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Showing posts with label compilation. Show all posts
Showing posts with label compilation. Show all posts

Wednesday, August 21, 2013

v.a. - Tezeta [Tizita] [T'zeta]


                          R   E   U   P   L   O   A   D   


Tizita
From Wikipedia, the free encyclopedia


Tizita (var. Tezeta; "memory", "nostalga" or "longing") is a type of song in Ethiopian and Eritrean music. The term itself may serve as the name of a ballad performed in this style, or it can refer to the musical mode used in such songs. Western sources often compare tizita to the blues.



Azmaris first introduced tizita. Modern Ethiopian artists who have performed tizita songs include Aster Aweke, Bezawork Asfaw, Teddy Afro and Mahmoud Ahmed.


                   mahmoud ahmed & badume's band - tezeta



01. Aster Aweke - Tizita (Memories) (4:51)

02. Mahmoud Ahmed - Tezeta (6:52)
03. Alemayehu Esheté - Alteleyeshegnem (4:58)
04. Gètatchèw Kassa - Tezeta Slow (9:03)
05. Mulatu Astatqé - Tezeta (6:15)
06. Chachi - Tizita (6:11)
07. Mahmoud Ahmed - Tizita (11:12)
08. Hana Shenkute - Tizeta (7:14)
09. Netsanet - Teyikesh Tereji (4:33)
10. Tsehai Yohannes - Nafkot Yibeka (7:34)
11. Sounds of Saba - Tizia (11:25)
12. Getashew Kassa - Tizita (10:03)
13. Rahel Yohnnes - Tizita (6:14)


                               Tezeta - Seyfou Yohannes


Monday, August 19, 2013

v.a. - ethio jazz compilation [vol 2] [2012]


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01. Mulatu Astatke - Maskaram Setaba (1:47)
02. Seyfu Yohannes - Yekermo sew (4:16)
03. Getatchew Mekurya - Muziqa Heywete (3:09)
04. Tesfa Maryam Kidane - Heywete (5:16)
05. Bahta Gebre-Heywet - Ewnet Yet Lagegnesh (2:47)
06. Girma Beyene - Ene Negn Bay Manesh (4:02)
07. Charles Sutton quartet - Uuta ayaskefam (5:40)
08. Sax Summit - Feker ende sekuar (8:18)
09. Mulatu Astatke - Mascaram Setaba (2:49)
10. Arat Kilo - Get a Chew (4:48)
11. Akalé Wubé - Ragalé (5:10)
12. Imperial Tiger Orchestra - Selam Temagwet (5:36)
13. Either/orchestra - Muziqawi Silt - Either/orchestra,Girma Beyene  (8:01)



14. Mulatu Astatke - Kasalefkut-Hulu (2:28)
15. Asmara All Stars - Bloom Brothers Mood (6:36)
16. Dawit Firew Hailu - Dink Lij Nesh (5:22)
17. Daniel WGabriel - Befikirish Meyaze (6:10)
18. Tesfa Mariam Kidane - My Life in Music (4:18)
19. Abiyou Solomon - Ethiopia 2000 (Millennium Song) (5:49)
20. Ethio Band - Ethiopian melody (7:29)
21. Girma Wolde Michael - Wetatwa (6:45)
22. Theodros Mitiku - Fikirih Beretabigne (4:57)
23. Nebiyu T. Kebede - Easy Do It (5:14)
24. Moges Habte - Walias Groove (6:41)
25. Yared Tefera - Uuta Ayaskefam (6:05)
26. Tilaye Gebre - Muzika Hiwote (6:04)
27. Wudasse - Ya Debele (6:15)



      http://www.mediafire.com/?s7c1o1optoh9enm 


Monday, May 13, 2013

Seyfu Yohannes - 6 songs [1970-71]


 R E U P L O A D  


Soul Echos singer Seyfu Yohannes, who died at age 26 recoreded only 6 songs on vinyl. 





