Nadav Haber started to learn the clarinet at the age of 10. In 1988-89 he lead a qaurtet in the Tel-Aviv clubs in Israel, and played in a blues duo. In the 90's nadav has switched to the tenor sax, and began to explore Ethiopian music. He played in Ethiopian dance bands all over Israel, in Ethiopian clubs and weddings. This has lead to the issue of Ethiopian Blues, and other smaller productions that were aimed at the Ethiopian Israeli market.
In recent years Nadav moved back to playing jazz, and in 2003 led a hard bop quintet in Jerusalem. He is currently working on two projects - an Ethiopian Jazz program and a “Favorite ballads” program.
01. Nadav Haber - Alchalkum (3:27) 02. Nadav Haber - In Her Youth (4:45) 03. Nadav Haber - Beautiful (5:30) 04. Nadav Haber - Love At First Sight (3:49) 05. Nadav Haber - Ethiopia (4:29) 06. Nadav Haber - My Life (4:29) 07. Nadav Haber - Japanese Woman (4:28) 08. Nadav Haber - Seven Miles From Addis (3:48) 09. Nadav Haber - When She Goes Away (3:53) 10. Nadav Haber - Long Ago (4:41) 11. Nadav Haber - Tizita (Song of Longing) (5:08)
Chalachew Ashenafi (1966-2012) was a singer and masinko player, an traditional Ethiopian instrument comparable to violin but with just only one string.
Chalachew was born and raise in Debre Tabor, close to the city of Gondar in Ethiopia, where most of the famous Azmaris originate from. He played at weddings and traditional bars before releasing his own album entitled "Gerager" in 2009.
He has hosted shows and performed at events in the United States, Italy and Germany among other countries. Chalachew did some tours with The Ex in recent years. A traditional player, but also forward, funny and stubborn.
The album is greatly influenced by music from Ethiopia, Angola and Congo. Infused with an interesting mix of soundscapes born from the world-wide multicultural and travel experiences of the musicians. This album does not only offer good music. The band Karibuni @ddis demonstrates the powerful synergy that occurs when music and social awareness merge with thoughtful lyrics and beautiful melodies.
Karibuni @ddis - Saba Sabina
Josephine Kronfli - voc, flute, shaw washint, whistle, field recordings Pit Budde - ac guitars, banjo, sitar guitar, autoharp, bass, wavedrum, shaman drum, uruwuri, field recordings, voc Rahel Budde – voc Carlos Mampuya – voc Klaus Jochmann - perc, accordion Ahmet Bektas - ud, sazbüs, darbouka, bendir, davul, voc Roshan Linsi – voc Ill James - voc Dorothea Kares – voc Michael Voss – el guitar Franziska Urton – violin Steffi Stephan – bass Benno Gromzig - bass
Karibuni @ddis - Hoya Hoye / Assiyo Bellema (5:08) Karibuni @ddis - Felega (4:58) Karibuni @ddis - Mbawala Jila / Ayaya (4:59) Karibuni @ddis - Wir Sind Eins / Esheruru (4:35) Karibuni @ddis - Selam, Shalom, Shlomo, Frieden (4:51) Karibuni @ddis - No Child Soldier (4:00) Karibuni @ddis - Saba Sabina (3:44) Karibuni @ddis - Melkam Fasika From Ethiopia (3:24) Karibuni @ddis - Kunsi Africa (6:55) Karibuni @ddis - Wefe, The Desperate Bird (5:52)
Mahmoud Ahmed, born 18 May 1941, Addis Ababa, Ethiopia.
Mahmoud Ahmed sang at weddings and family gatherings from a very early age, but while he was still a child, his family became homeless when his father lost his job. Forced to work as a shoeshine boy, the young Mahmoud’s education inevitably suffered and he was expelled from school for poor attendance. Following his headmaster’s advice that his only possible salvation lay in music, Mahmoud Ahmed soon became known locally for his powerful voice as well as his skills as a dancer of the twist and calypso. He worked as a painter’s assistant and kitchen porter at the Arizona Club, a fashionable Addis Ababa nightspot. One evening, he begged his way into performing a song with a band at the club, receiving rapturous applause and launching his musical career. He became the vocalist with the Imperial Bodyguard Band in the early 60s, subsequently remaining with them for 11 years.
Mahmoud Ahmed With Roha Band (1986)
Mahmoud Ahmed’s first album was released in 1972 and he has since made numerous recordings for the local market as well as performing with many of Ethiopia’s top bands and musicians. In 1986, the Belgian record label Crammed Discs released Erè Mèla Mèla, a compilation of Ahmed’s recordings from the 70s and one of the first albums of modern Ethiopian music available in the west. Critical response was highly favourable and a European tour followed a year later. Soul Of Addis was originally released in Ethiopia in 1985 and, while not as intense as the 70s recordings, nevertheless offered a fine showcase for Ahmed’s spellbinding voice. The Paris, France-based label Buda Musique has also released several Ahmed albums in their Éthiopiques series.
