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Showing posts with label reggae. Show all posts
Showing posts with label reggae. Show all posts

Thursday, October 2, 2014

Jah Lude - [2012] - Yachin Neger [ethiopia]




Jah Lude - Dancé Dancé


       Jah Lude Awol, 38, is an Ethiopian singer-songwriter and musician. The reggae singer was born and raised in Addis Ababa. Jah Lude’s music is heavily influenced by the cultural and old plays which are almost forgotten by the new generation. The artist also celebrates his belongingness to his homeland in his music.

    Jah Lude wrote all of his songs and some of them took him six months while others only took him 10 minutes. The new artist, who is on the spotlight, spoke to Meiraef Berhane of The Reporter.





What does Jah Lude mean?

I cannot explain what Jah Lude means specifically. My name always has different meanings depending on the situations that I am in. However, my parents named me Jah Lude from the Qur’an. And people who know the historical meaning of the name have told me that people who are warriors used to be named Jah Lude.

When did you start your musical career?

I think I am an born musician. I was only eight years old when I wrote my first song.

What was your inspiration to become a musician?

I always listen to different rhythms made out of natural and artificial sounds in my surroundings. That’s what inspired me to be caught up in music. But one person to whom I should give credit in my life is Bob Marley. He has been a big inspiration and good role model to me to keep doing what I am doing regarding my musical career. I loved reggae because of him: and he always has a good place in my heart.

Is that why you have your dreadlocks?

Not really. I spend most of my time working on my music. I always wash my hair but never looked at it in the mirror. To that extent I just saw what my hair looks like recently, while pictures were taken for my album design. When I looked at my hair carefully, some of them are stuck together and look like a dread while some of them look fluffy. I have never been so concerned about my outer look; rather, I prefer spending much of my time talking with my inner self. I forgot to be concerned about my look and my focus was dedicated to cultivate my art potential and got impressed in a way. However, after seeing what my hair looks like in the pictures, I have started cutting my hair and my beard.







How long did it take you to finish your album?

It took me ten years. But ever since I was eight years old, I have always wanted to work on my album.

One of your songs, Fayamo, is mixed with Oromiffa. How did you come up with the idea of mixing Oromiffa with reggae?

People from the neighborhood where I grew up are Oromiffa speakers. My family speaks Oromiffa; but I can’t speak the language. However, an Oromiffa singer, Tadele Gemechu, brought up the idea and asked me if I can do it and I did it. But to sing the song I had to study the accent of Oromiffa and the language as well.

Most of your songs remind people about the cultural plays which are almost forgotten. And also there are songs that celebrate being an Ethiopian and the country itself. What made you do that?

I am not exactly sure. I have works that express my feelings which, of course, are beautiful pieces. I also have many other works that still express my feelings, which people might not easily understand. So I have selected the type of songs that people might easily understand and like. Renowned musicians like Ephrem Tamiru and Tadele Robba have helped me with my music selections. And we loved our choices as we listened to them again and again.

How much money did you spend on your album?

All I have spent is my knowledge and my musical work. My focus was on the art work. However, artist Tadele Roba has produced the album and he is the one who knows how much money was spent on the album. I am not into the financial details.

Which song do you prefer or like from your album?

I don’t know what to prefer and what not. But I think I like “Asha bel yaho” as it can represent all of the songs in the album and it is a song about freedom.

On your billboard, there is a term that shows where you are from. It says ‘I am a hillbilly’. Many try to hide where they are from or their origin but you put your background on the front. How did you do that?

All of us came from agrarian ancestors. Some 100 years ago Addis Ababa was a city center. So I am proud of the fact that I am from that background.

Your music is being played everywhere. Now you have come on the spotlight and are you ready for any criticism or admiration?

The inner peace that I have ordered me to do my songs. So I don’t think I will be facing that much criticism. What I know is I am doing my job right. What I did was just offering the type of music that I have.

Where have you spent your time abroad and how long has it been since you moved back here?

