This live recording documents the brief period around our second trip to East Africa in Winter 2010, a journey that took our Ethio-groove collective across the world to share our interpretations of 1970s-era brass band-style Ethiopian funk. During this time we played a five-part hometown residency, a cosmopolitan Addis Ababa nightclub, and one of the largest music festivals in Africa. Along the way, we once again collaborated with dear friends and outstanding traditional artists: Melaku Belay and his group Fendika.
The flamingo is a majestic bird that thrives in the volcanic lake regions of East Africa's Great Rift Valley. Like many African animals, mystery and myths surround the origins of this long-necked pink bird. Our "flamingoh" is no exception: Flaming feathers (re)birthed from a breaking dawn. A dawn that rips open the sky.
The four tracks offered here are just the beginning: we have a documentary, featuring our escapades with Fendika, and a full-length live album on the way. This is our dawn: goh qeddede.
released 04 September 2010 Bruck Tesfaye - vocals Stacey Cordeiro - accordion Kaethe Hostetter- five-string violin Jonah Rapino - electric violin Danny Mekonnen - tenor and baritone saxophones Abye Osman - alto saxophone David Harris- trombone Brendon Wood - guitar Arik Grier - sousaphone PJ Goodwin - electric bass Keith Waters - drums guests Selamnesh Zemene - vocals Asrat Ayalew- kebero (traditional drums)
1. Debo Band - Musicawi Silt [Girma Beyene] (6:02)
2. Debo Band - Belomi Benna [Abrar Abde/Mahmoud Ahmed] (4:40)
3. Debo Band - Mignoten Man Yawkal [Seyfu H. Mariam/Tezera H. Miuchael] (4:06)
The Imperial Tiger Orchestra's repertoire consists of revamped remakes of songs from the golden age of Ethiopian music: a powerful horn section, deadly percussions and relentless keyboards provide a merciless and efficient instrumental reinterpretation and improvisation based on original vocal songs. Preserving the natural beauty of melodies and Ethiopian sound while exploring uncharted territory, playing with textures and dynamics, adding distortions and noise to complete beautiful pieces, the self-proclaimed counterfeiters embrace dark hypnotic rhythms, obsessive basslines and grooves from electronic music. Far from any purist notions, the musicians surprise and delight with traditional Thaï "phin" guitar mixed into traditional ethiopian "kebero" percussions. Just one example among many others. It's groove experimentation, it's improvisational heat.
Originator of the classic Ethiopiques series which started it all, Francis Falceto invited The Orchestra to play Addis Abeba's Musiques Ethiopiennes in 2009. Not only they convinced the locals but they also played with the likes of Melaku Belaye, Selamnesh, Zinash or Mesele Asmamaw. As Francis said afterward "the Genevan act was the big sensation of last year's festival".
Follow-up to last year’s acclaimed EP Addis-Abeba, Mercato is the debut album by Swiss band Imperial Tiger Orchestra, the finest connoisseurs and grooviest performers of Ethiopian music from the Golden Age.
Raphaël Anker, trumpet player from Geneva, one day decides to gather musicians for a live performance revisiting the golden age of Ethiopian music, the sound of Tlaloun Gessesse, Getatchew Mekurya, Mulatu Astatke, Mahmoud Ahmed and other legends. It’s 2007, and the experience is so memorable that the one shot happening becomes a band: Imperial Tiger Orchestra, a nod to the Imperial Bodyguard Band from Addis-Abeba and to a classic line from Monthy Python’s The Meaning of Life. A tiger – in Africa? …Well it doesn’t sound very likely…
Consisting of members with very diverse backgrounds (free jazz, noise experimentations, contemporary music, re-invented psychedelic music, strange pop, bizarre rock) the Orchestra tests the grounds with an EP and a 7″ breaking the boundaries of genres followed by a trip to Addis-Abeba in 2009 where they perform with local luminaries and learn about the large diversity of Ethiopian music. A life-changing experience which brings them back to the studio for their debut album: Mercato.
Overseen with flair by Ethiopian music expert Jeoren Visse, Mercato is a mesmerizing re-interpretation of Ethiopian music’s golden age mixed with the digitalized themes that appeared in the 80s and filtered through the eclectic influences of the Orchestra. Instruments such as the kebero (the most iconic percussion instrument of the country), the Indian dholak, the Thai cymbal, the traditional Thai phin, or the krar (an Ethiopian lyre) follow hypnotizing drum patterns and layers of MIDI sounds. It’s a fascinating retro-futuristic piece of music, close yet totally different from the songs that inspired the band. It’s progressive Ethiopian rock!
