Blogtrotters

Wednesday, May 14, 2014

Hana Shenkute - Yiqir Beqa [1999] [ethiopia]



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01. Hana Shenkute - Yiqir Beqa (4:24)
02. Hana Shenkute - Ajeb New (5:50)
03. Hana Shenkute - Sew Alegne (6:57)
04. Hana Shenkute - Geba Woy Gedam (6:51)
05. Hana Shenkute - Aletshalegn (5:30)
06. Hana Shenkute - Imye Ethiopia (6:03)
07. Hana Shenkute - Aleqsalehu (6:34)
08. Hana Shenkute - Endew Zim (6:21)
09. Hana Shenkute - Zew Bel (6:02)
10. Hana Shenkute - Iyut Guden (5:58)





Tuesday, May 13, 2014

Either/Orchestra - More beautiful than death [2000] [usa]




Either/Orchestra with Tsedenia Markos live in Ethiopia - Bati


      The Either/Orchestra (E/O) is a jazz group formed by Russ Gershon in Cambridge, Massachusetts, USA, in 1985. 

      E/O is configured as a "small big band", with three saxes, two trumpets and one or two trombones. E/O's is characterized by a heavier and more orchestrated sound than that of a smaller jazz combo, but remains more streamlined and improvisation-oriented than most big bands.





       With a small but significant change of instrumentation - add congas/percussion, remove one trombone - and major changes in personnel - only bandleader Russ Gershon and veterans Tom Halter and Charlie Kohlhase are holdovers from their last album - the E/O has made its most sensual, rhythm-heavy recording ever.

       Famous for the breadth of its musical vision, the E/O rides the powerful drums of Harvey Wirht, from Suriname, and the exciting congas of Vicente Lebron, from the Dominican Republic, on a trip from North American jazz/blues/funk, to Latin jazz, and Township jazz/calypso, to Ethiopian pop tunes from the '70s. All of these grooves are incorporated into original compositions by Gershon, except for the three Ethiopian tunes which have been arranged by the band.

     The result is an intoxicating brew, forceful and seductive, with memorable melodies, superb ensemble playing and some of the best soloing ever heard in the long history of the Either/Orchestra. This is without a doubt the most accessible E/O album ever. The groove emphasis brings the E/O's tradition of challenging writing and cutting edge playing into a form that will be enjoyed by fans of African music, Latin music, even reggae and jam bands, without losing the core of E/O fans and jazz critics.


Tom Halter - trumpet, flugelhorn
Colin Fisher - trumpet, flugelhorn
Joel Yennior - trombone
Jaleel Shaw - alto saxophone
Russ Gershon - tenor, soprano saxophones
Charlie Kohlhase - baritone saxophone
Dan Kaufman - Steinway, Rhodes and Wurlitzer pianos, Hammond B-3
Rick McLaughlin - bass
Harvey Wirht - drums
Vicente Lebron - congas, bongos, percussion





1. Amiak Abet Abet (Teshome Sissay; arr. by E/O; 10:03)
2. Number Three (10:20)
3. More Beautiful than Death (10:46)
4. Musicawi Silt (Girma Beyene; arr. by E/O; 6:21)
5. Breaktime for Dougo (8:35)
6. All Those SOBs (8:58)
7. Slow Mambo for J.J. (4:53)
8. Feker Aydelmwey (Ayalew Mesfin; arr. by E/O; 7:09)
9. The Eighth Wonder (6:54)





       The E/O began performing original arrangements of Ethiopian songs, inspired by a compilation called Ethiopian Groove: the Golden 70s

    In 2000, after three of these songs appeared on the album More Beautiful than Death, Francis Falceto, the producer of Ethiopian Groove, contacted Gershon and eventually arranged an invitation for the E/O to play at the Ethiopian Music Festival in Addis Ababa in 2004. Along with Indo-British singer Susheela Raman the same year, the E/O was the first non-Ethiopian artist to appear in the festival, and was the first US big band to appear in Ethiopia since Duke Ellington's in 1973. 

     Their concert at the festival was recorded and ultimately appeared in Falceto's Ethiopiques series on the French Buda Musique label. 

