Blogtrotters

Monday, October 3, 2016

Charles Sutton - Zoro Getem [Reunion] [with Melaku Gelaw & Getamesay Abebe] [2007] [ethiopia]














       Charles Sutton is a master of the Ethiopian masinko [one-string fiddle]. Sutton learned to play the instrument when he was a teacher in the Peace Corps in Ethiopia in the 1960s. He was perforing in Addis Ababa with his fellow traditional musicians under the Orchestra Ethiopia band

     Four former members of the group; including Tesfaye Lemma, Getamessay Abebe, Melaku Gelaw and Sutton teamed up to produce a CD, "Zoro Getem" [reunion] and decided to contribute the proceeds from the sales of the CD to the Institute of Ethiopian Studies at the Addis Ababa University. 


        The group so far has contributed 100, 000 birr. Sutton was born in New York City in 1942 and grew up in Columbus, Ohio. He attended Harvard University as a freshman but took a two-year-leave of absence to study music in Washington D.C. and at the Berkeley College of Music in Boston. In 1964, he returned to Harvard and finished his education with a degree in English. He talks about his music and experience in Ethiopia with the VOA Amharic program’s Alula Kebede. 










              This old Amharic melodic tune, Sheggitu, Assefa Abate’s classic was sung by an American Charles Sutton at the Institute of Ethiopian Studies (IES) last Friday, May 2. It is one of the eleven songs included in a new CD, Zoro Gettem (Reunion), recorded in Washington, DC in September 2006 and premiered here on that night.

      The CD that Charles described as ‘a flowering of musical partnership’ was done with his three Ethiopian colleagues Tesfaye Lemma, Getamesay Abebe and Melaku Gelaw of the former Orchestra Ethiopia. 
The Orchestra was a prominent performing group from the 1960’ and 70’, financed by the then Haile-Selassie University, later renamed Addis Ababa University. It was based at the Creative Arts Center in the campus. They performed in theaters, hotels like Wabe Shebelle and Hilton, and embassies of Addis Ababa, at parties and weddings, on television, on excursions into the provinces, eventually on tour in the United States.


            So how could an American come to be member of the Orchestra?
It all started in 1966 when a fresh-faced young man, straight out of Harvard came to Ethiopia as a Peace Corps Volunteer. Most Americans knew little about the country and this young man wasn’t any different. ”The only thing I knew was that Ethiopia was found in Africa and its leader was the famous Emperor Haile Selassie,” Charles says in an Amharic note that he wrote and included in the CD.
Here he started teaching freshman English to science and engineering students at the Arat Kilo campus.

           “That is where I saw a poster announcing a concert by Orchestra Ethiopia. I was an amateur musician. At that time, I played the guitar, piano.” he recalls. Ethiopian music instruments started to enthrall him. Tesfaye Lemma, Director of the Orchestra, introduced him to some the musicians. He soon started learning the Mesenko for his own amusement. “I was taking lessons in Amharic form Lemma Taddese, a quick-witted and personable eleventh-grader at Menelik School. Getamesay already a famous master of the instrument was teaching me the mesnko,’’ he recalls.
Learned he did, with a courage and great gusto.


       Before he knew it, he was on the bill to sing and play with Orchestra Ethiopia in a program of traditional music at the Creative Art Center. An adventure that continued for four years. A proud shemma wearer Fernji singing in Amahric boosted the band’s appeal, Getamesay Abbebe recalled on that night.


       Long after the band disbanded and the members gone their separate ways, an incident in the summer of 2006 in the US brought them together. Charles concluded five years of Peace Corpse service in 1971 and settled in Connecticut, where he has worked a s a jazz pianist ever since. Tesfaye who was granted asylum in the US in 1987 was living in Washington, after retiring from the Center for Ethiopian Arts and Culture that he founded because of ill health.


