Though
sparingly unleashed, his deliberate, eastern-inflected solos were thoroughly
transporting. The frantic final selection, 6 and 4, married a northern
Ethiopian mode to a southern rhythm...propulsive interplay with bassist Yoseph
Hailemariam Bekele and star drummer Nathaniel Zewde sounded like top-flight
funk in anybody's language.
The
Age & The Canberra Times (Live review from Comedy Theatre, Melbourne
International Jazz Festival) (Australia)
...one
of the most thrilling bands on the world stage.
His
opening solo piece was staggering in its invention, facility and narrative
skill. He led us through a fantasia of idioms, drawing on Ethiopian, jazz,
Cuban, funk and classical...with the ease of one with a deep understanding of
the convergence of their essences, rather than the disparity of their surfaces.
On Tiwista his improvising was seismic in its power and transporting in its
range... Feleke Woldemariam (tenor saxophone), Nathaniel Zewde (drums) and
Yoseph Hailemariam (electric bass), musicians worthy of Yirga's singular gifts.
Woldemariam played with a fluttering quality to his notes...suddenly the
commonplace tenor saxophone became exotic and carried immense emotional sway.
The explosive Abet Abet...Rhythmically the piece metamorphosed into the sort of
funk that would lead some people to lock up their children rather than let them
be corrupted by such raw, visceral and wanton music. breathtaking in its
intricacy and complexity, while maintaining inexorable grooves.
The
Brisbane Times (Live review from The Blue Beat Jazz Club) (Australia)
...staggeringly
brilliant album.
Samuel
Yirga is a bright new musical flame who shows that Ethiopia's rich jazz heritage is
still alive and thriving in his young hands.
Sydney
Morning Herald (Australia)
One
of the world's more remarkable young pianists is a 26-year-old Ethiopian who
did not even touch a piano until he was 16.
...highly
diverse - variously solo or ensemble, instrumental or vocal, 'pop' or not. Guzo
includes three jaw-dropping piano-only cuts; they do not imitate Keith Jarrett
but are in the same league as his solo flights.
Preview
- The Weekend Planet Radio (Australia)
....Yirga
is such an exciting artist
...that
deserves the recognition he is getting. Guzo is just a taster of what is yet to
come from this talented artist.
Musika.uk.com
(UK)
"It
has all the ingredients of a masterpiece and certainly those that make it top
of my playing list. Great balance between avant garde jazz and sweet r&b
vibe in some tracks and those Ethiopian scales... all tracks are
outstanding!"
JPR
at Simply Out Of This World/Covent Garden Radio
(UK)
I
feel very privileged to have an early preview of this fantastic album." Juice FM
It
seems he's pulled out all the stops. His classical music experience shows in
his sensitive and thoughtful approach to his solo piano work like Ye Bati
Koyita and Drop Me There and at the same time can make a beautiful Charles
Stepney tune like I am the Black Gold of the Sun sound fresh yet again.
Powerful and dynamic performances on other tracks recorded with the UK and
Ethiopian musicians show off his improvisational style but I keep returning to
his solo piano work. Thoroughly rewarding album."
Mulatu Astatke (also written Astatqé on French releases) is arguably one of the most influential and legendary musicians from Ethiopia. During the 1960’s, he studied music abroad in London, Boston, and New York. He then returned home to Ethiopia armed with a love for jazz and Latin music. There he blended Ethiopian traditional music with the Latin-jazz he was so fond of to create a unique hybrid he called “Ethio-jazz”.
Mulatu Astatke is first and foremost a composer but also a multi-instrumentalist, playing the vibraphone, keyboards and organs. He is further credited as having established congas and bongos, instruments normally central to Latin styles, in Ethiopian music. However, as Ethiopian songs traditionally focused on vocals his greatest contribution to the music of his country was introducing a new focus on instrumentation.
Mulatu's "Plays Ethio-Jazz" is published for Poljazz, polish discography company. This is ultra rare album, available only on vinyl.
