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Showing posts with label ethiogroove. Show all posts
Showing posts with label ethiogroove. Show all posts

Wednesday, January 27, 2016

HOT STUFF : chOOn : Upcoming DJ Mitmitta Mix!!! 29/01/2016 11:00 - 13:00 GMT (12:00 - 14:00 CET)


Guest Mix #2 // DJ Mitmitta
chOOn!!


DJ Mitmitta is an Amharic speaking Norwegian and one of the main record collectors based in Ethiopia. He started a music shop in Aware, Addis-Ababa in 2010 called Mitmitta Musika and with that an  – posting accompanying blog - some of the strangest and downright warped, psychedelic pop music I’d heard from the region. Over the past two years he evolved the shop into a commercial record label by the same name re-releasing in collaboration with Domino Sound from New Orleans, a compilation of traditional wedding songs by Getatchew Degefu & friends to great acclaim.

I approached him nearly 2 years ago with the idea for a mix of Ethiopian sounds spanning the 1980s and early 90s. This was a period of great political upheaval in the country. Ethiopia was in the throes of a bloody civil war and at the mercy of a military dictatorship. The production of vinyl recordings stopped, many of the countries leading musicians emigrated to the west amid the political turmoil and the permanent curfew all but ended live music performances.

Much has been made of Ethiopian music pre 1974 – box sets, huge reissue archives, the revival of classic recordings and artists have been lauded by music critics across the land but the same cannot be said about the music produced during the period under military rule (1975 – 1991, commonly known as the "Derg" years) – and that which I had heard was usually negative.




So I present this guest mix by DJ Mitmitta – 2 hours of rare Ethio-Eritrean sounds – synthesizers, organs, wah wahs, pop and traditional sounds from the 80’s and early 90’s.








Here are a few words about this mix from DJ Mitmitta…


'The idea of this mix goes several years back from when I had a music shop up and running in Addis. I always said to myself I should make a mix presenting some of the cassettes I had for sale in Mitmitta Muzika Bet. To make that selection it meant I had to digitize every single cassette that potentially could become a part of the mix. This didn't happen, or at least I didn't have enough tapes to make the desired selection and the years went by, the shop closed and those tapes were lost down in collection boxes. It was when mr. chOOn!! from Subcity Radio contacted me that I started to pick it up again – he was interested in the perceived lack of interest and regard from music collectors and archaeologists for music made during the Derg years (1975 – 1991), Ethiopia’s stay under military occupation. Being the only westerner he knew of living in the region with an active interest in and access to lots of this music he asked whether I’d be interested in curating an interesting mix of sounds from this period. So I started picking out the potential cassettes again that could fit into a theme of 80s, instrumentals, pop and traditional sounds. The pile became way to big to finalize in the then near future, so I had to tell him to be patient. Now, almost 2 years later and after having a couple of days off in Dire Dawa, East Ethiopia I managed to punch out the last selection, which became this mix.

The mix's selection consists of lesser-known artists and lesser-known releases of established artists, which somehow have caught my attention. Mostly because of the way the singer sings, or the way a synthesizer or an organ is played, or how the bass or programmed drums play along, or how it's all put together in a different soundscape than what most people are used to from listening to 70s Ethiopian music. It's divided into 4 half-hour sets so that you can easily tape it onto 60 minute tapes. I'm hoping this is something for both Ethiopian and foreign ears. Enjoy!'


friday, 29/01/2016   11:00 - 13:00 GMT 
                                   12:00 - 14:00  CET 




ENJOY!


Saturday, December 26, 2015

uKanDanZ - Lantchi Biyé / Endè Iyèrusalèm [7''] [2014] [france-ethiopia]










       uKanDanZ ... a unique style, an unusual meeting between an electric quartet and Asnake Guebreyes, charismatic lead singer originates from the vibrant music scene in Addis Abeba. 

          Their music is inspired by traditional and popular Ethiopian songs. uKanDanZ has a real crunch energy. Between rock, jazz, noise... 

With impertinence, they rock it wildly. Without compromise. Guitar, saxophone, bass, drums and vocals shuffle our bearings. 