    
       The Soul Ekos were the first independent band to be recorded in Ethiopia. When Mulatu Astatqe returned from the United States in 1968, the two bands he had an opportunity to work with were the Ras Band and Soul Ekos. It was during this time that Mulatu introduced the Soul Ekos band to Amha Eshete. 

       Amha Eshete was taken by the bands sound and agreed to record them in 1969.  The Soul Ekos arranged and played the music to Seyfu Yohannes’ popular songs, Tizita and Mela Mela. 


    The band was comprised of Teshome Mitiku (Keyboards/Vocals), later Messele Gesesse took over the Keyboards, Tewodros Mitiku (Saxophone), Tamrat Ferenji (Trumpet), Fekade Amdemesqel later Hailu “Zehon” Kebede (Bass), Tesfaye “Hodo” Mekonnen (Drums), Alula Yohannes later Andrew Wilson (Guitar) and Seyfu Yohannes (Vocals). 

       The Soul Ekos Band was later renamed the Ibex Band which later became The Roha Band.




Wednesday, April 24, 2013

v.a. - Festival AF des musiques ethiopiennes - Tribute to Girma Beyene [2008]


                      R   E   U   P   L   O   A   D   


       Girma Beyene was one of the arrangers who made the Ethiopian music of the Golden Era different than the music of today. He was a lyricist, a music writer, an arranger, a vocalist, an accomplished pianist and finally a bandleader. To most, if any name comes to mind with the word arranger, it is probably that of Mulatu Astatke. Yet, according to Ethiopiques Series producer Francis Falceto*, in the heyday of vinyl records, Girma Beyene is credited to having arranged close to 65 titles, compared to Mulatu's 40.

       The 7th edition of the Ethiopian Music Festival held from the 7th to 17 May 2008 in Addis Ababa. Organized by the Alliance Ethio-Francise as a part of its centenary celebration and as a tribute to the Ethiopian pianist, composer and arranger Girma Beyene, the festival bring renowned and young musicians.


        Francis Falceto in his book Abyssinia Swing, a pictorial history of modern ethiopian music describes Girma as one of a pioneering generation of artists that has a huge influence on the current ethiopian music.

        From the very beginning of the 1960’s and for some twenty years, he ranked among the ethiopian musical scene’s most creative and prolific artists. He left precious few recordings behind him as a vocalist: it was above all as a pianist, organist, composer and arranger that Girma made his mark on what is today agreed to be the golden age of ethiopian music. 

      Throughout the heyday of Vinyl record production (1969-1978), the figure of Girma Beyene dominated the recording sessions. The then-privileged partner of Alemayehu Eshete, Girma innovated, through his simple and to-the-point playing, melding the lightness of pop into the ethos of a changing Ethiopia. Admired for his musical elegance, Girma none the less met one of the saddest fates in ethiopian music. Though his countrymen still remember his charming voice and his knack for pop, they have totally forgotten his role and importance as an innovator.


      Going into exile in the USA in 1981, Girma departed the ethiopian music scene, sinking into the anonymous “Little Ethiopia’ of America’s East Coast.

      According the Alliance booklet, there has been a renewed interest of late in the work and personality of Girma Beyene.

      International groups such as the Either/ Orchestra, The Daktaris, Le Tigre (Platanes), The Ex, Badume's Band and Antibalas have added some of Girma’s major compositions to their repertoires.


01. Alexo & Friends - Medinanna Zelesegna (7:48)
02. Sax Summit - Antchi hoyé lené  (10:22)
03. Addis Acoustic Renaissance - Ambassel (7:47)
04. Azmari evening - Mela mela (4:27)
05. Munit Mesfin & Jörg Pfeil - Sét Alamnem (6:40)
06. Dan Harper's Invisible system - Bertukané (5:01)
07. Addis Acoustic Renaissance - Feker kegna endayleyen (4:18)
08. Charles Sutton quartet - Uuta ayaskefam  (5:40)
09. Sax Summit - Feker ende sekuar  (8:18)
10. Zea - Muziqawi selt (3:19)
11. Alexo & friends - Enkelfén wesdhew (6:56)
12. Munit Mesfin & Jörg Pfeil - Astawesalehu (3:17)




Monday, April 22, 2013

Invisible System - Punt [Made in Ethiopia] [2009]



                                                    R  E  U  P  L  O  A  D   


       Invisible System is the pseudonym for the UK & Africa producer Dan Harper whose music is an eclectic fusion of Ethiopian, dub, reggae, techno, trance, drum and bass, jungle, acid, psychedelic, folk, post-punk, goth and rock.