It has been almost five years since I moved back here. I have tried to settle here some six years ago but the country was not stable politically and there was no peace. Since I couldn’t live in that environment I went back to where I have been, Djibouti. It is impossible and difficult to work in an environment that is not peaceful. The songs that I have in my album are made in a peaceful environment. My songs literally preach identity and belongingness. For to that reason I am sure that children will be singing my songs five, six and seven years from now.

Though it is not literally mentioned in the music, one of your songs, which is titled “Yachin neger”, is about condom. The change of the title allowed people to listen and sing along. What made you change the title?

When I was eight years old I wanted to write a lyric about love. However, the first thing that came into my mind is the first person that will read the lyric – that is my father. So I used to change the subject to country issues. Whenever I write a lyric, I always follow what my feelings tell me. If I have to write a lyric I want to be comfortable and free from any other negative feelings. My parents, whom I respect the most, listened to the “Yachin neger” lyric and they liked it. The lyric reminds people that it is a great decision to abstain. If not, sex should be had after marriage. However, if the person finds it impossible to take it that far, it is preferable to use the condom. And the way I used the words makes people to be comfortable and listen to it without any hesitation.

What made you write about the issue?

It just came out of my feelings. I felt it and I wrote it.

People who listened to your songs say your voice is good and the music is not loud. They say that it just flows simply through the ears. What do you say about that?

I think I got the math right. I was able to link the words that are coming out of my mouth with the tempo, but nothing else.

What meaning does music give you?

I don’t think I can be able to answer this question, just like I can’t define my name. If I ask you to define love, I don’t think you can. Music is the same thing to me is.

How does it feel to work with Kamuzu Kassa, the person who mixed and arranged your music?

Honestly speaking, Kamuzu is a special person to me. He always understands me when I connect with music. Working on my music, both of us share a similar spirit. I admire his talent and I appreciate the way he understands what the singer has.

Who designed your billboard?

The designer is called Senay. I was impressed by his view. He made people see what I did not expect. The scarf on my head and the round hat together with my mustache made me look like Emperor Menilik II. The green, yellow and red color that dominates the graphics and the fact that may name is Jah Lude gives a unique vibe and impression to the design. I just gave him my picture. And everything is his own creativity. After I have seen what he has done to the graphics I was convinced that there are a lot of professionals out there who can do many things.

Your picture looked like Emperor Menilik II. Was that on purpose?

Frankly speaking it was not on purpose. It just happened to look like that and it is accidental.


Before publishing your album, how many songs did you make?

I have composed music with Joseph, which is entitled “Gobeze”. I have also worked a song with Teddy Yo under that titled “Regga Tigile”. Next, I am planning to work with Tadele Roba on the remix of some songs. I also have a plan to work on songs that are almost forgotten and on the verge of falling or being washed out.

Can you tell us about your song that you have worked with the renowned Jamaican reggae star Mikey General that is entitled “Ethiopia”?

I have worked a piece in Kenny Aalen’s studio some three years ago. I have used the lyric in one of the songs in my album called “Hager Bet”. Mickey General and Raga Lox listened to the piece that I had in Kenny studio and they have used it to remix in the song they have made. They have introduced the song in Jamaica and it has a big hit. I also loved what they have done to that song.

Have you been to music school?

I did not go to any music school. I have learned music with my personal and natural interest. I just listened to a lot of reggae music and that is how I have learned its style. As a new person to the industry I have started testing the flow of music and the impression that I had for it together with my interest made me to be what I am today.

Do you play any instrument?

I play Bongo and Djembe drums.

To conduct this interview with you, I had to talk to Tadele Roba. I fixed the appointment with him and that is how I got to you. Why don’t you have a cell phone?

Whenever I am working on my music I don’t want my mobile to disturb me. That is why I don’t want to have one. However, I spend most of my time with common people that I am currently working with and hang out with. So if anyone needs to get in touch with me I can be reached through them. But in the near future I will be subscribing to a landline and I will be assigning someone who takes care of it. I won’t be engaged in receiving calls.

What do you do to relax?

I usually relax in my house by composing some music. But if my feelings exceed that, I will go out to other towns and hang out there.

Do you read books?

Yes. During fasting season I don’t do musical works and that would be the best platform for me to read books.

What makes you happy in life?

