Blogtrotters

Thursday, July 16, 2015

v.a. - Ethiopia : Religious Music of the Falashas (Jews of Ethiopia) [FW04442,1951]









          This album features the religious music of Ethiopian Jews, known as Falashas. While most Falashas--and Ethiopians in general--speak Amharic, the tracks on this album are in Geez. 
         There is no evidence the Falashas have ever spoken Hebrew. Liner notes include photographs as well as a brief history and description of the Falasha culture.





   Falasha - Exile of the Black Jews Beta Israel   




Origins & History Of The Tribe of Falasha

Falashas, native Jewish sect of Ethiopia.The origin of the Falashas is unknown. One Falasha tradition claims to trace their ancestry to Menelik, son of King Solomon of Israel and the queen of Sheba. Some scholars place the date of their origin before the 2nd century BC, largely because the Falashas are unfamiliar with either the Babylonian or Palestinian Talmud. 

The Bible of the Falashas is written in an archaic Semitic dialect, known as Ge'ez, and the Hebrew Scriptures are unknown to them. The name Falasha is Amharic for "exiles" or "landless ones"; the Falashas themselves refer to their sect as Beta Esrael ("House of Israel"). 

The religion of the Falashas is a modified form of Mosaic Judaism unaffected generally by postbiblical developments.

The Falashas retain animal sacrifice. They celebrate scriptural and nonscriptural feast days, although the latter are not the same as those celebrated by other Jewish groups. 

One of the Falasha nonscriptural feast days, for example, is the Commemoration of Abraham. 

The Sabbath regulations of the Falashas are stringent.They observe biblical dietary laws, but not the postbiblical rabbinic regulations concerning distinctions between meat and dairy foods.

Marriage outside the religious community is forbidden.

Monogamy is practiced, marriage at a very early age is rare, and high moral standards are maintained. 

The center of Falasha religious life is the masjid, or synagogue. The chief functionary in each village is the high priest, who is assisted by lower priests. Falasha monks live alone or in monasteries, isolated from other Falashas. Rabbis do not exist among the Falashas.

The Falashas live either in separate villages or in separate quarters in Christian or Muslim towns, in the region north of Lake Tana. They are skilled in agriculture, masonry, pottery, ironworking, and weaving.

Under Haile Selassie I, a few Falashas rose to positions of prominence in education and government, but reports of persecution followed the emperor's ouster in 1974.

More than 12,000 Falashas were airlifted to Israel in late 1984 and early 1985, when the Ethiopian government halted the program.
The airlift resumed in 1989, and about 3500 Falashas emigrated to Israel in 1990. Nearly all of the more than 14,000 Falashas remaining in Ethiopia were evacuated by the Israeli government in May 1991.

The Falashas themselves say that they are direct descendants from the family of Abraham, the first Jew. Terah, Abraham's father,came from the land of Ur of the Chaldees which was located in the southern part of the Euphrates. 
The Chaldees were one of many Kushite tribes of the region and Kushite means Black according to the Bibical dictionary. The Kushites were descended from Kush a son of Ham.

Godfrey higgins,an English expert on antiquities stated in his book :
"The Chaldees were originally Negroes"

Falasha (or Beta Israel), a Jewish Hamitic people of Ethiopia who claim descent from Menelik I, the son of the queen of Sheba and King Solomon; have no knowledge of Talmud but use a Bible and a prayer book written in Ge'ez, the ancient Ethiopian language.

They follow Jewish traditions including circumcision, observing the Sabbath, attending synagogue, and following certain dietary and purity laws.

Recognized in 1975 by the Chief Rabbinate as Jews and allowed to settle in Israel.

In 1984-85 thousands of Falashas resettled to Israel from refugee camps in Sudan as part of the Israeli government's "Operation Moses" and the U.S. government's "Operation Sheba."

