Nadav Haber started to learn the clarinet at the age of 10. In 1988-89 he lead a qaurtet in the Tel-Aviv clubs in Israel, and played in a blues duo. In the 90's nadav has switched to the tenor sax, and began to explore Ethiopian music. He played in Ethiopian dance bands all over Israel, in Ethiopian clubs and weddings. This has lead to the issue of Ethiopian Blues, and other smaller productions that were aimed at the Ethiopian Israeli market.
In recent years Nadav moved back to playing jazz, and in 2003 led a hard bop quintet in Jerusalem. He is currently working on two projects - an Ethiopian Jazz program and a “Favorite ballads” program.
01. Nadav Haber - Alchalkum (3:27) 02. Nadav Haber - In Her Youth (4:45) 03. Nadav Haber - Beautiful (5:30) 04. Nadav Haber - Love At First Sight (3:49) 05. Nadav Haber - Ethiopia (4:29) 06. Nadav Haber - My Life (4:29) 07. Nadav Haber - Japanese Woman (4:28) 08. Nadav Haber - Seven Miles From Addis (3:48) 09. Nadav Haber - When She Goes Away (3:53) 10. Nadav Haber - Long Ago (4:41) 11. Nadav Haber - Tizita (Song of Longing) (5:08)
Dawit Getachew (born September 25, 1986) is one of the greatest gospel singers in Ethiopia, and east African music award winning Ethiopian singer, song writer , arranger and producer.
He is one of the best-and most influential artists in Jazz Christian music. Dawit not only sings but also teaches music at “Mekane Yesus Seminary” school of JAZZ music. This young and intelligent artist is one among the group of Zema for Christ choir. His first CD “ Ethibekehalehu” has been a blessing since it was released. Dawit is a great growing artist and is an expectation of everybody.
Dawit Getachew - Ewedihalew
Early life
Dawit Getachew was born to Mintayesh Cherinet and Getachew Abraham in Addis Ababa, Ethiopia at a place known as “Shiromeda”.and grow up in “Debrezeit” with his 3 sisters and 4 brothers. He grew up in a Christian family, with the word of God and having devotional times with his parents, as a kid Dawit knew that he could sing in those devotional times. Having this talent as a kid Dawit joined his Sunday school choir. The love of music grew in his heart. And he knew that there was nothing on earth that would make him feel good than music. So having this passion Dawit graduated high school from Bishoftu’s preparatory school.
After graduating high school, he moved back to “Addis Ababa” and joined Mekane Yesus Seminary” Jazz Music school, majoring piano. As a student Dawit was one of the best students. His interest and passion for music made him to give all his time and heart, by doing that he was one of the top students found in the school. After spending 3 years at the music school, he completed his studies with a heart to serve God and his people.then he start to lecture in the same school.
In 2007 a choir known as Zema for Christ released their first album known as “Bemamene Bicha”. Dawit was one of the founder members of the group. The album was amazing in all its musical arrangement and song contents. He arranged most of the songs and produced along Mihret Tegafaw (a member of Zema for Christ). Starting from then Dawit Getachew along with Zema for Christ performed their songs in most churches found in Addis and other parts of the country. Then Dawit started arranging and producing songs to different gospel artists, including Bethelhem Tezera, Pastor Mesfin Mamo, Samuel T/Michael, Endalkachew Hawaz, Endrias Hawaz and others. Along this journey the biggest encouragement in his life came from his mother and his older sister Addis Kidan , supporting everything he does and helping him by their prayers. so, their prayer played the biggest role in his life.
The first challenge in Dawit's life came from his father. As any Ethiopian, christian parent his father wanted him to continue with his acadamic studies because he believed that the music life of most christians was believed to be difficult for both economical and spiritual life. Deep in side Dawit new that his father purpose is LOVE. Therefore, listening to his father's advice, he was convinced that he should also do more to his life by studying another field of study. He joined the management and leadership college at Mekane Yesus Seminary . Studying for 3 years he got his first Bachelors Degree (B.A) in leadership and development in in June 25,2011.