I am always a happy person. But I don’t exactly know what makes me happy. What I know is I am happy and I am grateful for that.

Are you married?

No I am not. But I have a plan to get married and have children, just like everybody else.

You seem like a person who is relaxed. Moreover, you seem that you kind of live your own world. Is that right?

Yes I am relaxed. I have my own world that is called Ethiopia. When I merge my identity with my inner love for music, Ethiopia is my world. Wherever I am and wherever I go Ethiopia is always with me. Ethiopia is the country to which I give the most values in my life. I belong to Ethiopia and that is my world.


Source: ethiopianreporter



01 - Jah Lude - Dansé Dansé (4:26)
02 - Jah Lude - Guro Wesheba (4:22)
03 - Jah Lude - Ager Bet (3:52)
04 - Jah Lude - Yachin Neger (2:56)
05 - Jah Lude - Asho Bal Yaho (3:57)
06 - Jah Lude - Wegen Alegn (4:03)
07 - Jah Lude - Rege Dub Dub (3:32)
08 - Jah Lude - Metahu (4:28)
09 - Jah Lude - Asiyo Belema (3:39)
10 - Jah Lude - Zerafewa (4:15)
11 - Jah Lude - Yergib Amora (3:20)
12 - Jah Lude - Ende Ersachew (4:10)
13 - Jah Lude - Fayamo (4:10)
14 - Jah Lude - YeGeter Lij (2:57)
15 - Jah Lude - Godanaw (2:59)
16 - Jah Lude - Alehu (4:06)
17 - Jah Lude - Bati (bonus track) (3:49)


Monday, September 29, 2014

Haile Roots - [2012] - Chiggae [ethiopia]




Haile Roots - Melkam Yamarech



       Ethiopian singer Haile Roots released his first album of Amharic-language reggae called Chiggae (indicating a mix of the Ethiopian 6/8 time rhythm called “chikchika” and reggae). 






         Chiggae is the debut Amharic language album from Hailemichael Getnet, better known by his stage name as Haile Roots. The 33-year-old singer came up with a display of real roots, showcasing compelling, melodic riffs and interesting lyrics. The 13-track album, arranged and composed by Elias Melka, takes you on a journey of love, righteousness, empowerment, and is filled with rhythms that blend perfectly with his incredible voice.


       Haile first came to attention years ago when he was featured in Teddy Afro’s ‘Bob Marely’ and he later released a single track tilted ‘Yes I’ that he played live at Juvents Club and Millennium Hall. That single track is included in the newest album under a different title, Ethiopia. 





     Recorded in Addis Ababa’s Begena Studio, the new album is engaging and entertaining collection on issues of solidarity, unity, exile, loss of youth and transcending bitterness. Jamaican and Ethiopian stars ranging from Luciano to Mikey General and Eyob Mekonnen have been featured in the album. Continental drift has rarely sounded funkier.

     Album opener Woudnesh is an encouragement for women and affirmations of faith in the power of the human spirit. The singer appeals to young Ethiopian women to be strong in the face of sexual exploitation, and material obsession. Life’s challenges can be met, he says.

The title track Chiggae is a hybrid of the Ethiopian chikchika and Jamaica reggae, putting a distinctly local spin on the reggae form. The lyric goes :

Leave me alone sadness and sorrow
The sun will shine tomorrow
No more cry and sad life again
I will be stronger than my pain
  
       The relative manner provides the ample story telling for that particular thing that has happened to us all. This is particularly evident in the sixth track, Yetefa yigegnal, where the claps summon the urgency required to claw forth the truth for the prospective listener. Melkam Yamarech, showcases the singer’s romantic side.





         The twelfth track Harambee (which in Swahili means unity) also shows strength in arrangement. It has a very nice atmosphere and the instrumentation progresses enough underneath it to give you a sense of development.The message calls for creating the environment for African to move together as one people. “The more we realise what we can do together as a unit, the farther we will get as an African nation,” he says.

The lyrics go :

Weh need so much love inna Africa Land
Righteousness di way fi all human kind
No more tribal war no more confusion
One love my people one revelation


      Overall, Chiggae is one of the better contemporary reggae albums to be heard in a while, with its evocative songwriting and neat production. His homilies about peace, hope, love, unity are sincere, delivered with power, accurate time and pitch.


