A lively and captivating album by Ethiopian writer and performer Gabriella Ghermandi.
The project takes as their symbol Emperor Tewodros II of Ethiopia (1818 - 1868), who was not of royal lineage but took the throne by sheer charisma and will power and united the country.
With a mix of Ethiopian traditional and modern instruments the group presents a unique and interesting sound based on traditional Ethiopian pentatonic scales.
Ashenafi Kebede (1938 – May 8, 1998) was an Ethiopian composer, conductor, ethnomusicologist, historical musicologist, music educator, novelist, and poet.
Kebede was born in Addis Ababa, Ethiopia, in 1938 and was educated in musicology in the United States at the Eastman School of Music (1962), and Wesleyan University (M.A. 1969; Ph.D. 1971).
He founded the National Saint Yared School of Music in Ethiopia, serving as its first director (1963–1968).
He was designated a National Composer by Ethiopian Emperor Haile Selassie I, in 1967. Shortly after that he began his graduate studies in the United States, and earned the first Ph.D. in ethnomusicology at Wesleyan University.
The Shepherd Flutist, Ethiopian Symphony
Ashenafi was a prolific writer. His works include a novel, Confession (1964), articles in ethnomusicology journals, the book Roots of Black Music, and numerous articles in The Chronicler, the magazine of the Center for African-American Culture.
In his own compositions he combined Ethiopian and Japanese musical ideas. "Koturasia" is one such piece, written for flute, clarinet, violin, and Japanese koto. Among his other musical compositions were "Peace unto Ethiopia" and "The Life of Our Nation". His best known composition though rarely heard outside Ethiopia was "The Shepherds Flute", performed in 1968 with Hungarian State String Orchestra.
In the United States, he was Director of the internationally known Ethiopian Research Council, consisting of a group of Ethiopian and American scholars and professionals. At the time of his death he was Director of the Center of African-American Culture at Florida State University in Tallahassee, Florida.
Professor Kebede died in Tallahassee, Florida, May 8, 1998. As spoken by the man, "you are here for me, I am not here for you."
Tracklist
A
01 - The Shepherd Flutist I (8:52)
02 - The Shepherd Flutist II (3:23)
03 - The Shepherd Flutist III (4:40)
04 - The Shepherd Flutist IV (11:56)
05 - The Shepherd Flutist V (3:23)
Composed By – Ashenafi Kebede
B
06 - Ethiopian Symphony [part I & II] (7:40)
07 - Ethiopian Symphony III (12:12)
08 - Ethiopian Symphony IV (10:53)
Composed By – Ashenafi Kebede
Ethiopian Symphony in three movements written by Ashenafi Kebede
The Hungarian State String Orchestra with Lóránt Kovács (Flute) conducted by Ashenafi Kebede
The Ethiopian Symphony was dedicated to the 75th birthday of H.I.M. Haile Selassie I.
Born in Addis Ababa, Ethiopia, Tigist Ejigu developed a passion for music when she was a little girl. She had a sharp ear for music, and when she reached 10th grade she join the prestigious Yared Music School of Addis Ababa. Tigist showed an uncanny ability to replicate on piano most any music to which she was given ear. Her formal training at Yared exposed her to a broader repertoire of music, and both her technical expertise and her interpretive insightfulness blossomed.
In 1989, Tigist graduated from Yared with honors. She began performing professionally at hotels and restaurants in Addis Ababa. Wabe Shebelle, the Ibex, the Samit and the Hilton in Addis Ababa were among the hosts of her performances. Her repertoire included faithful renditions of traditional Ethiopian, western classical, and popular international music. It also included sensitive interpretative variations on themes of traditional Ethiopian and western classical music.
Tigist moved to America in 1996. She first performed at small Ethiopian restaurants and nightclubs in Washington, DC. She performed solo and with small ensembles, and she primarily performed traditional Ethiopian music. As her notoriety evolved, she began playing across the US -including Seattle, Los Angeles, Boston, and New York. DC is her home, and audiences at the Washington Hilton and the Hilton Capital find great favor with her sensitive melding of Classical and popular international themes. Of late, she has focused upon performing her own compositions. They have a jazz like improvisational quality, yet they capture and reflect both traditional Ethiopian and Western Classical aesthetics. Her performances are heartfelt, and her music has a universal appeal while Ethiopia is forever present.
Tigist's first album, Ambassel, has achieved international recognition. Her new second album is a collection of sensitive interpretations of Ethiopia's popular and traditional melodies. It is reflective of Tizita, Bati, Anchehoye Lene and Ambassel modes of expression.
e
Tigist Ejigu - 01 - Ambassel [a small village name found in Welo region,Ethiopia] (8:17) Tigist Ejigu - 02 - Yematbela Wof [Unedible Bird] (6:38) Tigist Ejigu - 03 - Yiwedegn Aywedegn [Does He Love Me, Does He Not] (6:37) Tigist Ejigu - 04 - Marigne Biyeshalehu [Accept My Apolgy] (5:33) Tigist Ejigu - 05 - Endit neh [How Are You?] (5:01) Tigist Ejigu - 06 - Tizita [Nostalgia] (8:22) Tigist Ejigu - 07 - S'thed s'ketelat [I'll Keep On Following Her Wherver She Goes] (5:06) Tigist Ejigu - 08 - Letidar [For Marriage] (6:03) Tigist Ejigu - 09 - Nafkote [My Beloved One Whom I Miss So Much] (6:41) Tigist Ejigu - 10 - Yenne fiker [My Love] (5:07)
The Ex are an underground band from the Netherlands that formed in 1979 at the height of the original punk explosion. Initially known as an anarcho-punk band, they have since released over 20 full-length albums of musical experiments and numerous collaborations blending punk and free jazz with styles of folk music from all over the world.
The Ex - Lale Guma (Aha Begena, አሀ በገና)
The Ex + Fendika - 01 - Lale Guma (4:43) The Ex + Fendika - 02 - Addis Hum (5:25)
Yishak Banjaw, composer and keyboard player from Addis Ababa known to his country for his innovative compositions and unique sound. His ability to transform traditional Ethiopian songs into spacey Minimal-Wave gems creates an ultra hypnotic and psychedelic atmosphere, a sound that you have never experienced before. A genuine talent who carried the long tradition of Ethiopia into another level..