In 2010 Dawit released his first album known as “Tebekehalehu”. He amazed his audiences in this album. It was beyond anybody’s expectation. Dawit played the major role in his first album joined by Zema for Christ as his back up singers. He wrote all the songs and produced it on his own by bringing a new and spectacular flavor to the existing music industry.
Dawit Getachew - 01 - The Power of Faith (8:19)
Dawit Getachew - 02 - Hope (8:41)
Dawit Getachew - 03 - Memory of the Future (11:07)
Born out of a surreal experience and with strong devotion Black Flower takes you on a lucid voyage through the gardens of the Abyssinian afterlife. A highly remarkable place, far away from what you and I would call reality. It is a place where strange creatures and unfamiliar sounds merge into a harmony of the weird and the beautiful.
It is said that these are the secret realms of the long past legendary ruler of Ethiopia, Sir Prester John. Some even claim that he composed these sounds as a way of ruling his ancient land. Whether this is fact or myth, nobody knows for sure...
Now, for the first time, we have the chance to get a glimpse of this mystical empire. It is no secret any more that Nathan Daems has been chosen to witness this special place. Being such an overwhelming experience, he felt the urge, even the obligation, to share this with the real world. The result is a record he applicably called “Abyssinia Afterlife”.
It was no easy task finding the right people for this job. In his years of musical exploration, Nathan kept searching for the right people to team up with. A challenging process, because they needed to embrace the idea of looking to music from a whole new perspective. They needed to be able to capture the Abyssinia Afterlife as if they had visited it them-selves. Finally he found four young and dedicated spirits who could do the job.
This is the moment Black Flower was born.
Black Flower - Upwards
Track list:
1. Solar Eclipse 6:39
2. Upwards 4:59
3. I threw a lemon at that girl 5:20
4. Jungle desert 4:50
5. Winter 5:35
6. Star fishing 5:42
7. The legacy of Prester John 3:41
8. Again I lost it 4:57
9. Abyssinia afterlife 7:45
Nathan Daems - Soprano saxophone, Tenor saxophone, Melodica, Flute Jon Birdsong - Cornet Simon Segers - Drums Wouter Haest - Piano and keyboards Filip Vandebril - Bass, Effects
TEDDY MAK has been a composer, arranger, producer, songwriter, and an accomplished performer for over twenty eight years. He is one of the pioneer, performer and major contributor to the development of Ethiopia's innovative 'new age' music.
Teddy Mak developed a passion formusic in German school Addis Abeba at an early age of eight, which was accompanied with hours of rigorous practice on the piano at home. Teddy’s youthful talent was enthusiastically supported by his father, Teddy's family provided an enabling environment that encouraged young Teddy to put in enough hours of practice on the piano which laid a firm foundation for his life’s work in Ethiopian music. Teddy Mak first studied music at the Yared Music School in Addis Ababa, which was followed by studying music, majoring in American Jazz, at the Northern Virginia Community College. He had his chance playing with great bands, which included, among others, the Shebelles, the Dahlacs and the Ethiostar band in Addis Ababa. This was the time when Teddy Mak got a chance to meet and perform with Bob Marley at the Ghion Hotel in Addis Ababa.
Throughout his career, he has compiled and created numerous melodic sounds and rhythmical beats that have made his musical compositions distinguishable. His masterful compilations have been soothing the ears of a broad range of listeners, for the past 3- decades.
Teddy Mak - Wetatuan Lidj
Teddy Mak’s musical accomplishments include over 573 arrangments and musical compositions, a cultural musical presentation, in the presence of delegates from fifty countries, at the World Economic Forum on Africa in Addis Ababa, composed sound tracks for twenty five documentary films and, wrote original soundtrack for a fifty-four segment Ethiopian movie drama series “Gemena” for Ethiopian TV.
Teddy Mak has presented a commissioned musical presentation and album on the occasion of the 50th Anniversary of the African Union.
