R E U P L O A D Aster Aweke is often called “Africa’s Aretha Franklin” and has in the past few years been based in America. She was born in Ethiopia into the family of a well-to-do government official. In the mid 1970s the young Aster began to orientate herself with the music of her homeland, and sang with several local groups until 1977. She was backed by one of the leading figures in the world of Ethiopian music, Ali Tango, not least financially. Aster Aweke began to sing with the established group, Roha Band, but broke up with them after a short time when Ethiopia was thrown into political and economic chaos at the time of the revolution. After a few years of traveling around she settled down in Washington, USA. Aster Aweke is a very competent vocalist who sings in an American-influenced style but who nevertheless has preserved an undiscovered core of Africa.
Aster Aweke must be heard!
If the crossover moves of Aster Aweke's pair of Columbia LPs made it hard to figure why she's such a major star in the Ethiopian music world, Live in London will clue you in. The recording isn't a pristine board tape, but it genuinely captures the raucous excitement of being there amidst an enthusiastic crowd celebrating the 1996 Ethiopian New Year with their homegirl heroine. "Enthusiastic" understates the case -- suffice it to say that the musician credits include "the London Audience" on backing vocals, and that's no lie. Aweke responds by pirouetting through melismatic vocal spirals and spewing out the syllables on "Minu Tenekana" with a harsher, more guttural edge than her polished studio works. The backing quartet, minus guitar and with the keyboard melodies doubled by the saxophone of Ray Carless (who previously did international duty with Najma), masterfully negotiates the ever-surprising lope and chopping drum offbeats of Ethiopian pop beginning with the opener, "Eyoha." The lone ballad, "Teyim," prompts an audience singalong before Carless cuts loose, and "Ebo" boogies on down like an Ethiopian version of "Wang Dang Doodle." "Fikhr Anesegn" kicks, but then virtually the entire CD does -- Live in London is an excellent concert recording and a great introduction to Aster Aweke.
Aster Aweke was born in Gonder, near Lake Tana, in Northern Ethiopia and raised in the capital city of Addis Ababa. At a very young age, Aster realized her passion for singing. As a teenager in a society that did not place a high premium on the singing profession, her decision to undertake a musical career was a difficult one to make. She knew that her choice to pursue a high-profile role in music, especially as a woman, would mean traveling a long and lonely road.
Aster launched her professional singing career at Hager Fikir Theater. In the late 1970s, she began performing at Addis Ababa night clubs, cultivating her songwriting and singing technique and emulating Aretha Franklin, Donna Summer and other Western vocalists whose records were popular in the local discos. She performed at various clubs and hotels, including Hotel D'Afrique, Wabi Shebelle and Ras Hotel, accompanied by the Continental Band, Shebele Band, and Ibex Band (before they became known as the Roha Band).
Aster began her recording career in Ethiopia with two 45 vinyl record releases, followed by nine cassette releases. Her last cassette, Munayë, was released in 1981, coinciding with her departure from Addis Ababa to the United States. This recording cemented her status as an enduring musical tastemaker among music lovers in Ethiopia.
Upon arriving in the United States, Aster settled in northern California. Believing that she had left her musical career behind her in Ethiopia, she focused on continuing her education. Clearly, this decision was very difficult for her, as she truly loved the profession of music. Of this period in her life, Aster says, I was miserable! Luckily, her friends persuaded her to return to the stage and 20 seconds into her first song, she recognized her true calling. I found my happiness was in singing, Aster recalls, and she moved across the country to the Washington D.C. area, which has a large and well-established Ethiopian community. There, she began singing in various Ethiopian restaurants.