          Getamesay, after completing an illustrious thirty-six-year career at the Hager Fikir Theater in Addis and overcoming a life-threatening illness, traveled to the U.S. in the summer of 2006 to participate in his son’s weeding. Melaku Gelaw, a faculty member of the Yared Music School for nearly thirty years, immigrated with his family in 1997 and took up residence in Virginia.

 Reuniting was a joy but it also sparked an idea to make a new CD with a number of old and new songs. The result was a very beautifully done and packed CD, Zoro Gettem (Reunion). The pieces are a soothing mixture of mesenko, washint, krar, ranging in mood upbeat and playful to somber and teary. The orchestral arrangements are alternately forceful and creepy, moody and tender.
And more importantly they have come here to honor the place where they have met.


         Charles on that night sang two songs from the CD, Sheggitu and Yazare Sammint. His mastery of the Amharic language is unexpected delight. He has warm and deep sound that communicated tenderness, sorrow and admiration throughout the hall. The crowd filled to capacity was in constant motion and sway. The occasion must have brought the audience lots of nostalgia and reminiscence to those good old and innocent days. It was like the group had never gone away. The 70’s were brought back in a new and improved ways. The old songs were rehabilitated and restored to grandeur. And they sounded better than ever.

        Plus, the sale from the CD is all going be given to the IES to support its activities and the library it going to build. Charles said they have already sold 9,000 dollars worth in different places in Dallas, Washington and it is being distributed all over the United States wherever the Ethiopian community is found.


         This is a must have album for anyone interested in Ethiopian music and a great introduction for those who wish to learn and support a cause. Their reward was not money or fame; it was integrity, purity, friendship and honoring their pledge.


            The big complaint listeners will have with CD is that it is so short but a note in the CD made it clear a compilation of the music of the Orchestra Ethiopia, complete with extensive historical documentation and dozens of handsome photographs, is available on compact disc as Number 23 of the Ethiopiques series published by Buda Musique.  

Related story from Sites
Orchestra Ethiopia Endegena-Amharic Reporter




Charles Sutton - 01 - Minew Teleyesghign (4:55)
Charles Sutton - 02 - Shemonmwana (4:16)
Charles Sutton - 03 - Messenko (4:11)
Charles Sutton - 04 - Mikir Filega (3:25)
Charles Sutton - 05 - Ambassel & Eyew Demamu (3:21)
Charles Sutton - 06 - Shegitu (4:39)
Charles Sutton - 07 - Tizita (3:54)
Charles Sutton - 08 - Manew (4:04)
Charles Sutton - 09 - Endegena (4:14)
Charles Sutton - 10 - Yezare Samint (3:12)




Friday, September 30, 2016

Orchestra Ethiopia - The Blue Nile Group [1969] [ethiopia]










       Orchestra Ethiopia was an Ethiopian performing group formed in 1963 by the Egyptian-born American composer and ethnomusicologist Halim El-Dabh (born 1921). The group, which was founded in Addis Ababa, comprised up to 30 traditional instrumentalists, vocalists, and dancers from many different Ethiopian regions and ethnic groups (including Amhara, Tigray-Tigrinia, Oromo, Welayta, and Gimira). It was the first ensemble of its type, as these diverse instruments and ethnic groups previously had never played together. For a time, due to El-Dabh's efforts, the Orchestra was in residence at the Creative Arts Centre of Haile Selassie I University (now Addis Ababa University).





Orchestra Ethiopia ‎– The Blue Nile Group [full album]




           Its main instruments included krar (medium lyre), masenqo (one-string fiddle), begena (large lyre), washint (end-blown flute with finger holes), embilta (end-blown flute without finger holes), malakat (straight trumpet), kabaro (drum), and other percussion instruments. On occasion, it also used the tom, an mbira-like instrument.

           Many of Orchestra Ethiopia's performances were theatrical in nature, such as the drama The Potter, which was arranged by El-Dabh.