Teddy Mak - 01 - Sam Mak CV (7:31)
Teddy Mak - 02 - Langano Endless Cruise in Minor (5:43)
Teddy Mak - 03 - Celebration Song Tribute for Au 50th Anniversarry (5:46)
Teddy Mak - 04 - Time Out (26:05)
Teddy Mak - 05 - Ethio Mak Jazz (7:33)
Teddy Mak - 06 - Tribute for Girma Beyene Set Alamnim T. Mak Style (5:47)
Kibrom Birhane is Ethiopian Pianist, Multi Instrumentalist / producer / songwriter / Record / Mix engineer, arranger and composer passionate about Ethiopian folk, world, pop, jazz and gospel music.
Kibrom started his musical career in a very early stage of his life, and had the opportunity to work, perform and record with musicians from all over the world. While attending Los Angeles College of music, he was fortunate to learn under great musicians such as: Sean Halley (Vinnie Colaiuta, Jerry Marotta, Richard Marx), Andre Knecht, Andrew Murdock (Godsmack, Alice Cooper, Linkin Park), Dave Pozzi (Celine Dion, Diana Krall), Howie Shear (George Benson, Stevie Wonder), Tony Inzalaco (Oscar Peterson, Dexter Gordon) and many others.
Kibrom Birhane - Zelesegna ዘለሰኛ
Learning how to play the krar, a five stringed traditional Ethiopian lyre, at age 8, Kibrom Birhane found himself enthralled by Orthodox chanting. “Always it moves me when I hear music,” he says. And from that time on he knew he wanted to pursue a career in music. Kibrom eventually began teaching piano to other students for about three years before receiving a scholarship to attend the Los Angeles College of Music where he developed a passion beyond Ethiopian folk music, and became a songwriter and composer focusing on the fusion of Ethiopian folk with jazz and gospel sounds. His debut album entitled ‘Kibrom’s Tizita’ was recently released by Tsehai Records, a new division of Tsehai Publishers. Kibrom describes his new album as “an exploration of Ethiopian heritage through folk and pop music with a jazz backbone.”
Kibrom is also a record and mixing engineer and says he “learned to play all of these different roles over time, and with that came new innovations” in his music and sound. His solo pieces are among his most personal works, and Kibrom shares that they are “an expression of what I feel at the moment. I don’t study or learn solos; I just play them.”
Kibrom hopes to reach the younger generation with his music. He sees the power of fusion as a way to expose individuals to Ethiopian music while adopting a style that is already familiar to them (such as jazz). Kibrom has already garnered some success including writing the score for the documentary film ‘Sincerely Ethiopia,’ singing in the award-winning documentary ‘Get Together Girls,’ and composing music for the documentary on the African Union’s 50th year celebration.
“The raw sincerity of Birhane’s music seeks to make strong connections with listeners as they are transported on a musical journey. And a journey it is – Kibrom uses Ethiopian scales, which are rarely heard in Western music. The distinct nature of these scales makes for hypnotic listening,” states Tsehai Records.
Kibrom Birhane - 01 - Pending Prayer (4:06)
Kibrom Birhane - 02 - Yonas Gorfe Tribute (5:10)
Kibrom Birhane - 03 - Simagne Hageree (4:25)
Kibrom Birhane - 04 - Wazema (5:26)
Kibrom Birhane - 05 - Broken but Beautiful (10:06)
Elias Negash is an accomplished musician who has combined his Native Ethiopian music with his jazz education, and influences from the world music segment. He played through the seventies and became one of the pioneering figures to have brought Reggae and African music to the Bay Area with smash hit groups including Obeah, Axum, Caribbean All Stars and the Rastafarians.
After moving to Los Angeles Elias worked on the Royal Princess Cruise ship out of South Hampton England for four months. He has also done soundtrack for Television Movie in titled Glitz and also preformed on a TV series Murder She Wrote. Elias has also traveled as a Solo pianist and with Magyk Band to Japan.
Elias Negash - Belew Bedubaye
In addition to his role as a musician, Elias dedicates his time in multiple humanitarian efforts such as fundraising HIV Aids research and treatment, building schools and water-well in the rural areas of Ethiopia. Further, Elias is currently the president of Ethiopian Arts forum that strives to accomplish its objectives through the presentation of Ethiopian Music, Dance, Poetry, Drama and Visual Arts to the community.