In 1985, Aster was on the move again, performing for enthusiastic Ethiopian audiences in cities across North America. In the late 1980s, Aster was discovered by the London-based independent label, Triple Earth, an event that marked her entrance into the World Music scene. Shortly thereafter, she secured a recording contract with Sony Music Entertainment and released two major albums, Aster and Kabu, on their Columbia label. Following her widespread popularity in the United States and Europe, Aster appeared on several radio and TV shows, including the acclaimed Night Music on the NBC television network, where she appeared as a special guest of the host, David Sanborn, one of Americas musical trendsetters. She has also appeared on CNN, BBC radio and television, PBS radio and television, CBC, and Londons Channel 4 Big World Café. Print appearances include Time, Newsweek, The Washington Post, The New York Times, and the Los Angeles Times. Aster not only performs, but also writes and arranges music in her own unique style. Her songs have become anthems to her fans in Ethiopia, as well as to Ethiopians living abroad. Moreover, several of her songs have been included on compilation CDs, alongside other major World Music artists such as King Sunny Ade, Salif Keita, Baaba Maal, Youssou NDour, and Angelique Kidjo. Some of the compilation CDs containing Asters songs are Desert Blues (Network Media, GmbH, Germany), Discover the Rhythms of Africa Today (EMI Music Holland, Netherlands), Afrika (PolyGram, Norway), World Dance Beat, (K-Tel International, USA), Under the African Skies, (BBC Enterprises Limited, United Kingdom), Fruits of Freedom, (Munich Records BV, Belgium), and Its a Triple Earth, (Triple Earth Records, United Kingdom).
Aster has topped both the Billboard and College Music Journals (CMJ) specialist charts. Kabu reached and remained at the ..1 position for four weeks on the CMJ New World music chart and was in the Top 10 for five consecutive charts (10 weeks) on Billboards World Music chart.
To date, Aster has released a total of 20 albums, six of them on CD Aster, Kabu, Ebo, Aster Aweke Live in London, Hagerë, and Sugar. While five of the CDs were recorded in various studios, the Live CD was recorded on September 16, 1996, during a sold-out concert at the prestigious London club, Hammersmith Le Palais, celebrating the Ethiopian New Year (1989 A.D.). A music video of this concert has been made, as well. Since her first CD release, Aster, she has performed for audiences at the New Orleans Jazz Festival, the Hollywood Bowl, and various European festivals. Aster has shared the stage with renowned singers and performers, including Hue Masekela, Maria Makeba, Mano Dibango and Bradford Marsalis.
Aster has just completed her seventh album on CD, a compilation of timeless songs recorded over the last 25 years. She is currently working on a new album to be released in 2004.
When she arrived in her homeland in 1991 for the first time in 16 years, Ethiopian-born and Washington, D.C.-based songstress Aster Aweke was greeted by thousands of loyal followers awaiting her plane. During the month-long tour that followed, Aweke performed before more than 80,000 people and showed that she remains one of Ethiopia's best-loved performers. Aweke has been equally successful throughout the world. Her second album, Kabu, spent four weeks in the top position on the CMJ New Music Charts, and was in the Top Ten of Billboard's World Music Charts for ten weeks in 1990. A native of Gandor, a small town near Lake Tara, Aweke was raised in the capital city of Addis Ababa. The daughter of senior civil servant in the Imperial government, Aweke was determined to become a musician by the age of 13. By her late teens, she was singing in Addis Ababa clubs and hotels with such bands as the Continental Band, Hotel D'Afrique Band, Shebele Band, and the Ibex Band (before they became the internationally known Roha Band). Launching a solo career, Aweke was encouraged by musical entrepreneur Ali Tango, who financed and released five cassettes and two singles of her music. By 1981, Aweke had become disillusioned by Ethiopia's oppressive political climate and relocated to the United States. Temporarily settling in the Bay Area of California with plans to pursue an education; within two years, Aweke continued on to Washington, D.C., the site of the largest Ethiopian population in the U.S. After building a following with her performances in local Ethiopian restaurants, Aweke toured the U.S. and Europe in 1985.
R E U P L O A D Tesfa Mariam Kidane / Tesfa-Maryam Kidane / Tesfamariam Kidane / Tèsfa-Maryam Kidané
A well seasoned Eritrean-American artist who has made the WashingtonD.C. area his home for the last three decades is embarking on a mission. Tesfamariam is one of the pioneer Eritrean saxophonists who had left a musical footprint in the sixties and early seventies at the advent of "modern" music in Asmara and Addis Ababa.