             Following El-Dabh's departure from Ethiopia in 1964, subsequent directors included John G. Coe, an American Peace Corps volunteer (1964-1966); and Tesfaye Lemma (1966-1975), both of whom composed and arranged for the group. During Lemma's tenure as director, in 1968, another American Peace Corps volunteer, the Harvard-educated Charles Sutton, Jr., was assigned by the Peace Corps to assist the Orchestra as Administrator, a position in which he continued until 1970. Sutton had arrived in Ethiopia in 1966 and, immediately attracted to Ethiopia's traditional music, actually mastered the masenqo, studying with Orchestra member Getamesay Abebe. He began performing with the Orchestra in March 1967 (playing masenqo and singing in Amharic), at Lemma's invitation. The group performed frequently in hotels and at the U.S. Embassy in Addis Ababa, and appeared on national radio (including Radio Voice of the Gospel) and television. The group also had an audience with Emperor Haile Selassie I.










              In the spring of 1969, due to the efforts of Sutton and the Peace Corps, Orchestra Ethiopia toured the Midwest and East Coast of the United States, under the name "The Blue Nile Group". The group performed in twenty cities, including Manhattans Town Hall and The Ed Sullivan Show (in early March).

                The group released two LP recordings, both entitled Orchestra Ethiopia. The first, subtitled "The Blue Nile Group", was released on Tempo Records c. 1969; and the second was released on Blue Nile Records, in 1973 or 1974. The Orchestra was also featured in a National Geographic documentary film entitled Ethiopia: The Hidden Empire (1970). By 1975, due to the upheavals caused by the Derg revolution, the group finally disbanded, although many of its musicians continued to perform with other groups, and as soloists. The group's washint player, Melaku Gelaw, lives and continues to perform and record in Washington, D.C.; Tesfaye Lemma, now retired, lives in Washington, D.C. Masenqo player Getamesay Abebe and drummer, vocalist, and star dancer Zerihun Bekkele, both retired, continue to live in Ethiopia. Washint player Yohannes Afework, who had replaced Gelaw, lives in Addis Ababa and is retired from the Mazegajabet (Municipality) Orchestra. Coe, the former Executive Director of the Wyoming Arts Council, is now retired and living in Wyoming; and Sutton performs today as a jazz pianist in Connecticut (and continues to play masenqo for special occasions). Several other of the Orchestra's members have died in Ethiopia.

                  A selection of the Orchestra's archival recordings transferred from reel to reel audiotape to audio CDs by the Ethiopian-American engineer Andrew Laurence was released in Europe in late 2007, and was released in the United States in February 2008, as the 23rd volume in Buda Musique's Ethiopiques CD series, with the liner notes having been prepared by Sutton and Lemma.











            In 2007, a recording entitled Zoro Gettem (Reunion) was released on the Nahom Records label; the CD, recorded in Washington, D.C. in September 2006, features four of the Orchestra's former members (Charles Sutton, Getamesay Abbebe, Melaku Gelaw, and Tesfaye Lemma) performing repertoire they had performed together in the late 1960s.





A1 Gonderinna Gojjam (Vocals: Zerihun Bekkele) (3:43)
A2 Yesergey Ilet (Vocals: Tsehay Indale) (4:06)
A3 Himem, Himemey (Vocals: Kebbede Weldemariam) (3:44)
A4 Hodey Lahodey (Vocals: Almaz Getachew) (2:18)
A5 Ambassel (Washint: Yohannes Afework, Krar: Kebbede                                                                                                         Weldemariam) (2:36)



B1 Mesenko (Vocals: Charles Sutton) (3:16)
B2 Muzikachin (Vocals: Tsehay Indale, Yeshi Mebratey) (3:36)
B3 Mikir Fellega (Vocals: Charles Sutton, Kebbede Weldemariam, Areru                                                                                                Shegen) (3:20)
B4 Imbilta (Imbiltas: Areru Shegen, Ishete Gebremeskel, Nadew Kassa)                                                                                                             (2:03)
B5 Wichinna Beyt (Vocals: Kebbede Weldemariam, Tsehay Indale,                                                               Zerihun Bekkele, Yeshi Mebratey) (4:25)


The Orchestra Ethiopia is directed by Tesfaye Lemma.



