Blogtrotters

Tuesday, March 18, 2014

Admas - Indigo Sun [2000] [usa+ethiopia]


                                         R   E   U   P   L   O   A   D   


           Henock Temesgen and Abegasu Shiota formed ADMAS (which means "HORIZON" in Amharic) in Washington, DC in 1984. ADMAS, initially a backup band, went on to compose, arrange and produce music for most Ethiopian Artists working in the U.S., Europe and Ethiopia. They believe their music is reflective of today's world, where globalization is defying geographic boundaries.



       ADMAS band members, Henock and Abegasu, are graduates of the distinguished Berklee College of Music in Boston, Ma. Upon graduation, they moved to Manhattan, NY becoming active in the local Jazz and African music scene. ADMAS toured the United States, Europe, Africa, the Middle East and Canada with Ethiopian artists, and played at different festivals, including, The Montreal Jazz Festival, Summer Stage at Central Park, Hollywood Bowl, to name a few.



       In 1997, they were joined by Zakki Jawad a longtime friend and fellow musician. Zakki, an accomplished musician in Reggae and World Music circles, has been actively performing in the U.S and abroad for the past 16 years. He has recorded and performed with several Reggae and African musicians, such as the ITALS from Jamaica. Between them they have extensive live and recording experience.




       ADMAS’ latest and sophomore effort, produced by the legendry studio icon Bill Laswell, reflects their continual work in fusing African/Ethiopian ideas with other world music elements. 

       This album also features prominent musicians such as Omar Hakim (drums - previously with Sting and Madonna), Karsh Kale (Drums and Tabla), Lili Haydn (Violin – Seal, Plant/Page), Peter Apfelbaum (SaxophoneDon Cherry, Hieroglyphics Ensemble), Art Baron (Trombone – Duke Ellington), Graham Haynes (Trumpet and Flugel-horn, - Steve Coleman, Gigi), Gigi (vocals - signed by Chris Blackwell to Palm Pictures recently topped the World Music charts in US and Europe), and Abdou Mboup (Percussions - Angelique Kidjo, Jean-Luc Ponty) to name a few.


        The emergence of ADMAS as an original band comes on the heel of the establishment of their own independent label and Production Company, C-Side Entertainment, LLC. ADMAS’ fusion of Ethiopian and other World Music elements is the basis for their unique sound, which they hope to bring to worldwide audience. They believe their music is reflective of today’s world, where globalization is defying geographic boundaries.


01. Admas - Dialogue (6:28)
02. Admas - Kulubi Express (5:59)
03. Admas - Indigo Sun (6:03)
04. Admas - Chiffera (5:54)
05. Admas - Pharaoh (4:40)
06. Admas - A Prize of Peace (6:22)
07. Admas - Won (6:52)
08. Admas - Dankira (4:55)
09. Admas - Rift Valley (5:57)
10. Admas - Pharoah (extended) (6:47)


Monday, March 17, 2014

v.a. - Ililta! - New Ethiopian Dance Music [2011] [ethiopia]




Tirudel Zenebe - Gue





01  - Tirundel Zeneb- Gue  [Gurage side]
02  - Tesfay Taye - Selame  [Konso side]


v.a. - Ililta ! New Ethiopian Dance Music [2009]


                       R   E   U   P   L   O   A   D   




Chalachew Ashenafi in NL


       Most people are familiar with the Ethiopian music of the ‘golden seventies’. The great CD-series of ‘Ethiopiques’ focuses on this remarkable period of truly amazing and rich music. The era of the big brass bands came to an end in the period of the ‘Derg’, the military government in Ethiopia from 1975 till 1991. After that, the scene seemed confused.


     
        Many great musicians were forced into exile or passed away. The horns mostly disappeared and were replaced by cheap keyboards everywhere. Awful bombastic overproduced ‘plastic’ pop productions flooded the market. Synthesisers, vocoders, drummachines and hasty productions that all sound alike.

       But in the last few years something new is emerging. Young producers have started combining traditional rhythms and strong dance beat production. The result is very original, uplifting and very danceable music. The gurage, wollo, gondar, oromo and other traditional rhythms work wonders for this new dance music. And the Ethiopian youth loves it. It can be heard not only in the hip areas like Bole, but all over Addis and other Ethiopian urban areas. Blasting from restaurants, taxi’s, coffeeplaces, grocerystores and Addis’ giant market, the Mercato.