What a pleasure! The stage presence of uKanDanZ swings alternately between energy and emotion... then the public, transcended, dances and shivers.




uKanDanZ - Endè Iyèrusalèm
Rock In Opposition festival 2015, 18/09/2015



uKanDanZ 1 - Lantchi Biyé 04:26

uKanDanZ2 - Endè Iyèrusalèm 04:09





Damien Cluzel - Guitar
Asnaque Guebreyes - Vocals 
Lionel Martin - Sax
Guilhem Meier - Drums

Benoit Lecomte - Bass



Thursday, July 9, 2015

Akalé Wubé - Sost [2014] [fra+ethiopia]









         Akalé Wubé’s third album, Sost (“three” in Amharique) is perfectly in line with their previous records, it is also a testament to a more mature and experienced band, who have proved able to win over different audiences in different circumstances with their infectious grooves. While touring in Ethiopia, the band realised that local musicians had stopped playing music from the Swinging Addis golden age. A puzzling but liberating discovery that convinced the band to completely stand behind their project, and release three albums to date.


       More than half of the tracks in “Sost” are original compositions, with the other half being songs discovered on old cassette tapes brought back from Ethiopia. Akalé Wubé have invited the radiant Genet Asefa on three tracks, an Ethiopian singer with whom they have often shared the stage. Cautious to give precedence to authentic encounters, the band have chosen only to invite musicians with whom they have already played in a live context. Manu Dibango’s presence on the album is not an opportunistic move: there are strong human and musical ties between the afro-jazz pioneer and Akalé Wubé. Another sign of the band’s high quality expectations is that the album has been recorded in a studio set up by the band itself in the heart of Paris. This is a space that Akalé Wubé have made their own and which has permitted them to master completely the process of recording this album.





Akalé Wubé - Anbessa (feat Manu Dibango)



       Akalé Wubé's third album is aptly-titled Sost, which means 'three' in Amharic--the official language of Ethiopia. The music is highly groove-based and follows the early traditions of Ethiopian jazz, which is not too unlike the popular Ethiopiques series. About half of the music is based on traditional recordings and cassettes found in Ethiopia, while the other half of the songs are original compositions. The emotive vocalist, Genet Asefa, leads a few tracks with her seasoned voice in line with tradition Ethiopia music. The blurt of a trumpet, the beat of a drum, and a jazzy melody with Afro-jazz flavorings rounds out the gist of each song. However, each song brings something new to light--whether it be a hook, a sound, or a rhythm. Akalé Wubé know how to tease the feet with danceable grooves and lush sounds. This is another acclaimed album. ~ review by Matthew Forss




Akale Wube - Alegntaye (ft. Genet Asefa)




Akalé Wubé - 01 - Anbessa  (feat. Manu Dibango) (3:41)
Akalé Wubé - 02 - Alègntayé  (feat. Genet Asefa) (4:19)
Akalé Wubé - 03 - Mèmona (5:59)
Akalé Wubé - 04 - Kidus à cent dix (5:17)
Akalé Wubé - 05 - Ashewa (4:36)
Akalé Wubé - 06 - Gab's Trap (4:00)
Akalé Wubé - 07 - Addis Abèba Bété (4:40)
Akalé Wubé - 08 - Fikratchin (3:26)
Akalé Wubé - 09 - Erikum (5:28)
Akalé Wubé - 10 - Spring No Come (feat. Genet Asefa)(4:26)
Akalé Wubé - 11 - Meri Tekikil (4:54)





Etienne de la Sayette - flutes, sax
Paul Bouclier - krar, trumpet, percussions
Loïc Réchard - guitar
Oliver Degabriele - bass
David Georgelet - drums












Monday, July 6, 2015

Ethio Cali - various tracks [2014] [usa+eth]









       Ethio Cali is a Los Angeles-based Ethio-Jazz ensemble, led by trumpeter, arranger, and composer Todd Simon. The ensemble’s sublime sound is inspired by the golden age of Ethiopian music of the 1960’s and 70’s, filtered through a lens that is uniquely Los Angeles.  
           