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   Falasha! The Saga of Ethiopian Jewry Part 1   




The Editors of Encyclopædia Britannica

Alternative titles: Beta Israel; Felasha



Falasha, also spelled Felasha,  an Ethiopian of Jewish faith. The Falasha call themselves House of Israel (Beta Israel) and claim descent from Menilek I, traditionally the son of the Queen of Sheba (Makeda) and King Solomon. Their ancestors, however, were probably local Agau (Agaw, Agew) peoples in Ethiopia who were converted by Jews living in southern Arabia in the centuries before and after the start of the Christian Era. The Falasha remained faithful to Judaism after the conversion of the powerful Ethiopian kingdom of Aksum to Christianity in the 4th century ce, and thereafter the Falasha were persecuted and forced to retreat to the area around Lake Tana, in northern Ethiopia. Despite Ethiopian Christian attempts to exterminate them in the 15th and 16th centuries, the Falasha partly retained their independence until the 17th century, when the emperor Susenyos utterly crushed them and confiscated their lands. Their conditions improved in the late 19th and 20th centuries, at which time tens of thousands of Falasha lived in the region north of Lake Tana. Falasha men are traditionally ironsmiths, weavers, and farmers. Falasha women are known for their pottery.

The Falasha have a Bible and a prayer book written in Geʿez, an ancient Ethiopian language. They have no Talmudic laws, but their preservation of and adherence to Jewish traditions is undeniable. They observe the Sabbath, practice circumcision, have synagogue services led by priests (kohanim) of the village, follow certain dietary laws of Judaism, observe many laws of ritual uncleanness, offer sacrifices on Nisan 14 in the Jewish religious year, and observe some of the major Jewish festivals.

From 1980 to 1992 some 45,000 Falasha fled drought- and war-stricken Ethiopia and emigrated to Israel. The number of Falasha remaining in Ethiopia was uncertain, but estimates ranged to only a few thousand (see Researcher’s Note: Falasha migration to Israel, 1980–92). The ongoing absorption of the Falasha community into Israeli society was a source of controversy and ethnic tension in subsequent years.




   Falasha! The Saga of Ethiopian Jewry Part 2   




Unspecified - Prayer for Passover 01464A1    (1:36)
Unspecified - Prayer for New Year 0146A2    (1:20)
Unspecified - Prayer for Passover 01464B1    (1:46)
Unspecified - Prayer "Adonai" for Saturday 0146B2    (2:24)
Unspecified - Prayer of Absolution 01465A1    (3:03)
Unspecified - Prayer "Adonai" for Weekdays 01465A2    (2:25)
Unspecified - Responsive Reading 01465B    (2:26)



Tuesday, July 14, 2015

v.a. - The Ethiopian Millennium Collection [CD 5 - Instrumental] [2007] [ethiopia]










     The golden age of Ethiopian popular music (as heard on the fabled ETHIOPIQUES series) is famous in part for the sparsity of material that it yielded: The state-owned recording industry was largely a ramshackle government vanity, and while music of the music it captured was strikingly haunting, only a few dozen tracks were recorded in the 1960s and '70s... 






Express Band - Ethiopian Instrumental Music



  Since then, the floodgates have opened as Ethiopia has more or less entered the modern world -- more artists are making and recording more music than was dreamed possible back in the politically repressive "good old days," and the fruits of this renaissance are heard on this 6-CD set. 








The tracks are from the late 1990s and early '00s -- the artists are generally younger, more modern musicians, although a few old-timers like Mahmoud Ahmed are still alive and kicking, and sound as cool as ever. Although this collection doesn't have the same eerie power as the '70s-era recordings, anyone who got into the ETHIOPIQUES discs will want to check this out as well, to see where the music has gone since then.