Essentially Tesfamariam was amongst the number of Eritrean artists who were key contributors to the development of modern music in Ethiopia. A league of creative greats such as, Saxophonist/bass guitarist Fekaddu Andemeskel, lead guitarist Tekle Adhanom, lead guitarist/vocalist Tewolde Reda, composer Abubakar Ashaker ( Kbur Zebegna Band), Composer/Teacher Colonel Girmay Abdu (Kbur Zebegna Band), and vocalist & percussionist Tekle Tesfazghi. And later, the Roha band that consisted of mostly Eritrean members lead by the creative and entrepreneurial minded guitarist Selam Seyoum.
Finally, after several years of self imposed hiatus, Tesfamariam has put a long awaited CD together that chronicles his life in music aptly entitled My Life in Music.
Tesfamariam's CD stands out in more ways than one. In fact one would be hard-pressed to find another Eritrean "instrumental" album to compare it with. Eritrean musicians produced music in the past daubed "instrumental", by and large nothing considered distinctive or groundbreaking. As far as I can tell none attempted to produce an original composition however mediocre it may have sounded. All were an instrumental version of older songs sang by one vocalist or another.
R E U P L O A D Jean L. Jenkins – Ethiopie - Musique Traditionelle Format: Vinyl, LP, Album Country: France Released: 1967 Genre: Folk, World, & Country Style: Folk
Musique Traditionelle D'Ethiopie / Traditional Music Of Ethiopia A1 La "Harpe De David" / The "Harp Of David" Vocals, Lyre – Unknown Artist A2Office Chretien / Christmas Service Vocals, Percussion – Unknown Artist A3Office Du Sabbat / Sabbath Service Vocals – Falasha A4Priere Quotidienne / Daily Prayers Vocals – Falasha A5Chant D'Amour / Love Song Vocals – Adaré A6Musique De Danse / Dance Music Vocals, Percussion – Kunama A7Solo De Toum / Toum Solo Mbira [Toum] – Anuak A8Ambassel / Ambassel Vocals, Violin [Masenqo] – Amhara A9Foukara / Fukara Vocals – Amhara B1Ensemble De Flutes / Flute Ensemble Ensemble [Flute] – Gidole B2Chilota / Shilota Vocals, Handclaps – Gidole B3Chant De Chamelier / Camel Driver's Song Vocals – Unknown Artist B4Chant De Circoncision / Circumcision Song Vocals – Unknown Artist B5Chant Pour Plaisanter (À Quatre Parties) / Joking Song (Four-Part) Vocals – Dorzé* B6Ouachint / Washint Flute – Kullo B7Musique De Danse / Danse Music Vocals – Qottu B8Chant De Travail / Work Song Vocals, Percussion – Borana Credits : Directed By [Published Under The Direction Of] – G. Rouget Edited By [Technical Editor] – J. Schwarz Recorded By, Liner Notes – Jean L. Jenkins Notes : Recorded 1964 and 1966 in Ethiopia (Horniman Museum, London) Track A1 recorded in Addis Alem Track A2 recorded at the Ethipian Christian Church at Lalibela Track A3 and A4 recorded in Ambobar Track A5 recorded in Adaré, Harar City Track A6 recorded in Barentu, Eritrea Prov. Track A7 recorded in Gambela Track A8 is a classic Amharic Folk song recorded in Dessie Track A9 is a Amharic war song recorded in Gondar Track B1 and B2 recorded in Gidole, Gemu-Gofa Prov. Track B3 recorded in Batié, Aussa (Northern Danakil) Track B4 recorded in Gheouani, Adal (Southern Danakil) Track B5 recorded in Tchentcha, Gemu-Gofa Prov. Track B6 recorded in Bonga, Kaffa Prov. Track B7 recorded in Asbe Teferi, Harar Prov. Track B8 recorded in Arero, Sidamo Prov.
