Melkamu Tebeje are one of Ethiopia’s history-making singers who have been able to contribute, in his own unique ways, to the Ethiopian cultural and artistic renaissance.
He was born in Sidamo region in Ethiopia in 1946. Melkamu has written and produced over 200 songs over the course of 30 years. He is famous for a song called "Awassa, Langano"
Here is his live recording, unfortunately without tags.
Kuku Sebsebe (surname also spelled Sebsibe) is an Ethiopian popular singer. She lived in the Washington, DC, area of the United States for many years but moved back to Ethiopia c. 2003. She generally performs with synthesizer and drum machine accompaniment, occasionally with the addition of traditional instruments such as the krar or other instruments such as the electric guitar. While she uses modern instruments and harmonies, her vocal style is essentially traditional, using modes such as tezeta.
Kuku was born on December, 8th in Addis Ababa, Ethiopia. She spent a majority of her education at Nazareth school and graduated from American Mission. Kuku’s interest in music sprouted from a very young age. Since the age of nine, she used to entertain her classmates by mimicking all the popular artists of both Amharic and English music by using her lunch box as a drum. Her passion and love for music was nourished by her father, Dejazmach Sebsebe Shiberu’s jam sessions at their home and his musical/peptic background.
At the age 15, Kuku presented her father’s own property [as well as collections of other verses] to her favorite singer Muluken Melesse. The first time she performed on stage with was at her graduation party at Hilton hotel. Her classmates accustomed to her caroling pushed her on stage and set her way for a career in music. This musical act led her to work both with Ibex and Wallias band. She worked with Ibex band at Ras hotel for short time and went on to be the first female singer to perform at Hilton hotel with Wallias band appearing 5 days a week.
Shortly after her first gig, Kuku then joined Roha band at Ghion hotel, becoming the first vocalist of the group, and recorded her first hit single “Ingidayenesh’’ with Alemayehu Eshete.
Because of the poplarity of the song she continued to recite her debut album with Roha band titled “ Fikreh beretabegne”. She also charmed her fans at villa Verde restaurant [one of the best place at the time] where she performed with Melesse Gesesse on the piano. She released her second album “ Ajere meweded” and first video clip on ETV that showcased the famous Kuku style braids. She began to perform concerts, as her fan base was growing, both nationally and internationally. In Ethiopia she showed regularly at cinema Ras in Merkato and also in Nazareth, both with Roha band. Her biggest fan that was known by all was the cake man that used to go to all her shows and always brought the celebrity a personalized cake to wish her a good luck.
Her first international concert was at Djibouti Sheraton with Roha band where they performed along the red sea with the best view of the ocean. Shortly after, she put a show at the Sana Sheraton in Yemen, with Ethio Star Band. Her fans were so excited by her appearance, they showered her with gifts of gold and money as a customary sign of respect and to show their love and honor for the musical icon. A gesture Kuku keeps in her memories and thanks all of her fans for their hospitality. She also showed in Abu Dhabi and Dubai with Roha band. During her time as an emerging artist, Kuku performed alongside with Mahmud Ahmad, Tekele Tsefazgi, Ali birra, Levont fondanchi and Mengesha Getahun.
In late 1980’s, Kuku made her move to United States. She performed her first U.S concert at Hayatt Regency in 1988 and brought the house down for her Ethiopian fans outside of their home land. She began performing in all major cities in the U.S mainly with Teddy Mekonnen. She also began her first international tour all over major European cities. Settling down in DC/VA area, she began to sing at Meskerem restaurant with Teddy Mak on the keyboard. With Teddy she released her “ Ethiopia” album following by “Gize “ with Abegaz Kibrework. Kuku then took a hiatus from her singing career to be a mother, giving birth to her son Caleb, in 1996.
Kuku moved her family back to Ethiopia in 2002 and immediately recorded her album “Gize setegne” with Elias Melka and most recently the “Tizita” album with Express band.
The “Tizita” album is one Kuku holds dear to her heart and looked forward to recording most, eager to celebrate ballads of past era. Most recently she has performed in many cities in Europe, the Middle East, South Africa, Bahirdar, Gambella and Hawassa. Locally she has worked at night at Frank Addis, Indigo, Harrar Mesob, Weregenu, Harlam jazz, Fahrenheit club and is now crooning at Jazz Amba, the newly renovated Taitu hotel. She recently released her dynamic new album “ Chalkubet”, which was arranged and mixed by Abiy Arka and contained 15 songs. Kuku sings of the eternal power of time in being capable in living with people by managing a relation and its effect on life and the world around us. She has mingled flashy contemporary grooves and traditional Ethiopian flavors to lead as a journey in “Chalkubet”.
Ethiopian singer Eténèsh Wassié previously appeared with the French jazz group Le Tigre des Plantanes on the album "Ethiosonic”. Here she is only accompanied by le Tigre’s acoustic bass player Mathieu Sourisseau, with very occasional contributions from guest instrumentalists, and the result is a stark contrast in sound.
The complicity between Etenesh’s untamed voice and Mathieu’s shifting chords create an intimate musical experience with plenty of open spaces for improvisation while the Ethiopian repertoire is subtly coloured by Western musical influences
Eténèsh Wassié - vocals
Eténèsh is an adventurer. With an outstanding personality, she is ready to embark on the wildest projects. She was born in Gonder in 1971 and discovered very early she had a voice. Although she has established herself with her three-piece suits, her humor and her sharp sense of the joke , Etenesh has always had a special place in the azmari area. In Ethiopia, azmari tradition, these "griots" of East Africa, is very strong and is part of daily life. She began her career in the early 90s in "azmaribèts", these kind of cabarets, accompanied by messenqo players (one string violin) and kebero (percussion), she keeps the tradition alive in vocal improvisations rich in double meaning "sem-enna-wèrq" (the famous national intellectual sport!). Quickly invited by several Ethiopian musicians with whom she collaborated on stage or on disc, Etenesh gradually frees herself and joins the network of artists outside the mainstream. Francis Falceto, big fan of those azmaribèts and editor of the series "Ethiopiques", discovered Etenesh and felt in love with her unique voice and her charisma. He invited her to several European tours between 2000 and 2005 with musicians, singers and dancers for "Cabaret Ethiopian" tours (Banlieues Bleues, Tribu Festival, Châteauvallon ...). Then in 2007, he suggested her to join le Tigre des Platanes. Since she is touring internationally several times a year. “Eyes half shut, Eténèsh lets her voice guide her where it takes her (takes us), thrilling, digging, colossal little sister of such a Piaf and a Billie Holiday. But the register of tears wouldn’t be enough for her, and she might as well, without warning, hasten the tempo after a ballade we would have wished endless.”
Mathieu Sourisseau – acoustic bass
Mathieu is first of all guitarist, sousaphonist autodidact, Mathieu is currently exploring the possibilities of the bass because ... it's like a condensed version of both. Mathieu Sourisseau is a longtime companion of saxophonist Marc Démereau, with who he is associated for several projects : sousaphone in La Friture Moderne, fanfare de luxe. It's with le Tigre des Platanes - cheeky quartet in which he plays the acoustic bass - he felt in love with the voice of Etenesh Wassie. Mathieu also works with Didier Kovarsky in les Oiseaux. He worked also with Benoit-Bonnemaison Fitte for an acoustic guitar solo accompanied by super eight films: la Maison, Souris, created at the request of Jean-Pierre Layrac for the opening of the season 2004/2005 of Un Pavé dans le Jazz.