Elias has put out five solo CDs titled Love, Harrambe (lets pull together), Peace, Feel Like Dancin’ and his new CD titled “JAZZED UP”
01 - Elias Negash - Perfect Ten (6:02)
02 - Elias Negash - I Lied to You (7:10)
03 - Elias Negash - Sway (8:29)
04 - Elias Negash - Antchim Endelela (5:26)
05 - Elias Negash - Memories Overwhelmed Him (4:52)
06 - Elias Negash - I Dare You (5:39)
07 - Elias Negash - No Women No Cry (6:15)
08 - Elias Negash - Tizeta Garedew (5:01)
09 - Elias Negash - Crazy (4:32)
10 - Elias Negash - Our Love Is Here to Stay (7:20)
Teddy Mak has been a composer, arranger, producer, songwriter, and an accomplished performer for over twenty eight years. He is one of the pioneer, performer and major contributor to the development of Ethiopia's innovative 'new age' music. Teddy Mak developed a passion formusic in German school addis abeba at an early age of eight, which was accompanied with hours of rigorous practice on the piano at home. Teddy’s youthful talent was enthusiastically supported by his father, Teddy's family provided an enabling environment that encouraged young Teddy to put in enough hours of practice on the piano which laid a firm foundation for his life’s work in Ethiopian music.
Teddy Mak first studied music at the Yared Music School in Addis Ababa, which was followed by studying music, majoring in American Jazz, at the Northern Virginia Community College. He had his chance playing with great bands, which included, among others, the Shebelles, the Dahlacs and the Ethiostar band in Addis Ababa. This was the time when Teddy Mak got a chance to meet and perform with Bob Marley at the Ghion Hotel in Addis Ababa.
Throughout his career, he has compiled and created numerous melodic sounds and rhythmical beats that have made his musical compositions distinguishable. His masterful compilations have been soothing the ears of a broad range of listeners, for the past 3- decades.
Teddy Mak’s musical accomplishments include over 573 arrangments and musical compositions, a cultural musical presentation, in the presence of delegates from fifty countries, at the World Economic Forum on Africa in Addis Ababa, composed sound tracks for twenty five documentary films and, wrote original soundtrack for a fifty-four segment Ethiopian movie drama series “Gemena” for Ethiopian TV.
Teddy Mak has presented a commissioned musical presentation and album on the occasion of the 50th Anniversary of the African Union.
01 - Teddy Mak - Young At Heart (4:26)
02 - Teddy Mak - Truth (6:11)
03 - Teddy Mak - Joy (4:44)
04 - Teddy Mak - Lanchi (6:49)
05 - Teddy Mak - Pure Ethiopian (5:47)
06 - Teddy Mak - T. Woman (6:31)
07 - Teddy Mak - Mak (5:54)
08 - Teddy Mak - Abogidah (5:19)
09 - Teddy Mak - Wushetenew (5:38)
10 - Teddy Mak - Ethio House (5:10)
11 - Teddy Mak - Teddy's Mood (6:54)
PRESS :
“God must have dedicated more time on your creative and restless visionary mind. Vahag Sakadjian or ( Vaggie ) 06-17-2008 ”
VAGGIE - MUSIC PAD
“Every song you play turn out to be " sparkling , shiny , touchy , groovy. Vahag Sakadjian or ( Vaggie ) 06-17-2008 ”
VAGGIE - MUSIC PAD
“Teddy Mak's Timeout is a direct expression of human emotions that transcend the listener to the beyond â€" it is in a way a form of art and entertainment”
B,T,COSTENTINOS PHD - KOSTE
“The MUSICAL gift upon Teddy Maks talent , I have noticed , tested ,smelled and watched the changes of forms ,and fantasy since we were kids. All I can say is , " he still amazes me."”