01 - The Roha Band - Ambasel (6:24)
02 - Girma Wolde Michael - Wetatwa (6:42)
03 - Theodros Mitiku - Teddy's Mood (6:28)
04 - Express Band - Ye-Har (4:59)
05 - Girma Wolde Michael - Shemonmwanayewa (7:33)
06 - Theodros Mitiku - Awash (6:40)
07 - Express Band - Innate Nesh (4:27)
08 - Girma Wolde Michael - Tizita (6:20)
09 - Theodros Mitiku - Kifu Ayinkash (7:31)
10 - Express Band - Yehiywote Hiywet (5:53)



Thursday, July 9, 2015

Akalé Wubé - Sost [2014] [fra+ethiopia]









         Akalé Wubé’s third album, Sost (“three” in Amharique) is perfectly in line with their previous records, it is also a testament to a more mature and experienced band, who have proved able to win over different audiences in different circumstances with their infectious grooves. While touring in Ethiopia, the band realised that local musicians had stopped playing music from the Swinging Addis golden age. A puzzling but liberating discovery that convinced the band to completely stand behind their project, and release three albums to date.


       More than half of the tracks in “Sost” are original compositions, with the other half being songs discovered on old cassette tapes brought back from Ethiopia. Akalé Wubé have invited the radiant Genet Asefa on three tracks, an Ethiopian singer with whom they have often shared the stage. Cautious to give precedence to authentic encounters, the band have chosen only to invite musicians with whom they have already played in a live context. Manu Dibango’s presence on the album is not an opportunistic move: there are strong human and musical ties between the afro-jazz pioneer and Akalé Wubé. Another sign of the band’s high quality expectations is that the album has been recorded in a studio set up by the band itself in the heart of Paris. This is a space that Akalé Wubé have made their own and which has permitted them to master completely the process of recording this album.





Akalé Wubé - Anbessa (feat Manu Dibango)



       Akalé Wubé's third album is aptly-titled Sost, which means 'three' in Amharic--the official language of Ethiopia. The music is highly groove-based and follows the early traditions of Ethiopian jazz, which is not too unlike the popular Ethiopiques series. About half of the music is based on traditional recordings and cassettes found in Ethiopia, while the other half of the songs are original compositions. The emotive vocalist, Genet Asefa, leads a few tracks with her seasoned voice in line with tradition Ethiopia music. The blurt of a trumpet, the beat of a drum, and a jazzy melody with Afro-jazz flavorings rounds out the gist of each song. However, each song brings something new to light--whether it be a hook, a sound, or a rhythm. Akalé Wubé know how to tease the feet with danceable grooves and lush sounds. This is another acclaimed album. ~ review by Matthew Forss




Akale Wube - Alegntaye (ft. Genet Asefa)




Akalé Wubé - 01 - Anbessa  (feat. Manu Dibango) (3:41)
Akalé Wubé - 02 - Alègntayé  (feat. Genet Asefa) (4:19)
Akalé Wubé - 03 - Mèmona (5:59)
Akalé Wubé - 04 - Kidus à cent dix (5:17)
Akalé Wubé - 05 - Ashewa (4:36)
Akalé Wubé - 06 - Gab's Trap (4:00)
Akalé Wubé - 07 - Addis Abèba Bété (4:40)
Akalé Wubé - 08 - Fikratchin (3:26)
Akalé Wubé - 09 - Erikum (5:28)
Akalé Wubé - 10 - Spring No Come (feat. Genet Asefa)(4:26)
Akalé Wubé - 11 - Meri Tekikil (4:54)





Etienne de la Sayette - flutes, sax
Paul Bouclier - krar, trumpet, percussions
Loïc Réchard - guitar
Oliver Degabriele - bass
David Georgelet - drums












Wednesday, July 8, 2015

Arada Boyz - ARADA BOYZ CLUB [2012] [usa+eth]










             Arada Boyz include three members : Nate a.k.a Ethio Boy, Ermias Molla a.k.a. Ermi Mulla and Yaphet Dejazmach a.k.a. YT)








               This group holds a divers and distinct sound, influences from reggaeton to hip-hop.