Haile Roots - Wedenesh (4:21)
Haile Roots - Bado Neber (3:28)
Haile Roots - Chiggae (3:03)
Haile Roots - Nisueh Quanquayie (4:10)
Haile Roots - Byemehalu (3:59)
Haile Roots - Yetefa Yigegnal (2:58)
Haile Roots - Melkam Yamarech (3:59)
Haile Roots - Ethiopia (4:45)
Haile Roots - Chew Lerasesh (3:51)
Haile Roots - Leman Biyie (4:05)
Haile Roots - Harambie (3:53)



Tuesday, September 16, 2014

Dub Colossus - [2014] - Addis to Omega [uk + ethiopia]




Addis To Omega - Dub Colossus Soundsystem


         Although Dub Colossus made their name fusing Ethiopian music with reggae and funk, in this, their fourth album, band leader Nick Page has rung a change in focus: a departure from the home of Rastafari icon Haile Selassie I for a thorough exploration of Jamaican influenced sounds.

      Addis to Omega is bursting with funk-influenced reggae and stripped back dub, brash dancehall, jumping ska, and sincere lethargic grooves.

         The album opens with Nick Page's alter ego Dubulah's bold fuzzy bass and Joseph Cotton's post-Rastafarian vocals on Boom Ka Boom (and the Dub Disciples). At first appearances a strong dancehall track, key changes and eerie chord progressions hint at further depth.





        The record continues to feature prominent vocals, but Dub Colossus are at their strongest on their instrumental pieces Soft Power, Tale of 2 Cities, and the epic Orpheus Underground. Without the distraction of accomodating authentic vocals and traditional song structures a space is formed for composition, open improvisation and more profound mood changes.

    Although recognisably following a reggae-based theme, the impressive and diverse collection of contributors on the release occasionally introduces a surprise. Natacha Atlas and Samy Bishai bring a more exotic sound on The Shape of Things to Come - a song more Arabian than Carribean - or the atmospheric A Voice Has Power featuring the mesmerising low rumbling vocal work of Albert Kuvezin.

       Family Man and the title track give the brass contributors Horns of Negus time to develop classic long brass chordal lines, while the funky Fight Back provides opportunity for Ben Somers to channel Maceo in his tenor solo.


A well-executed exercise in reggae-fusion, Addis to Omega is a fifteen track journey through the many facets of its sub-genres. Afro-beat percussion and pentatonic Ethio-Jazz have been swapped for political lyrics, fast-paced reggae and clean dub. While Dub Colossus have undeniably changed musical tack, the original twists and large collective approach remain the same.


review by Dan Bergsagel


Dub Colossus - Boom Ka Boom (and the Dub Disciples) (4:21)
Dub Colossus - Family Man (3:53)
Dub Colossus - The Casino Burning Down (5:05)
Dub Colossus - We Are the Playthings of the Rich and Famous (4:05)
Dub Colossus - Fight Back (4:42)
Dub Colossus - Addis to Omega (Amnesis Mix) (5:33)
Dub Colossus - Keep On Rocking (6:17)
Dub Colossus - Soft Power (4:17)
Dub Colossus - Madmen (3:50)
Dub Colossus - Mi Dad (3:18)
Dub Colossus - A Tale of Two Cities (4:34)
Dub Colossus - The Shape of Things to Come (5:46)





Dubulah (Nick Page):
drums, bass, guitars, vocals, keyboards, Dub FX, programming, percussion; 
Nick Van Gelder: drums; 
Dani Fabregas: drums; 
Winston Blissett: bass, vocals; 
Sebastian Martinez: bass; 
Bernard O’Neill: double bass, piano; 
PJ Higgins: vocals; 
Mykael S. Riley; vocals; 
Toby Mills: keyboards, percussion; 
Tim Whelan: piano, zither; 
Horns of Negus (Ben Somers, Neil Waters, Bob Dowell)
brass and woodwind; 
Paul Chivers: percussion, drums, keyboards; 
Harry Brown; trombone; 
Orphy Robinson: vibraphone; 
Samy Bishal: violin; 
Boleslaw Usarzewski: mandolins;
Simon Smith: melodica.