Mulatu Astatke - New York-Addis-London [Full Album]
Ethio jazz. That's what Mulatu Astatke called his style of music when he invented it back in the 1960s, and it means exactly what it implies: Ethiopian melodies played on Western instruments with room for improvisation. Astatke was a pioneer for his country's modern music. His concept of instrumental music as an end in itself was a bit foreign in his homeland, where singers rule the popular music sphere, and he was among the very first musicians from Ethiopia to learn about music while abroad. He started playing as a teenager at school in Wales, and after a stint at London's Trinity School of Music, he jumped the Atlantic for a brief stay at Boston's Berklee College of Music, ultimately winding up in New York City in the mid-60s. There, he was exposed to sounds he simply couldn't have heard back home in Addis Ababa, and his exposure to jazz and Western harmonic concepts led him to formulate Ethio jazz, the perfect hybrid of the traditional and the modern.
His first attempts to forge his new genre occurred in the U.S., and his band members were mostly Puerto Rican. You can tell by listening, too. The several tracks here lifted from his two Afro Latin Soul LPs bear a strong stamp of boogaloo, Latin jazz, and other Americo-Caribbean forms. When he returned to Ethiopia, he arrived at a time when the country was opening up as never before, and Addis Ababa was as cosmopolitan as cities came, boiling with cultural restlessness that fed a vibrant nightlife. Recording resources were limited, but in 1969, Mulatu began cutting tracks for Amha Eshèté's Amha, the first independent label ever established in the country. He worked primarily as an arranger, but frequently wrote and recorded instrumentals to serve as B-sides for vocal songs, some of which are being issued here for the first time outside Ethiopia.
Astatke brought a unique skill set back to Addis with him, where he was able to employ musicians who'd grown up with the music he was so consciously modernizing. The resulting music is simply brilliant, fresh even decades later. The way Mulatu harmonized horns, combining pentatonic Ethiopian melody with Western chord concepts, sounds like no one else-- the music seems both ancient and modern at once, befitting the mixture of raw ingredients. This compilation is utterly intoxicating from the first note to the last-- preternaturally funky, haunting, complex, memorable, exciting, and unique, Ethio jazz easily transcends the era in which it was made.
"Mulatu", from his 1972 LP Mulatu of Ethiopia, recorded in New York with members of Mongo Santamaria's band during a visit to the States, is a brilliant signature track, a darkly funky tune with a hint of Caribbean shuffle, snaking sax solos, Mulatu's own cloudy vibraphone, and a bit of wah-pedaled Wurlitzer. The stately, smoky "Netsanet" is drawn from 1974's Yekatit: Ethio Jazz LP, the very first Ethiopian LP to be conceived as an album in advance (as opposed to a collection of 45 sides). Like the other songs from that album, it has a weighty solemnity to it that betrays the difficult revolutionary period during which it was recorded. My favorite Mulatu track, "Ené Alantchie Alnorem", was previously featured on Buda Musique's Ethiopiques Volume 4 compilation, and it still kills here. It is a song without a solid core: its fluttering electric piano, flute, and drums spin in an ethereal wash, held together by wind sound effects and a heavy sonority, and the descending piano line that outlines the chords feels like it's falling and catching itself on each beat.
A handful of vocal tracks dot the compilation, and they're all outstanding as well. "Ebo Lala" features Seifu Yohannes putting on his best Bollywood-inspired show, huffing and puffing over a heavy Latin beat and blasting horn section. "Wubit", featuring Muluken Melesse, has a cool, funky crime jazz strut, a sick breakdown, and a quintessentially Ethiopian melismatic vocal-- that this song has remained hidden from all but a few collectors in Ethiopia until now is almost criminal. Even Mulatu's very first foray into recording, the Latin-tinged instrumental "Shagu", bears his unmistakable signature, playing its cycling piano riff two octaves lower than in most Latin music and featuring a dark, mysterious vibraphone lead playing between Ethiopian pentatonics and modal concepts nicked from post-bop jazz.
Mulatu Astatke - Yefikir Tizita
Ethio jazz was never a commercial success in Ethiopia. That Ahma and Philips Ethiopia even saw fit to release any of it is a credit to their commitment to art over commerce, and even today it remains little-heard in its homeland. But Mulatu was a master craftsman and one of the most supremely inventive composers of a time when an awful lot of creative music was being made around the world. He's still going today, guesting on radio shows and teaching in Addis, and he released a great album with London's the Heliocentrics as his backing band earlier this year. But even if he'd disappeared after 1975, his legacy would be sealed.