           Acknowledging the diverse musical foundations of Ethio-Jazz, the ensemble also draws inspiration from the rhythmic and melodic textures of Sudan, Somalia, Ghana, and Colombia.  Ethio Cali’s published cassette Live at The Blue Whale.  [ find it : HERE ]





Todd Simon's Ethio-Cali Ensemble - Fowler Museum at UCLA 8/14/11




 Ethio Cali features:

Todd Simon – Trumpet, Flugelhorn, Music Director
Kamasi Washington – Tenor Saxophone
Randal Fisher – Tenor Saxophone
Mark de Clive-Lowe – Keys
Alan Lightner – Steel Pan
Damon Aaron – Guitar
Pat Bailey – Bass
Steve Haney – Percussion
Te’Amir Yohannes Sweeney – Percussion
Dexter Story – Drums




Extended Family: 

Kamasi Washington - Tenor Sax 
Justo Almario - Tenor Sax/Clarinet 
Richi Panta - Percussion 
Geoff Mann - Percussion 
Elizabeth Lea - Trombone 
Mark Cross - Keys 
Thomas Lea - Viola 
Tylana Renga - Vioin 
Peter Jacobson - Cello 






Special Guests: 

Dereb the Ambassador 
Kelela Martin 
Perna (Antibalas/Ocote Soul Sounds) 
Jared Tankel (Budoes Band) 
Aaron Johnson (Antibalas/FELA!) 
Vardan Ovsepian 
Semere-Ab Etmet 
Yohannes Tutu 
Sweeney Rickey





EthioCali - 01 - Azmar (11:19)
EthioCali - 02 - Mulatu (13:14)
EthioCali - 03 - Sabye (My Saba) - Live @ Del Monte Speakeasy March 17,12 (7:10)
EthioCali - 04 - Sidama de Cali (5:11)
EthioCali - 05 - Tadias - Live @ Del Monte Speakeasy March 17, 2012 (7:10)
EthioCali - 06 - Tiny Pyramids (8:08)
EthioCali - 07 - Zafari Live at the Blue Whale (9:37)
EthioCali - 08 - Zafari (8:50)



Tuesday, June 30, 2015

Kibrom Birhane - Kibrom's Tizita [2014] [ethiopia]



visit his website here >  http://www.kibromusika.com/







             Kibrom Birhane is Ethiopian Pianist, Multi Instrumentalist / producer / songwriter / Record / Mix engineer, arranger and composer passionate about Ethiopian folk, world, pop, jazz and gospel music. 

                 Kibrom started his musical career in a very early stage of his life, and had the opportunity to work, perform and record with musicians from all over the world. While attending Los Angeles College of music, he was fortunate to learn under great musicians such as: Sean Halley (Vinnie Colaiuta, Jerry Marotta, Richard Marx), Andre Knecht, Andrew Murdock (Godsmack, Alice Cooper, Linkin Park), Dave Pozzi (Celine Dion, Diana Krall), Howie Shear (George Benson, Stevie Wonder), Tony Inzalaco (Oscar Peterson, Dexter Gordon) and many others.




Kibrom Birhane - Zelesegna  ዘለሰኛ



           Learning how to play the krar, a five stringed traditional Ethiopian lyre, at age 8, Kibrom Birhane found himself enthralled by Orthodox chanting. “Always it moves me when I hear music,” he says. And from that time on he knew he wanted to pursue a career in music. Kibrom eventually began teaching piano to other students for about three years before receiving a scholarship to attend the Los Angeles College of Music where he developed a passion beyond Ethiopian folk music, and became a songwriter and composer focusing on the fusion of Ethiopian folk with jazz and gospel sounds. His debut album entitled ‘Kibrom’s Tizita’ was recently released by Tsehai Records, a new division of Tsehai Publishers. Kibrom describes his new album as “an exploration of Ethiopian heritage through folk and pop music with a jazz backbone.”

           Kibrom is also a record and mixing engineer and says he “learned to play all of these different roles over time, and with that came new innovations” in his music and sound. His solo pieces are among his most personal works, and Kibrom shares that they are “an expression of what I feel at the moment. I don’t study or learn solos; I just play them.”







           Kibrom hopes to reach the younger generation with his music. He sees the power of fusion as a way to expose individuals to Ethiopian music while adopting a style that is already familiar to them (such as jazz). Kibrom has already garnered some success including writing the score for the documentary film ‘Sincerely Ethiopia,’ singing in the award-winning documentary ‘Get Together Girls,’ and composing music for the documentary on the African Union’s 50th year celebration.


