Ethiopian jazz is a major branch of African music that comes from the bars of Addis Ababa and draws its influence from jazz and traditional Ethiopian music, azmari, Latin sounds and Anglo-American funk. Choosing to adapt this music in a contemporary and more urban style, Arat Kilo draws inspiration from rock music and the hypnotic sounds of dub.
Their show alternates compositions and standard Ethiopian arrangements (a beautiful meeting was held at RFI’s studio with Mulatu Astatké, the father of Ethiopian jazz)
Ever since the Ethiopiques CD releases reminded the west about the extraordinary music that could be heard in Addis Ababa in the golden era of the 1960s and early 70s, there has been a flurry of very different fusion bands making use of Ethiopian influences, including this young French five-piece who take their name from an Addis monument.
They are good players who mix funky guitar with bass, drums and horns – brass was often a crucial ingredient in the Addis sound – and they have mastered the distinctive, at times Arabic-sounding Ethiopian style. All that's lacking is a sense of energy and fun, especially in their instrumental treatment of a piece by the country's best-loved singer, the late Tlahoun Gèssèssè.
They are good players who mix funky guitar with bass, drums and horns – brass was often a crucial ingredient in the Addis sound – and they have mastered the distinctive, at times Arabic-sounding Ethiopian style. All that's lacking is a sense of energy and fun, especially in their instrumental treatment of a piece by the country's best-loved singer, the late Tlahoun Gèssèssè.
Fabien Girard - guitar, balafon
Michael Havard - saxophones, flute
Camille Floriot - trumpet, bugle, ney
Samuel Hirsch - bass guitar, kalimba
Arnold Turpin - drums, melodica
TRACKLIST
1. Arat Kilo - Falaga (6:23)
2. Arat Kilo - Addis Polis (3:16)
3. Arat Kilo - Get a Chew (4:48)
4. Arat Kilo - Mètché Nèw (5:31)
5. Arat Kilo - Farenj Blues (8:01)
6. Arat Kilo - Yékatit (3:32)
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