       Traditional vocals & instruments meet the modern, electronic and brass. Recorded in Ethiopia.  Live Europeans meet live Ethiopians! 




       The songs were improvised, from scratch - all instruments and vocals. Improvisation was a largely new concept to most of the Ethiopian counterparts (previously told what or how to play or sing). Dan just went from go with your feelings and express them as Dan had done. The results were stunning both for them and for us. We are not into using Ethiopian (or Malian) samples or trying to quickly learn and imitate Ethiopian musicians who have their sounds, modes, scales, feelings and soul from their culture and country else we would be the neo-colonialists. We are into sharing, learning and exchange over time.

       Dan spent 3 years in Addis Ababa not 3 weeks, living, working and existing there. Aid working all around the country, producing music based in Addis. He Met people from all walks of life. The music is based on real life experience not from reading. It is played from the heart and soul of everyone involved. Their own interpretation thus tapping the ebbs and flows of our lives.




Hear What the Critics Have to Say!

---‘sturdy Ethiopian vocals are matched against backing that veers from wailing psychedelic rock to trance, trip-hop and dub, it's an impressive achievement.’  - The Guardian, Robin Denselow
'New rave goes global. The rave crowd may love such deranged energy.' - Uncut, Nigel Williamson

---‘you can imagine this becoming a mind blowing rave classic, pushing the envelope
 beyond Ethiopqiues nostalgia.’ - MOJO, David Hutchenson

---’there's a pleasing headiness to its rough charm’ - The Independent, Andy Gill

---‘a startlingly original combination of Ethiopian roots and pop with dub, electronica and psychedelic rock’ - fRoots, Jamie Renton

---‘this wonderfully strange and slightly otherworldly album’ refuses resolutely to be pigeon holed. One of the most startlingly original musical adventures of the year giving a whole new meaning to the term ‘fusion music’. - R2 / rock N Reel, Dave Haslam

---‘like an exotic mythology flung into outer space‘ - World Music Network, TJ Nelson

---‘It’s an album that, to its credit, solidly defies easy description.  It needs to be heard several times and each reveals a new delight’ - AllMusic.com, Chris Nickson

---‘Each time you hear the songs, you hear something different as this will be the longevity of this world class fusion CD’ - LAsThePlace.com, Los Angeles

---'I encourage everyone to check it out, but not try to capture it..just feel it.' - Max Benkole Jarrett, BBC World Service

---‘Brings together a fine mix of musicians to create a festive-sounding album recorded in Ethiopia’ – New Internationalist

Monday, March 25, 2013

Jean L. Jenkins - Ethiopie [Musique Traditionelle D'Ethiopie] -[Traditional Music Of Ethiopia] [1967]



                          R E U P L O A D   


Jean L. Jenkins – Ethiopie - Musique Traditionelle

Format:  Vinyl, LP, Album 
Country: France
Released:  1967
Genre:  Folk, World, & Country
Style:  Folk


  Musique Traditionelle D'Ethiopie / Traditional Music Of Ethiopia

A1             La "Harpe De David" / The "Harp Of David"
Vocals, Lyre – Unknown Artist
A2 Office Chretien / Christmas Service
Vocals, Percussion – Unknown Artist
A3 Office Du Sabbat / Sabbath Service
Vocals – Falasha
A4 Priere Quotidienne / Daily Prayers
Vocals – Falasha
A5 Chant D'Amour / Love Song
Vocals – Adaré
A6 Musique De Danse / Dance Music
Vocals, Percussion – Kunama
A7 Solo De Toum / Toum Solo
Mbira [Toum] – Anuak
A8 Ambassel / Ambassel
Vocals, Violin [Masenqo] – Amhara
A9 Foukara / Fukara
Vocals – Amhara