Friday, September 12, 2014

Zeleke Gessesse - [2010] - Come to me [ethiopia]





       A political refugee, Zeleke Gessesse, was forced to leave his beloved homeland of Ethiopia 30 years ago after the nation fell into a crippling state of political suppression and economic strife. His personal eventually led Zeleke to the United States, where he persued studies studies at the university level, and focused intently on developing his burgeoning musical career. Eventually, Zeleke was joined by his brothers and fellow musicians from Ethiopia. As a musical collective, they formed a band called Dallol. Zeleke’s band was signed in the early eighties to Bob Marley’s TUFF GONG label. In 1984, Zeleke’s musical innovations and talents earned him an invitation to join Ziggy Marley & The Melody Makers. For nine years, Zeleke served as a integral member of the band, touring the world, and echoing Jah’s message to the masses.




       Throughout his tenure with The Meloday Makers, Zeleke was a key contributor to the albums Conscious Party and One Bright Day. In particular, his musical input was critical in the development of the tracks “Tomorrow People,” and “Black My Story,” two of the bands most popular and widely adored songs.


       During his successful musical career Zeleke was able to, eventually, accumulate enough capital to purusue a dream he had long harbored. He had always dreamed of owning and operating a world class, live music venue. His vision was to create a venue where the best Reggae and World Music artists could showcase their talents in a positive environment.





       In 1986, Zeleke became a partial owner of The Wild Hare, which is located in Chicago, Illinois, and he has spent the last 24 years investing his heart and soul in to crafting it into something truly special. The results of Zeleke’s hard work are evidenced by the celebrated reputation The Wild Hare now enjoys on an international scale. In 2007, major interior renovations were completed; the most dramatic to date. These enhancements serve to enforce the visitor’s perception that they’ve entered into a dynamic and exciting cultural oasis. The beauty of the new interior, combined with highly sought after artists routinely stalking the stage, has created a common perception amongst music lovers that The Wild Hare in the same pantheon as Chicago’s most regal musical landmarks. 






       In addition to The Wild Hare into the respected venue it is today, Zeleke has never stopped recording, producing and performing his own transcendent music. His critically acclaimed albums include Come to Me, Out of Africa and Selam. The eclectic musical infusion one hears in Zeleke’s music is truly unique. He often employs Ethiopian and reggae rhythms. Lyrics are sang in both Amharic and English - with a spattering of Jamaican patois mixed in as well. This unique music results in a pleasing, signature sound which has gathered him a fiercely loyal following. As most critics agree: Zeleke’s music is truly a rarity in its universal ability to inspire, enlighten and entertain.

       Though very much a musical icon in Chicago, Zeleke’s heart belongs to his motherland. In fact, his ultimate dream is to build another Wild Hare, along with a recording studio, back home in Ethiopia. In doing so he will come full circle and complete the journey he began decades ago as a refugee fleeing his homeland with only a dream.


01. Come On Down 3:27
02. Don't Let Me Down 3:57
03. I Don't Want To Lose You 4:24
04. Shivering Me 4:48
05. Ahun Ahun 4:33
06. Slippin' Into Darkness 4:07
07. Universal Children 4:41
08. Kotumae 4:49
09. Ethio Melody 4:01
10. Inner City Blues 3:52
11. Ashkaroo 4:18



Monday, January 13, 2014

Dawit Ghebresenbet - cassette [eritrea]


originaly posted HERE >




       Found this album on great blog previously unknown to me, but it's worth researching.
       As well as creator of Lola's blog, I can't find any information about Dawit Ghebresenbet. 



      Any help is welcome. Enjoy nice and smooth sound of eritrean pop and reggae.




Friday, December 20, 2013

Nazarenes - Meditation [2012] [ethiopia-eritrea]






                Steeped in Rastafarian grooves, produced by a St. Croix native, and two brothers as singers, Noah and Medhane Tewolde, come from Addis Ababa, Ethiopia. 

