Blogtrotters

Monday, August 12, 2013

Gizachew Teshome - Yehuna [2008]


   R   E   U   P   L   O   A   D   






01. Gizachew Teshome - Abadaghaw (5:19)
02. Gizachew Teshome - Alemeye (6:30)
03. Gizachew Teshome - Neyemela (6:12)
04. Gizachew Teshome - Yehuna (5:50)
05. Gizachew Teshome - Wello (6:21)
06. Gizachew Teshome - Alew Bleshghe (6:01)
07. Gizachew Teshome - Weye Segho Gebeya (6:36)
08. Gizachew Teshome - Gogam Atereshim (6:17)
09. Gizachew Teshome - Merea (7:00)
10. Gizachew Teshome - Seate (5:01)
11. Gizachew Teshome - Sedet (6:04)
12. Gizachew Teshome - Guragega (5:12)

Thursday, August 8, 2013

Mohammed Wardi - Greatest Hits [sudan]



                          P  O  O  R     R  I  P   




          Mohammed Wardi received several nicknames throughout his career. “Africa’s Pharaoh” was at the same time the “Leftist Artist.” The man who throughout his entire life regarded himself as a crowned king of Sudanese song often focused on those less fortunate than himself in his work. 

               “The Voice of Joy” passed away Saturday in Khartoum at the age of 79.

            The exceptionally talented Wardi turned singing into a medium for seeking justice and beauty. He did not view the “leftist artist” nickname as a demagogic slogan but thought of it as a responsibility. The choices he made in his life and career seemed to revolve around living up to that title. One of these choices was his decision to become a Communist Party member alongside Sudanese Communist heavyweight Muhammad Ibrahim Naqd.

          Wardi began his life as a music teacher at Sudanese schools in the 50s. He was then involved in a union struggle to defend teachers’ rights before joining the radio as a first class singer and composer.





       Wardi began his life as a music teacher at Sudanese schools in the 50s. He was then involved in a union struggle to defend teachers’ rights before joining the radio as a first class singer and composer.

       It is hard to separate between his political beliefs and artistic choices. He built the latter on fine lyrics that succeeded in offering an “alternative song” to counter Sudanese pop songs of the era.

       Wardi’s rise to success was in a big part owed to the work he did with two distinguished poets and songwriters, Ismail Hassan and Mahjoub Sharif. It was then that he went beyond the pentatonic musical scale that was prevalent in Sudan’s music to open up new horizons for Sudanese music.

      There was also Wardi’s love for Egyptian music, which he used to add an oriental flavor to his works. Soon thereafter, he introduced Nubian tunes and instruments, such as mandolins, into Sudanese music.

      Wardi’s political and artistic commitment was tested in a country that suffered several political coups. He supported General Ibrahim Abboud’s coup in 1958. However, he then celebrated its downfall in the 1964 “October revolution.”

      Following Jaafar al-Numairi’s coup in 1969, Wardi sang odes in support of the new regime, when it still had socialist orientations, only to perform other songs calling for the fall of al-Numairi’s regime in April 1985 revolution.

      Wardi left Sudan in 1989 following the rise of Sudanese President Omar Bashir to power. He spent 13 years in voluntary exile mostly in Cairo, where he was famous before his arrival.


     Wardi left behind a reservoir of songs that have become part of the Sudanese daily life. Wardi died, but his fans all along the Nile will continue to sing his songs for years to come.