Something of a local institution, Mahmoud Ahmed still performs regularly in Addis Ababa, as well as owning and running a record label and a nightclub. He sings in a variety of local and international styles but consistently returns to the tizita (a slow and intense local form of the blues). His multi-octave voice is similar to that of Pakistani singer Nusrat Fateh Ali Khan (who died in 1997), a veritable force of nature that combines the ecstatic devotional pleading of qawwali with the precise tone and phrasing of Western jazz singers.
Mahmoud Ahmed - 01 - Endet Nesh Belulign (6:22) Mahmoud Ahmed - 02 - Yeshega Lij Mewded (7:55) Mahmoud Ahmed - 03 - Konjit (5:04) Mahmoud Ahmed - 04 - Atazlignim Woy (5:46) Mahmoud Ahmed - 05 - Yababilal (5:23) Mahmoud Ahmed - 06 - Neyima (7:15) Mahmoud Ahmed - 07 - Woy Fikir (10:24) Mahmoud Ahmed - 08 - Engidaye Nesh (7:28) Mahmoud Ahmed - 09 - Ebolale Gere (5:30)
Imperial Tiger Orchestra is a Swiss group of modern popular Ethiopian music. Its name hints at the Imperial bodyguard band of the Halie Selassie era and Monty Python’s “Tiger in Africa” sketch. It was formed after a jam organized by Genevan trumpet player Raphaël Anker.The band has released three albums and played in Europe, Southern Africa and Ethiopia.It also worked with renowned Ethiopian musicians, like Endress Hassen or the singer Hamelmal Abate.
Imperial Tiger Orchestra & Hamelmal Abate
Arte Live Web / Cosmo Jazz 2012
When Imperial Tiger Orchestra first started unravelling the yarn of Ethiopian Music from the Golden Age (1969 – 1975), no one expected the thread to be so long and no one knew where it might end. Inspired by original albums that the band found while shopping for rare musical gems on a first visit to Addis Ababa in 2009, Imperial Tiger Orchestra released a first record in 2010, the aptly-named Addis Abeba, which explored Ethiopian music from the 70s – when traditional Ethiopian brass bands began feeding off American soul. The second release, Mercato, veered towards a more pop-inspired repertoire from the 80s, and the latest release goes one step further, taking the listener deeper into Ethiopian culture, from the unique sounds of the azmari repertoire to the hypnotic groove of the major tribes.
After three years touring Europe, Imperial Tiger Orchestra has acquired a solid reputation as a mighty groove machine. The band has also taken its acid riffs to the African continent, touring South Africa, Mozambique and Zimbabwe back in 2010. Having been invited to Addis Ababa by the renowned producer of the Ethiopiques series, Francis Falceto, the Tigers were proud to meet many of the local musicians who work to reshape traditional Ethiopian music. Based in and around Geneva, Switzerland, Imperial Tiger Orchestra has also worked with musicians and dancers from the Ethiopian diaspora, receiving their rewarding approval and blessing for their own original take on Ethiopian music.
Afro-Zen Allstars' primary inspiration is the the haunting and danceable sounds created during Ethiopia's "Golden Age" (late '60's-mid '70's). This is music that takes hold of both mind and body and never let's go, and Afro-Zen Allstars present it in updated form with compelling new arrangements and world-class soloists.
Established by guitarist/arranger George M Lowe, Afro-Zen Allstars features the formidable talents of past and present members of such luminary Richmond ensembles as Bio Ritmo, No BS Brass!, Rattlemouth, Fado Nosso, Glows In The Dark, Hotel X, Monk's Playground, The Flavor Project, Ululating Mummies, and more.
Afro-Zen Allstars - Bemin Sebeb Litlash
CJ Alicea, drums Adrien Bayo, percussion Brian Cruse, bass John Lilley, alto and tenor sax George M Lowe, founder, guitar and arrangements Chris Sclafani, baritone and alto sax Chris Vasi, guitar Toby Whitaker, trombone Afro-Zen Allstars - 01 - Yekermo Sew (6:00) Afro-Zen Allstars - 02 - Lemon (Lomiwen Teqebeletch) (4:53) Afro-Zen Allstars - 03 - Netsanet (6:27) Afro-Zen Allstars - 04 - The Pillar of Truth (Yewnet Messosso) (5:00) Afro-Zen Allstars - 05 - Muziqawi Silt (6:27) Afro-Zen Allstars - 06 - Here Is Freedom (4:57) Afro-Zen Allstars - 07 - Yekatit (4:21)