     “The raw sincerity of Birhane’s music seeks to make strong connections with listeners as they are transported on a musical journey. And a journey it is – Kibrom uses Ethiopian scales, which are rarely heard in Western music. The distinct nature of these scales makes for hypnotic listening,” states Tsehai Records.





Kibrom Birhane - 01 - Pending Prayer (4:06)
Kibrom Birhane - 02 - Yonas Gorfe Tribute (5:10)
Kibrom Birhane - 03 - Simagne Hageree (4:25)
Kibrom Birhane - 04 - Wazema (5:26)
Kibrom Birhane - 05 - Broken but Beautiful (10:06)
Kibrom Birhane - 06 - Jiret (7:02)
Kibrom Birhane - 07 - Psalm 92 (4:47)
Kibrom Birhane - 08 - Kibrom's Tizita (feat. Etsegenet Mekonnen) (5:03)
Kibrom Birhane - 09 - Zelesegna (4:30)
Kibrom Birhane - 10 - Ambassel (feat. Etsegenet Mekonnen) (4:34)


Wednesday, April 15, 2015

Mahmoud Ahmed with Ibex Band - Jeguol Naw Betwa [1978, reissue 2011] [ethiopia]



   R   E   U   P   L   O   A   D   







           Mississippi records continues their tradition of re-releasing obscure and out of print music from all around the world, this time tackling legendary Ethiopian singer Mahmoud Ahmed.  

       Apparently this album of blistering african pop had never been reissued since it's original pressing, so I'm quite thankful that Mississippi did the legwork and got this back out into the ears of everyone. 

       Mahmoud Ahmed is the greatest Ethiopian singer of all time. His recordings with the Ibex Band are proper sweet, even awesome. This album, first released in 1978, is a world music classic. Album has been remastered quite brilliantly by Tim Stollenwerk. 









      

       Recorded at the end of the 'golden age' of Ethiopian urban music, Mahmoud is in top form belting out transcendent intense vocals over the Ibex Bands' hypnotic soulful horns, organs, guitars, bass & percussion. As good as it gets & as close to universally perfect music as ever has been made.





1. Mahmoud Ahmed - Bemin Sebeb Litlash / (4:30)
2. Mahmoud Ahmed - Anwedim Tekatin / (5:21)
3. Mahmoud Ahmed - Gebtewat Yihon Fikrien (5:46)
4. Mahmoud Ahmed - Jeguol Naw Betwa (3:34)
5. Mahmoud Ahmed - Endet Lilakek (4:16)
6. Mahmoud Ahmed - Neshtie / (5:16)
7. Mahmoud Ahmed - Fetsum Dink Lij Nesh / (4:41)
8. Mahmoud Ahmed - Hoy Na-Na Jegnaw Na / (4:40)
9. Mahmoud Ahmed - Marie Gela / (4:37)














Wednesday, April 8, 2015

Feedel Band - various songs [usa+eth]






        Feedel Band is a Washington DC based Ethio-Jazz Band and has been performing as a self contained unit, as well as supporting Ethiopian artists like Tilahun Gessesse, (The king of Ethiopian pop music), very recently with Aster Aweke (The queen of Ethiopian soul music) on her current “Ewedihalehu” or "I love you" US tour.

       Feedel band’s is founded in 2010 by Araya Woldemichael, and weeks later, his current band members joined him and together they have formed the first native Ethiopian group in north America as an Ethio -jazz music-oriented band that starred Moges Habte on Sax, Alemseged Kebede on Electric bass, Araya Woldemichael on keyboards and Samson Juffar on drums. After Samson Juffar’s departure to Ethiopia, drummer and percussionist Mikias Abebayehu took Samson’s place. In addition to guitarist Kaleb Temesgen and  drummer J , Trombonist Ben Hall and krarist Minale Bezu, the band found Its own and a very unique Ethio - jazz  sound. 




       Feedel or (alphabet) are Ge’ez script and a unique Ethiopian characters that are entirely phonetic structured in seven columns. In other words, each character in the Geez Feedel system has seven sounds. Feedel are not only a dazzling of human creativity but also, in practical terms, a powerful medium for communication and social interaction. The power of Feedel resides in the characters ability to represent virtually every sound. The ancient Ethiopians, who invented Ethiopic writing system, were poised, it seems, to capture and harness all sounds in the universe.