1. Mohammed Wardi - Armusal (11:33)
2. Mohammed Wardi - Alnas Algyafa (8:54)
3. Mohammed Wardi - Amir Alhusen (6:14)
4. Mohammed Wardi - Ana Arfek Ya Fouady (3:15)
5. Mohammed Wardi - Ashof Fi Shakhsak Ahlami (10:10)
6. Mohammed Wardi - Been Wa Bainak Wa Alayam (6:47)
7. Mohammed Wardi - Ghalta (6:09)
8. Mohammed Wardi - Ma Takhgali (9:14)
9. Mohammed Wardi - Sodfa (8:51)


Friday, August 2, 2013

Ukandanz - Yetchalal [2013] [france + ethiopia]





 NEW ALBUM  
               uKanDanZ - Yetchalal


         The French quintet  uKanDanZ , a self-described "Ethiopian Crunch Music" ensemble, is a multi-national group playing high-energy ethnic jazz/noise rock with melodies inspired by Ethiopian folk and pop music. They are fronted by the considerable vocal prowess of Asnake GUEBREYES, and sport a very lively ensemble sound, often danceable, sometimes dissonant, always rhythmic. 





        uKanDanZ... a unique style, an unusual meeting between an electric quartet and Asnake Guebreyes, charismatic leadsinger originates from the vibrant music scene in Addis Abeba.
     Their music is inspired by traditional and popular Ethiopian songs. uKanDanZ has a real crunch energy. 
      Between rock, jazz, noise... With impertinence, they rock it wildly. Without compromise. Guitar, saxophone, keyboards, drums and vocals shuffle our bearings. What a pleasure! The stage presence of uKanDanZ swings alternatelybetween energy and emotion... then the public, transcended, dances and shivers.




        Lionel MARTIN provides a very visible tenor sax presence, tying in a jazz element, and Damien CLUZEL contributes guitar (as baritone guitar) with strong evidence of Rock-In-Opposition-like stylings. Fred ESCOUFFIER handles keyboard duties, and Guilhem MEIER keeps the drums busy yet funky.

Their first album, "Yetchalal", was released in early 2013, produced by the band.




UKANDANZ are : 

Asnaké Gèbrèyès (vocals) 
Damien Cluzel (guitar and baritone guitar) 
Lionel Martin (tenor saxophone) 
Fred Escoffier (keyboards) 
Guilhem Meier (drums) 

Mulatu Astatke - Mulatu in London [1986 ?]


                           R   E   U   P   L   O   A   D   

      Got this rare bootleg for a while ... 
       If anybody know something more about this recordings, post a comment, please !

       Enjoy rare Mulatu Astatke !!!



1. Mulatu Astatke - Yegelle Tezeta (7:11)
2. Mulatu Astatke - Netsanet (6:34)
3. Mulatu Astatke - Yekermo Sew + Munaye (14:15)

Arat Kilo - A Night In Abyssinia [2011]


   R E U P L O A D   




Ever since the Ethiopiques CD releases reminded the west about the extraordinary music that could be heard in Addis Ababa in the golden era of the 1960s and early 70s, there has been a flurry of very different fusion bands making use of Ethiopian influences, including this young French five-piece who take their name from an Addis monument. 



They are good players who mix funky guitar with bass, drums and horns – brass was often a crucial ingredient in the Addis sound – and they have mastered the distinctive, at times Arabic-sounding Ethiopian style. All that's lacking is a sense of energy and fun, especially in their instrumental treatment of a piece by the country's best-loved singer, the late Tlahoun Gèssèssè. 

Their own Ethiopian-influenced tracks include a jazzy collaboration with the rapper Socalled, but they are at their best when joined by African celebrities. Mulatu Astatke, the veteran "father of Ethio jazz" plays vibes on his own Dewel, while the best track, Get a Chew, is transformed by the exquisite, drifting, Ethiopian-edged vocals from Mali's Rokia Traore. With more help like this, they would sound very good indeed.


01. Aykedashem Lebe 3:57
02. Babur Part. 1 (Feat. Socalled) 5:04
03. Babur Part. 2 4:13
04. Lelit 3:41
05. Get A Chew (Feat. Rokia Traore) 6:39
06. Fit Le Fit 5:59
07. Dewel (Feat. Mulatu Astatke) 5:55
08. Addis Polis 4:12
09. Enie Konjo (Intro) 1:42
10. Enie Konjo 5:26
11. Ewnetegna Feqer 4:37
12. Wanz 7:25
13. Minew Jal (Intro) 2:07
14. Minew Jal 7:06