       The ‘Ililta’ CD is a compilation of this new Ethiopian dance music, recorded with a new generation of singers over the last decade. A cross-selection of the production work of Mesele Asmamaw and some of his close colleges.




Tilahun Gessesse - Ethiopian urban modern music vol 4 [1940-2009]


    R   E   U   P   L   O   A   D   



       Tlahoun Gésséssé is widely regarded as the "Voice" of Ethiopia. Born in 1940, his singing and recording career began in the 1950's until his recent death earlier in 2009. As many followers of the Ethiopiques series will know, the incredible 17th installment is dedicated to Tlahoun, largely featuring arrangements by Mulatu Astatke and a selection of the country's finest ensembles. This record is essentially another "Best Of..", featuring a selection of tracks taken from the 60's & 70's golden period of Ethiopian music, when Tlahoun's tenor was recognised as the best around, playing to Haile Selassie I on numerous occasions.



       It's standard practice in any country for the most celebrated singers to receive backing from the best players they can offer and Tlahoun worked with the top musicians in Ethiopia. His powerful vocals are well matched by blazing funk, heartfelt soul and superb Ethiopian rhythms, that still sound as fiery and impassioned today as we can only imagine they did back then. The hot and hazy swing of 'Kulun Mankwalesh' or the steaming funk of 'Aykedashem Lebé' show Tlahoun's diversity and range perfectly and are worth the price of admission alone. If you dig any of the Ethiopiques series or Sublime Frequencies Group Doueh this is an absolute must.





01. tesfaye abbebe & ayalew abbebe - alegntaye (4:39)
02. trad - kulun mankwalesh (arrangement by mulatu astatqe) (2:59)
03. tezera hayle - michael - aykedashem lebe (4:58)
04. afewerq yohannes & tezera hayle - michael - beyet new mengedu (4:00)
05. tezera hayle - michael - ene negn wey antchi (4:30)
06. tezera hayle - michael - yene felagote (4:07)
07. afewerq yohannes & girma hadgo - tezalegn yetentu (3:41)
08. tezera hayle - michael - tchuheten betsemu (3:31)
09. menelik wesnatchew - lantchi biye (3:07)
10. trad - kulun mankwalesh (arrangements by mulatu astatqe) (4:40)





Friday, March 14, 2014

Ali Birra - 5 albums [ low bitrate]




       Ali Birra (born September 29, 1947) is a famous Oromo singer, composer, poet and nationalist. He was born in Ganda Kore village in the city of Dire Dawa, Ethiopia.


Ali Birra - [1992] - Sin Afán






Ali Birra - [1998] - Hin Yaadin






Ali Birra - [2005] - Jaalala Biyyaa







Ali Birra - [2005] - Remix





Ali Birra - [2009] - Falmi Mirga Keetiif & Barnoota



Betsat Seyoum & Abbebe Fekade - Urban Azmaris of Ethiopia [1996]





       Born in 1965 in Addis-Abeba, Betsat Seyoum Abrha began in 1985 in a couple of the many bars in the capital before opening her own cabaret in 1990, which has now become one of the most popular in Addis. She aspires to the glory of the modern pioneers of Ethiopian music who play with synthesizers, saxophones, and rhythm boxes, while remaining faithful to the essence of the azmari art. 




       In opposition to Betsat who has not inherited her gift from any family member, Abbebe Fekade comes from a long line of azmaris from the Gondar region, one that has always been the source of a large portion of the country's musicians. He acknowledges his longing for "modernity", but he also knows how to express all the admiration that he holds for the venerable and venerated azmaris like Yirga Dubale and Bahru Qenie.


       In Ethiopian musical tradition, an azmari is a wandering entertainer, a minstrel, or a travelling troubadour who crisscrosses through the Christian regions of the country with his voice and instrument. He is the priviledged vector of popular music and is as fundamental in Ethiopian society as are the griot in Mandingo countries or the lautar in Moldo-Valachia.



01.  - Enegenagnalen (3:37)
02.  - Ambassel (5:28)
03.  - Bati (9:57)
04.  - Abeba Abeba (5:12)
05.  - Anteye (3:12)
06.  - Tizita (7:39)
07.  - Aysh Ayshenna (5:15)
08.  - Bati: [Live] (13:07)
09.  - Anteye / EndeneshGedawo / Yelewen  Abay [Live] (8:39)
10.  - Enegenagnalen [Live] (3:40)