B1 Ensemble De Flutes / Flute Ensemble
Ensemble [Flute] – Gidole
B2 Chilota / Shilota
Vocals, Handclaps – Gidole
B3 Chant De Chamelier / Camel Driver's Song
Vocals – Unknown Artist
B4 Chant De Circoncision / Circumcision Song
Vocals – Unknown Artist
B5 Chant Pour Plaisanter (À Quatre Parties) / Joking Song (Four-Part)
Vocals – Dorzé*
B6 Ouachint / Washint
Flute – Kullo
B7 Musique De Danse / Danse Music
Vocals – Qottu
B8 Chant De Travail / Work Song
Vocals, Percussion – Borana

Credits :
Directed By [Published Under The Direction Of] – G. Rouget
Edited By [Technical Editor] – J. Schwarz
Recorded By, Liner Notes – Jean L. Jenkins

Notes :
Recorded 1964 and 1966 in Ethiopia (Horniman Museum, London) 

Track A1 recorded in Addis Alem 
Track A2 recorded at the Ethipian Christian Church at Lalibela 
Track A3 and A4 recorded in Ambobar 
Track A5 recorded in Adaré, Harar City 
Track A6 recorded in Barentu, Eritrea Prov. 
Track A7 recorded in Gambela 
Track A8 is a classic Amharic Folk song recorded in Dessie 
Track A9 is a Amharic war song recorded in Gondar 
Track B1 and B2 recorded in Gidole, Gemu-Gofa Prov. 
Track B3 recorded in Batié, Aussa (Northern Danakil) 
Track B4 recorded in Gheouani, Adal (Southern Danakil) 
Track B5 recorded in Tchentcha, Gemu-Gofa Prov. 
Track B6 recorded in Bonga, Kaffa Prov. 
Track B7 recorded in Asbe Teferi, Harar Prov. 
Track B8 recorded in Arero, Sidamo Prov.



Monday, November 19, 2012

v.a. - Ethio-Grooves-Mix [2011]


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Ethio-Grooves-Mix


01 Mulatu Astatke – Maskaram Setaba (1)
02 Menelik Wossenachew with Mulatu & All-Star Band – Fikratchin (1)
03 Mulatu Astatke – Yekerme Sew (1)
04 Mahmoud Ahmed with Dahlac Band – Yalem Baytewarnegn (3)
05 Tesfa Mariam Kidane – Heywete (1)
06 Alemayehu Eshete – Kochen Messasate (2)
07 Bahta Gebre Hiwot – Gizie (2)
08 Ibrahim Mahmoud – Gual Aboy Reda (5)
09 Mulatu Astatke – Hooha (1)
10 Aselefech Ashine And Getenesh Kebret – Meche New (4)
11 Tilahun Gessesse with Mulatu & All-Star Band – Lanchi Biye (1)
12 Girma Beyene – Yebekagnale (2)
13 Mulatu Astatke – Emnete (1)
14 Getatchew Mekuria – Yegenet Muziqa (6)
15 Menelik Wossenachew with Mulatu & All-Star Band – Beluw Bedubaye (1)
16 Alemayehu Eshete with Girma Beyene & All-Star Band – Addis Ababa Bete (2)
17 Tilahun Gessesse – Tchuheten Bitsemu (4)
18 Menelik Wossenachew – Chereka (2)
19 Walias Band – Musika Silt (2)
20 Mahmoud Ahmoud with Dahlac Band – Yefikir Wuha Temu (3)
21 Mulatu Astatke – Tezeta (1)

Arranged By;

(1) Mulatu Astatke;
(2) Girma Beyene;
(3) Tezera Haile Michael;
(4) Teshome Sissay;
(5) Ghermaie Solomon;
(6) Getatchew Mekuria