ARADA BOYZ - Shisha (Produced by Haich)



Arada Boyz - 01 - Intro (1:43)
Arada Boyz - 02 - Hoya Hoye (2:00)
Arada Boyz - 03 - Ambesa (3:37)
Arada Boyz - 04 - Wudejin ft Mahi Mo & C&&B (4:18)
Arada Boyz - 05 - Aytenal (4:19)
Arada Boyz - 06 - Azmari Lijoch (3:02)
Arada Boyz - 07 - Ahead of Them (3:41)
Arada Boyz - 08 - Shisha (4:22)
Arada Boyz - 09 - Anchen New (4:14)
Arada Boyz - 10 - Et. Eri. (4:25)
Arada Boyz - 11 - Outro ft Ras Nebyu (3:11)



Monday, July 6, 2015

Ethio Cali - various tracks [2014] [usa+eth]









       Ethio Cali is a Los Angeles-based Ethio-Jazz ensemble, led by trumpeter, arranger, and composer Todd Simon. The ensemble’s sublime sound is inspired by the golden age of Ethiopian music of the 1960’s and 70’s, filtered through a lens that is uniquely Los Angeles.  
           





           Acknowledging the diverse musical foundations of Ethio-Jazz, the ensemble also draws inspiration from the rhythmic and melodic textures of Sudan, Somalia, Ghana, and Colombia.  Ethio Cali’s published cassette Live at The Blue Whale.  [ find it : HERE ]





Todd Simon's Ethio-Cali Ensemble - Fowler Museum at UCLA 8/14/11




 Ethio Cali features:

Todd Simon – Trumpet, Flugelhorn, Music Director
Kamasi Washington – Tenor Saxophone
Randal Fisher – Tenor Saxophone
Mark de Clive-Lowe – Keys
Alan Lightner – Steel Pan
Damon Aaron – Guitar
Pat Bailey – Bass
Steve Haney – Percussion
Te’Amir Yohannes Sweeney – Percussion
Dexter Story – Drums




Extended Family: 

Kamasi Washington - Tenor Sax 
Justo Almario - Tenor Sax/Clarinet 
Richi Panta - Percussion 
Geoff Mann - Percussion 
Elizabeth Lea - Trombone 
Mark Cross - Keys 
Thomas Lea - Viola 
Tylana Renga - Vioin 
Peter Jacobson - Cello 






Special Guests: 

Dereb the Ambassador 
Kelela Martin 
Perna (Antibalas/Ocote Soul Sounds) 
Jared Tankel (Budoes Band) 
Aaron Johnson (Antibalas/FELA!) 
Vardan Ovsepian 
Semere-Ab Etmet 
Yohannes Tutu 
Sweeney Rickey





EthioCali - 01 - Azmar (11:19)
EthioCali - 02 - Mulatu (13:14)
EthioCali - 03 - Sabye (My Saba) - Live @ Del Monte Speakeasy March 17,12 (7:10)
EthioCali - 04 - Sidama de Cali (5:11)
EthioCali - 05 - Tadias - Live @ Del Monte Speakeasy March 17, 2012 (7:10)
EthioCali - 06 - Tiny Pyramids (8:08)
EthioCali - 07 - Zafari Live at the Blue Whale (9:37)
EthioCali - 08 - Zafari (8:50)



Saturday, July 4, 2015

Amsale Mitkie - Abereregn [2010] [ethiopia]












Amsale Mitkie - Babajalew



Amsale Mitkie - 01. Megenbelo (5:50)
Amsale Mitkie - 02. Yizemelishal (7:05)
Amsale Mitkie - 03. Baybay (5:24)
Amsale Mitkie - 04. Abereregn (6:36)
Amsale Mitkie - 05. Yakem Yaleh (5:47)
Amsale Mitkie - 06. Lalo Bel (5:34)
Amsale Mitkie - 07. Alchalkum Lazare (5:10)
Amsale Mitkie - 08. Engeda Negn (5:11)
Amsale Mitkie - 09. Meshmonmon (4:53)
Amsale Mitkie - 10. Golual (5:05)
Amsale Mitkie - 11. Ayer Mengedachen (6:16)
Amsale Mitkie - 12. Babajalew (5:44)