Thursday, September 29, 2016

Alemayehu Eshete - Yefeker Kal Vol.8 [1997] [ethiopia]











           Alemayehu Eshete (Amharic: ዓለማየሁ እሸቴ?) (also written Alèmayèhu Eshèté in French) is an Ethiopian Ethio-jazz singer active since the 1960s who primarily sings in Amharic. Eshete's talent was recognized by colonel Rètta Dèmèqè who invited the young singer to perform with Addis Ababa's famous Police Orchestra. Eshete had his first hit ("Seul") in 1961 before moving on to found the orchestra Alèm-Girma Band with Girma Bèyènè. Over the course of 15 years, Eshete released some 30 singles until the arrival of the communist Derg junta, which forced Eshete and many other artists into exile.

      Alemayehu Eshete has since gained fame in Europe and the Americas with the release of Buda Musique's Ethiopiques series of compilations on compact disc. Ethiopiques Volume 9 is devoted entirely to recordings of Eshete's earlier music, and Volume 22 covers his career between 1972 and 1974. Other songs have also appeared on Volumes 3, 8, 10, and 13 or the series. In 2008 Eshete toured the United States with fellow Ethiopian singer Mahmoud Ahmed, backed by Boston's 10-piece Either/Orchestra.





Alemayehu Eshete & Badume's Band - Yeweyn Haregitu / Feleqleqe





         Alemayehu Eshete is one of the living legends of modern Ethiopian popular culture and one of the outstanding Ethiopian vocalists who emerged during the golden age of Ethiopian popular culture in the turbulent 1960s. Alongside Mahmoud Ahmed (who opened last year's Hullegeb Festival), Tilahun Gessesse and Bizunesh Bekele, he was among the first to adopt elements from rock-n-roll and American soul, including body movements, dance and hair styles, eventually coming to be known as "the James Brown of Addis." In the following years Eshete released over 30 albums that became enormous hits in Ethiopia and led various orchestras, including the famous Police Orchestra and groups that he himself established.

    Following the rise of the military junta, like many other artists, Eshete left Ethiopia and established himself in Europe and the US as a vibrant and exciting vocalist, including performances alongside Ahmed. The highly regarded Ethiopiques series devoted two albums to his works, the first focusing upon his earlier works and the second, upon his career during the early 1970s.




Alemayehu Eshete - 01 - Yemewded Kal (4:57)
Alemayehu Eshete - 02 - Hello Hello Bil (4:52)
Alemayehu Eshete - 03 - Kurate Nesh (6:17)
Alemayehu Eshete - 04 - Sesete Nesh (5:09)
Alemayehu Eshete - 05 - Mignote (6:22)
Alemayehu Eshete - 06 - Tsebay (5:26)
Alemayehu Eshete - 07 - Shalala (5:03)
Alemayehu Eshete - 08 - Ande Negne (6:54)
Alemayehu Eshete - 09 - Wey Nedo (5:28)
Alemayehu Eshete - 10 - Yene Gela (5:51)




Wednesday, September 28, 2016

Jazzmaris - [2011] - Concert in Paris [ethiopia]











   

         Jazzmaris is a quartet from Ethiopia and Germany, playing since 2007 in Addis Ababa and elsewhere.The composition of the group is: drums, bass, electric guitar and alto saxophone.

          Their music’s are Ethiopian melodies played as own arrangements with various influences like Jazz, Rock and improvised music.

         The group’s name is a combination of the words Jazz and Asmaris. The Asmaris are the traditional musicians (troubadours) of Ethiopia. They play and sing since centuries, expressing the feelings and opinions of the people.