   Five Ethiopian guests appear on the recording: Mulatu Astatke, Getatchew Mekurya, Tsedenia Markos, Bahta Hewet and Michael Belayneh. This tour and recording have led to an ongoing collaboration with Astatke, the primary founder of Ethiopian jazz, concerts with Ethiopian expatriates singer Hana Shenkute, krar player Minale Dagnew, masinko player Setegn Atanaw, and the great Ethiopian singer Mahmoud Ahmed with whom E/O released a DVD in 2007. 

    Mahmoud Ahmed and fellow legendary Ethiopian singer Alemayehu Eshete played Lincoln Center Out of Doors in 2008 backed by E/O. 

    The group debuted a collaboration with vocalist Teshome Mitiku in the summer of 2010, including a headlining appearance at the Chicago Jazz Festival.

Friday, May 9, 2014

Badume's Band & Selamnesh Zemene - Ale Gena - Ethiopia [2011]







       It is an almost vehement strong voice that shakes the listener from the outset, Korahu ( Proud ), one also entered the international scene of the young Selamnesh Zemene with this second album of Breton septet. Fascinated by the sound of horns and electric guitars Addis Ababa 1960s and mid -70 , with its international tours with the two biggest stars of swing Abyssinian , Mahmoud Ahmed and Alèmayèhu Eshèté, the Badume 's Band puts his sax , clarinet , guitar, bass, drums and Hammond organ service resounding song Selamnesh, new revelation of the Ethiopian capital.





       Selamnesh descended from a line of azmaris, griots, nomads of the region of Gondar, the former capital of Ethiopia, known for its cultural and artistic influence. A past that inspired the singer to his choice of themes, often its ancestral musical modes to the example of this rhythm Wedding Dance fever makes the first track. A festive fervor found in Ketew Abew (where it is beautiful) , an ode to the origins of ululating, a copper piece to perfection with a guitar that turns. Sometimes the dance groove of Ethio - jazz Badume 's Band,  supports voice that pierces surprisingly that such divas du Sahel , as evidenced by this blues rock dominated by brass Sentun Ayehu Banjte meaning with you I have seen all the colors ( sic) .


       Much of the ten tracks ( ncluding two instrumentals, Antchi Bizu , way cool jazz, and Alemnesh, a gently catchy ballad ), are also blues, exhilarating as lamentos Ale Gena (there is) a song morello seasoned, music with jazz accents, a little funky . While Tezeta Duga Aggayú (memory), despite its rock guitar remains a sorrow song marked by ululating, like nagging complaint Sabiyé a composition of the famous singer and actress Asnaqètch Worqu , disappeared in September 2011, seventy-six years , inspiring Mahmoud Ahmed. 

      Moreover, Selamnesh takes another standard Abyssinian Heritage Mela Mela solution , the tube that was made known to the world Mahmoud Ahmed in the 1980s , traditional inspiration, such a sweet haunting trance, a collective prayer.




01. Badume's Band & Selamnesh Zemene - Korahu (5:58)
02. Badume's Band & Selamnesh Zemene - Ale Gena (5:45)
03. Badume's Band & Selamnesh Zemene - Tezeta Duga Aggayu (7:45)
04. Badume's Band & Selamnesh Zemene - Ketew Abew (5:47)
05. Badume's Band & Selamnesh Zemene - Mela mela (6:53)
06. Badume's Band & Selamnesh Zemene - Antchi Bizu (3:30)
07. Badume's Band & Selamnesh Zemene - Minjar (6:39)
08. Badume's Band & Selamnesh Zemene - Sabiyé (6:16)
09. Badume's Band & Selamnesh Zemene - Sentun Ayehli Bante (3:50)
10. Badume's Band & Selamnesh Zemene - Alemnesh (2:54)


Getatchew Mekuria - 4 video clips [ethiopia]


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1. Getatchew Mekuria - intro the convoy tour dvd (4:13)
2. Getatchew Mekuria - the ex & getatchew mekuria (7:06)
3. Getatchew Mekuria - the ex & han bennink in ziway, ethiopia (5:47)
4. Getatchew Mekuria - the ex at lincoln center, part 1 (3:55)





Wednesday, May 7, 2014

Petites Planètes - Now Ethiopia • Alemu Aga - Live in Addis Ababa [2012]



Alemu Aga - Live in Addis Ababa [2012]




recorded by Vincent Moon & Jacob Kirkegaard in Addis Ababa, Ethiopia, june 2012 

mixed by Jacob Kirkegaard 



1. - The Harp of King David  08:19

2. - The Harp of King Jacob  04:41