          The European-based brothers incorporate pan-African elements, island grooves, Jamaican jive, and pop-funk creations. 

           The reggae-inspired album contains jazzy influences, funky beats, and vivid vocals with meaningful lyrics and spiritual connotations. The lyrical worldplay and dancehall sound showcases Nazarenes diverse song repertoire with a laid-back, funky feel that is anything but boring. 

            Fourteen Jah-inspired musical tracks showcase the great amount of creativity and soulful inspiration that give Meditation a shining element that succeeds without a doubt.

01. Nazarenes - Meditation (4:42)
02. Nazarenes - Food (4:18)
03. Nazarenes - It's Too Late feat. Lutan Fyah (4:05)
04. Nazarenes - Mother (3:47)
05. Nazarenes - On My Way (4:11)
06. Nazarenes - The Lord Said feat. Midnite (4:56)
07. Nazarenes - Mamy Blues (4:31)
08. Nazarenes - Alive (4:03)
09. Nazarenes - Everlasting (4:26)
10. Nazarenes - Politrickcians (4:18)
11. Nazarenes - Get Together (3:35)
12. Nazarenes - Destiny (4:50)
13. Nazarenes - Lonesome Lady (3:41)
14. Nazarenes - Love Jah (4:13)



Monday, April 22, 2013

Invisible System - Punt [Made in Ethiopia] [2009]



                                                    R  E  U  P  L  O  A  D   


       Invisible System is the pseudonym for the UK & Africa producer Dan Harper whose music is an eclectic fusion of Ethiopian, dub, reggae, techno, trance, drum and bass, jungle, acid, psychedelic, folk, post-punk, goth and rock.

       Traditional vocals & instruments meet the modern, electronic and brass. Recorded in Ethiopia.  Live Europeans meet live Ethiopians! 




       The songs were improvised, from scratch - all instruments and vocals. Improvisation was a largely new concept to most of the Ethiopian counterparts (previously told what or how to play or sing). Dan just went from go with your feelings and express them as Dan had done. The results were stunning both for them and for us. We are not into using Ethiopian (or Malian) samples or trying to quickly learn and imitate Ethiopian musicians who have their sounds, modes, scales, feelings and soul from their culture and country else we would be the neo-colonialists. We are into sharing, learning and exchange over time.

       Dan spent 3 years in Addis Ababa not 3 weeks, living, working and existing there. Aid working all around the country, producing music based in Addis. He Met people from all walks of life. The music is based on real life experience not from reading. It is played from the heart and soul of everyone involved. Their own interpretation thus tapping the ebbs and flows of our lives.




Hear What the Critics Have to Say!

---‘sturdy Ethiopian vocals are matched against backing that veers from wailing psychedelic rock to trance, trip-hop and dub, it's an impressive achievement.’  - The Guardian, Robin Denselow
'New rave goes global. The rave crowd may love such deranged energy.' - Uncut, Nigel Williamson

---‘you can imagine this becoming a mind blowing rave classic, pushing the envelope
 beyond Ethiopqiues nostalgia.’ - MOJO, David Hutchenson

---’there's a pleasing headiness to its rough charm’ - The Independent, Andy Gill

---‘a startlingly original combination of Ethiopian roots and pop with dub, electronica and psychedelic rock’ - fRoots, Jamie Renton

---‘this wonderfully strange and slightly otherworldly album’ refuses resolutely to be pigeon holed. One of the most startlingly original musical adventures of the year giving a whole new meaning to the term ‘fusion music’. - R2 / rock N Reel, Dave Haslam

---‘like an exotic mythology flung into outer space‘ - World Music Network, TJ Nelson

---‘It’s an album that, to its credit, solidly defies easy description.  It needs to be heard several times and each reveals a new delight’ - AllMusic.com, Chris Nickson

---‘Each time you hear the songs, you hear something different as this will be the longevity of this world class fusion CD’ - LAsThePlace.com, Los Angeles

---'I encourage everyone to check it out, but not try to capture it..just feel it.' - Max Benkole Jarrett, BBC World Service

---‘Brings together a fine mix of musicians to create a festive-sounding album recorded in Ethiopia’ – New Internationalist