Anbessa Orchestra is a 7 piece group from NYC that draws it's inspiration from the beautiful music of Ethiopia. Playing arrangements of Ethiopian funk tunes from the 60's-70's as well as original music with Ethiopian influences.
Tilahun Gessesse (Amharic: ጥላሁን ገሠሠ) (also spelled Telahun Gesesse or Tlahoun Gèssèssè) was an Ethiopian singer. He was born on September 29, 1940, in Addis Ababa and died on April 19, 2009.
Tilahun was born to Woizero Gete Gurmu and Ato Gessesse Negusse. When he was fourteen years old, he was taken by his grandfather to Waliso where he began attending Ras Gobena Elementary School.
As time went by, his interest in music became increasingly clear, although his grandfather urged him to concentrate on his academic studies. The Ras Gobena School Principal Mr. Shedad (who was from Sudan), encouraged Tilahun's interest in music and urged him to go to Sudan to pursue his music career. Although Tilahun did not go to Sudan, he took Mr. Shedad's advice very seriously. When Woizro Negatwa Kelkai, Ato Eyoel Yohanes and others artists from the Hager Fikir Theatre came to his school to perform, Tilahun took the opportunity to discuss his interest in music with Ato Eyoel. He was told to go to Addis Ababa if he wanted to pursue a career in the field.
Tilahun Gessesse - Agul New
Tilahun left school to go to Addis Ababa, a journey he began on foot without his grandfather's consent. When his grandfather realized that Tilahun was no longer in Woliso, he informed Tilahun's great-aunt in Tulu Bolo. After Tilahun traveled fifteen kilometers on foot, he was caught in Tulu Bolo and stayed overnight with his great-aunt Woizero Temene Bantu. The next day, he was forced to return back to his grandfather in Woliso. Since his interest in music lay deep in his heart, Gessesse chose not to stay at his grandfather's house in Woliso. After staying only one night at his grandfather’s house, he again began his journey to Addis Ababa, this time hiding himself in the back of a loaded truck.
In Addis Ababa, Tilahun was first hired by the Hager Fikir Association, which is now known as Hager Fikir Theater. After a few years at the Hager Fikir Theater, he joined the Imperial Bodyguard Band where he became a leading star singer. During his time with the band, Gessesse ran afoul of the government after the attempted coup d'état of December 1960 by the Imperial Bodyguard. He was arrested and put in prison for a time.
Tilahun moved to the National Theater where his success continued. He was so famous that he appeared three times in front of Emperor Haile Selassie I. During a visit, the Emperor advised him not to abuse his talent.
The majority of Tilahun's recordings are in Amharic, and some are in Oromiffa.
He received an Honorary Doctorate Degree from Addis Ababa University, in appreciation of his contribution to Ethiopian music. He has also received an award for his lifetime achievements from the Ethiopian Fine Art and Mass Media Prize Trust.
Tilahun Gessesse died on April 19, 2009. He had been in poor health for several years due to diabetes.
Tilahun Gessesse - A1 - Hebret (2:50)
Tilahun Gessesse - A2 - Bezu Gizie Alefe (2:50)
Tilahun Gessesse - A3 - Agul New (2:56)
Tilahun Gessesse - A4 - Megnot Eko Helme New (2:48)
Most Rastafarians consider Ethiopia to be their spiritual homeland and identify with that country to some extent-some even incorporate Amharic phrases into their songs, the classic example being the Abyssinians' repatriation classic "Satta Massa Gana."
Chachi Tadesse - Enkuan Des Yalachu
Chachi Tadesse does this tradition one step better-she actually is Ethiopian, and sings primarily in Amharic.
And while reggae is the foundation of her art, there's more to it than that; "Musica," with its swaggering beat and turntable work, shows a marked hip-hop influence, while her singing on the dancehall-flavored "Unity" seems to draw at least as much on North African vocal traditions as on the Memphis-by-way-of-Kingston sound that characterizes most reggae singing. Her muttered toasting on "Gorraw" is quietly compelling. She gets help from guests both famous (Stephen Marley, Sizzla) and obscure (Lisa Danger, Billy Mystic), but her shimmering voice is always at the core of each song's sound. This is a remarkable album.
Chachi Tadesse - 01 - Musica (ft. Stephen Marley) (4:45)