Tracklist
A1Addis Ababa3:20
A2Gambella4:00
A3Motherland5:55
A4Kulun Manqualesh3:00
A5Crusin´ "J" Town3:55
B1Tizita6:06
B2Chic-chica5:20
B3Yelb Lie Isat4:00
B4Lent6:00
Credits
Bass – Krzysztof Ścierański (tracks: B4), Paweł Jastrzębski (tracks: A1 to A5, B2 to B4), Zbigniew Wegehaupt (tracks: A3)
Guitar, Keyboards – Winicjusz Chróst* (tracks: A1 to A4, B2 to B4)
Guitar, Voice – Jerzy Bartz (tracks: B1)
Percussion – Krzysztof Zawadzki (tracks: A3, A4, B2 to B4)
Saxophone – Tomasz Szukalski (tracks: A1 to A5, B3 ,B4)
Trumpet – Henryk Majewski (tracks: A3, B3, B4)
Vibraphone, Congas – Mulatu Astatke (tracks: A1 to A5, B2 to B4)
Mohammed Osman Hassan Salih Wardi(Arabic: محمد عثمان حسن وردي) (born 19 July 1932 – 18 February 2012) was a Nubian Sudanese singer and songwriter.
Wardi was born on 19 July 1932, in a small village called Swarda close to Wadi Halfa Northern Sudan.His mother, Batool Badri, died when he was an infant.His father, Osman Hassan Wardi, died when he was nine years old.He was brought up in a diverse and culturally rich background and developed an interest in poetry, literature, music and singing.Wardi traveled to Shendi to complete his education, and returned to Wadi Halfa as a secondary school teacher.
In 1953, Wardi went to Khartoum for the first time to attend a convention as a teaching representative for his area. He moved to Khartoum and started his career as a musical performer.
In 1957, Omdurman Radio chose him to record and sing on national broadcast in an arena with legendary singers such as Abdelaziz Mohamed Dauod, Hassan Atia, Ahmed Almustafa, Osman Hussaein and Ibrahim Awad. Wardi recorded 17 songs in his first year. A committee formed by Omdurman Radio's president that included top singers and songwriters such as AlKashif, Osman Hussaein and Ahmed Almustafa promoted Wardi to highest level as a professional singer. He had a bilateral with a famous poet, Ismail Hassan, resulting in more than 23 song. Wardi performs using a variety of instruments including the Nubian Tanbur and sings in both Arabic and Nubian languages. He has been described as "Africa's top singer", with fans mainly in the Horn of Africa. His songs address topics such as romance, passion, Nubian folklore and heritage, revolution and patriotism with some of his political songs resulting in him being jailed. After the introduction of Sharia in 1989, he left Sudan to voluntary exile in Cairo. He returned in 2003.
And the granting of artist Mohamed Osman Wardi honorary doctorate from the University of Khartoum in 2005 in recognition of his career for more than 60 years and his performance more than 300 song and legend as a Sudanese art immortal and encyclopedia of music.
Faytinga comes from the Kunama people, one of Eritrea''s many tribes, where women enjoy equal rights with the men. Her father was war hero Faïïd Tinga, and at the age of fourteen she had already joined her country''s armed struggle for independence from neighbouring Ethiopian rule.
Faytinga grew up surrounded by her uncles and aunts singing and playing instruments, in accordance with the Kunama tradition. Her dream was to be a singer, and it came true when she was sent to entertain the troops at the front, using her songs as a message of hope and determination. Faytinga composes her own material as well as performing work from well-known Eritrean poets and composers, playing the krar, a small lyre, in accompaniment to her songs.
An accomplished and elegant dancer as well as talented singer, Faytinga is a leading figure and source of inspiration for the men and women of her country. In 1990 she undertook a tour of the United States and Europe as a member of an Eritrean group, touring for the first time as a solo artist in 1995 when she released her first album on cassette. It took until 1999, and an appearance at the Africolor festival, before she recorded her first CD.