Feedel Band - Belhame





            Since 1997 the Éthiopiques series has made Ethiopian music a hipster obsession, exposing jazz heads and rockists to the jazzy funkiness that emanated from East Africa in the ’60s and ’70s. (Never heard of the collection? You may have heard songs from Volume 4—there are now 29 volumes in total—in Jim Jarmusch’s 2005 film Broken Flowers.) 

             Feedel’s sax player Moges who was born in Addis Ababa, and can be heard performing the funky James Brown Band-influenced cut “Muziqawi Silt” on Éthiopiques’ Volume 13 with his ’70s group The Walias Band. On the other hand Feedel's bass player Alemseged  Kebede's great  groovy bass lines can be found in Aster Aweke and Tilahune Gessesse's music. Feedel Band’s sound can best be described as a merging of ’60s R&B, funk and jazz with traditional Ethiopian songcraft. 




Feedel Band - Araya's Mood


       Feedel Band is taking Ethiopian music and Jazz, and blending it into a simmering stew of musical genre’s, textures and feeling. These boys have real feel – for their music, for their audience and for each other. Playing with maturity and passion is second nature to all of them ... 

       Feedel band has devoted much of a creative career spanning almost 20 years to this eternal, inspiring form - the very base and roots of Ethio-jazz.... gather inspiration from The Golden Age of Ethiopian popular music in the late 1960s and 70s— a time that had Addis Ababa littered with groups playing a brass-heavy concoctions influenced by American soul and jazz. So here they are, as enthusiastic as ever - Ethiopian's finest, most skilled practitioners in the art of the Ethiopian music. They take their newly created original pentatonic melodies and repurpose them with mutated instrumentation like 60s and 70s-era Ethiopian grooves: Congas, electric Guitar, Bass, Saxophone, traditional Krar, Masinko, Piano, Organ, Trombone and Drums. 


     What sets Feedel Band apart from other acts that play Ethio-Jazz style of music is that they commonly hybridize the regular Jazz style with Ethio-Jazz genres, or modernized the sound with out loosing its original traditional texture or feeling. The energy and power is overwhelming. They are creating and in some cases re-creating the musical language of what has been called Ethio -Jazz. 






      Since the bands inception, the reception that Feedel has received has been extraordinary. At FestAfrica 2011, APAP showcase "Drom" New York City, World cafe live Philadelphia, Global roots festival Minneapolis, MN and  most recently at The Kennedy Center in 2014 and the audience was enamored with their warm and engaging style. While their music is inspired by the Golden Age of Ethiopian popular music, but Feedel Band always perform their own original music. 


       Their newly released CD is called “Ethiopian Ocean” 




                           Feedel Band on Soundcloud : here   







01 - Feedel Band - Tropicalia 8-2-14 (6:21)
02 - Feedel Band - Araya's Mood (8:24)
03 - Feedel Band - Girl from Ethiopia (7:35)
04 - Feedel Band - Ethiopian Ocean (Ye Ethiopia Baher) (10:32)
05 - Feedel Band - Behelme (5:54)
06 - Feedel Band - Feedel Band (8:01)
07 - Feedel Band - Mestafaker (6:41)





Tuesday, March 31, 2015

Arki Sound - Arki Sound [2015] [usa+eth]






Arki Sound




Arki Sound - 'Jazeta' (Tezeta)



Influenced by the classic recordings made in Ethiopia in the 1960s and 1970s, Arki Sound performs music for your dancing and listening pleasure.



























01 - Arki Sound - Bemen Sebeb Letlash (5:31)
02 - Arki Sound - Ere Mela Mela Dubby Spoil (2:51)
03 - Arki Sound - Ere Mela Mela (5:02)
04 - Arki Sound - Gaddis Addis (4:18)
05 - Arki Sound - Hedetch Alew (3:26)
06 - Arki Sound - Jazeta Love a Dub in Outer Space (5:29)
07 - Arki Sound - Jezeta (6:32)
08 - Arki Sound - Kulun Mankwalesh (5:22)



Formed in New York City in 2009, Arki Sound consists of:

Marcus Cummins - alto and soprano saxophones
Frank Marino - drum kit
Samson Kebede - bass
George Taylor - guitar
Andy JordanTexas - tenor (emeritus)