      The repertoire of Jazzmaris is mostly modern Ethiopian songs of singers like Mahmoud Ahmed, Girma Beyene, Muluken Melesse, Telahoun Gessesse and others. The aim of the group is to play Ethiopian music in a fresh way, giving the music a new expression and sound.







Jazzmaris in Paris 2011





drums (Nathaniel Tesemma) 
bass (Henock Temesgen) 
electric guitar (Jörg Pfeil) 
alto saxophone (Olaf Boelsen)




1. Lanchi Biye
2. Yekatit
3. Almaz Ye Hararwa
4. Musicawi Silt
5. Ene Negn Bai Manesh
6. Meche New
7. Meche Dereshe
8. Aynotche Terabu




Tuesday, September 27, 2016

Lemma GebreHiwot - various [ethiopia]












Lema GebreHiwot - Medina ena Zelesegna





Lemma GebreHiwot - 01 - Ayne Addis Zewoter (5:04)
Lemma GebreHiwot - 02 - Berye Eshururu (4:47)
Lemma GebreHiwot - 03 - Emam Woshebe (5:12)
Lemma GebreHiwot - 04 - Ere Endemin Alesh (3:41)
Lemma GebreHiwot - 05 - Eyoha (1:54)
Lemma GebreHiwot - 06 - Gamo Belu (3:37)
Lemma GebreHiwot - 07 - Gelele (3:58)
Lemma GebreHiwot - 08 - Giw Giw (6:09)
Lemma GebreHiwot - 09 - Gurumreme (6:08)
Lemma GebreHiwot - 10 - Hedech Alu (6:07)
Lemma GebreHiwot - 11 - Musheroch Mare Mare (6:14)
Lemma GebreHiwot - 12 - Sengo Megen (4:56)
Lemma GebreHiwot - 13 - Shemonmon (3:29)
Lemma GebreHiwot - 14 - Tey Man Nesh (5:14)
Lemma GebreHiwot - 15 - Yeweyn Abebaye (6:31)
Lemma GebreHiwot - 16 - Yewofe Birabeba (2:23)




v.a. - ethio jazz compilation [2012] [ethiopia]



                             
   R E U P L O A D   





       


       One of my first compilations made for this blog. Brief introduction to the beginings of ethiopian jazz music, with some newer authors.

         Enjoy and comment!





1. Mulatu Astatke - Maskaram Setaba (1:47)
2. Teshome Mitiku - Yekrmo Sew (4:18)
3. Tesfa Maryam Kidane - Heywete (5:16)
4. Bahta Gebre-Heywet - Ewnet Yet Lagegnesh (2:47)
5. Charles Sutton quartet - Uuta ayaskefam  (5:40)
6. Girma Beyene - Set Alamenem  (5:28)

7. Sax Summit - Feker ende sekuar  (8:18)
8. Addis Acoustic Project - Selam Yihoun Lehoulachin (4:43)
9. Mulatu Astatke - Netsanet (5:35)
10. Arat Kilo - Get a Chew (4:48)
11. Akalé Wubé - Ragalé (5:10)
12. Imperial Tiger Orchestra - Selam Temagwet (5:36)

13. Debo Band - Akale Wube [trad.] (4:53)
14. Asmara All Stars - Bloom Brothers Mood (6:36)
15. Tesfa Mariam Kidane - Victim of Famine (4:35)
16. Girma Wolde Michael - Loga [Nesh Loga] (6:23)
17. Daniel W/Gabriel - Befikirish Meyaze (6:10)
18. Abiyou Solomon - Munane Agew (5:54)

19. Nebiyu T. Kebede - Groovy (3:46)
20. Ethio Band - Ethiopian melody (7:29)
21. Theodros Mitiku - Teddy's Mood (6:29)
22. Moges Habte - Alchalkum (6:17)
23. Yared Tefera - Anchi Hoyew Lene (6:01)
24. Tilaye Gebre - Yenigat Kokeb/Yelelit Berehane (9:31)