This new record undoubtedly confirms the band’s wider knowledge of Ethiopia’s musical diversity, while allowing them to express their desire of choosing a route not taken by many. Whether it’s saluting the phenomenal Mahmoud Ahmed on the splendid “Lale Lale”, re-interpretating the classic wedding theme “Shinet”, or taking Martha Ashagani’s “Zoma” to new heights, the Orchestra always does it with a unique vision while at the same time honoring the originals. Popular songs magically become classy instrumentals. Thunderous rhythms and feverish hooks, down tempo moments and fast paced epiphanies, electronic sounds and ambient nirvanas, Mercato explores multiples paths and never loses its warm groove, from “Yedao”, the Rahel Yohannes cover that starts the record, to the collaboration with Bethelem Dagnachew whose high pitched voclas close the full-length in the most enchanting way.
SELECTED QUOTES FOR PREVIOUS EP, ADDIS-ABEBA :
“Fabulous release!!! So fresh to hear this in my inbox instead of mindless minimal & noise for deaf & dumb kids. wonderful wonderful wonderful!!! thanX” Trevor Jackson
“Beautiful music. Perfect for my headphones and sunsets/sunrises. Thanks ” Soul Clap
“I Adore! Superb fusion modern/traditional” Laurence Pierre (France Inter)
“Wonderful” Nick Warren
“Yes! Thats exactly what I need right now! Some raw, ethiopian Funk mixed with the best grooves this world has to offer…essential! Save the Tigers!” Quarion
“What a wonder. Superb” Laurent Garnier
“Love it – powerful music” Sinden
“wow. It’s like mulatu in a time machine. love the interpretation and love the finished sound.” Scattermish.
The washint is an end-blown wooden flute originally used by the Amhara people in Ethiopia. Traditionally, Amharic musicians would pass on their oral history through song accompanied by the washint as well as the krar, a six stringed lyre, and the masenqo, a one string fiddle.
The washint can be constructed using wood,
bamboo, or other cane. Varieties exists in different lengths and relative
fingerhole placement, and a performer might use several different flutes over the
course of a performance to accommodate different song types. It generally has
four finger-holes, which allows the player to create a pentatonic scale.
Don't know much aboutYohannes Afework's album"Washint
Melodies"from2001, but music is beautiful and relaxing
...
Blind Ethiopian vocalist Mohammed 'Jimmy' Mohammed, influenced by the legendary vocalist Tlahoun Gessesse (heard on the Ethiopiques CD series), has been a legend in Ethiopia for many years, mostly singing Gessesse's songs. Incredibly this is his first proper full length CD, which The Ex and Han Bennink made possible after hearing Mohammed perform in Europe and Ethiopian; so impressed were they that they made these recordings possible.
Han Bennink plays on several tracks, as does Zu bassist Massimo, Ethiopian saxophonist Getatchew Mekuria, alongside Mohammed's frequent collaborator Mesele Asmamaw on krar, a kind of 5-string harp. But above all this release is fueled by Mohammed's clear and powerful voice, making this intricate and ecstatic music so impressive and passionate.
1. Mohammed 'Jimmy' Mohammed - Sethed Seketelat (5:26)
2. Mohammed 'Jimmy' Mohammed - Mela Mela (5:07)
3. Mohammed 'Jimmy' Mohammed - Eywat Setenategagn (5:08)
4. Mohammed 'Jimmy' Mohammed - Antchin Keto (6:26)
5. Mohammed 'Jimmy' Mohammed - Hulgizey (6:13)
6. Mohammed 'Jimmy' Mohammed - Yaselamo Lalo (8:02)
7. Mohammed 'Jimmy' Mohammed - Ende Jerusalem (10:40)
8. Mohammed 'Jimmy' Mohammed - Sevetchi Men Yilala (26:50)
This recording gives rich samples of the sounds of tradition in urban musical life in Ethiopia today. The ancient ceremonial music played on the embilta flutes or the vocal art of Alemayehu Fanta or Gebre Hiwot Lemma represent older traditions. The group Sne Bahel offers samples of singing and music which accompanies lively traditional dances from the Oromo and Wollaita ethnic groups. Modern pop music is represented in six tracks by the Abyssinia Band.
A really nifty release, Caprice has combined two forms of urban music usually rigidly separated: professionally performed "traditional" music for krar, flute, voice, and Ethio-soul by electric groups that play the real local thing rather than the crossover material we're usually offered. The result is splendid: very varied and splendidly performed music and truth-in-classification.
01. Lemma Gebre Hiwot - Medina / Zelesegna (4:50)
02. Abyssinia band - Yedejih abeba negn [Hanna Shenkute] (6:44)
03. Yohannes Afework - Ambassel (4:29)
04. Abyssinia band - Mis men gidifkini [Girmai Biable] (4:18)
05. Asnakech Worku - Tizita (4:45)
06. Abyssinia band - Endenew yisemah [Hanna Shenkute] (5:30)
07. Areru Shegane, Teka Tema, Yohannes Afework - Tigrigna (3:16)
08. Yared Orchestra - Alegntaye (5:30)
09. Alemayehu Fanta - Salamta (3:00)
10. Abyssinia band - Yiberral libbe [Dawit Mellese] (4:23)
R E U P L O A D Teodros "Teddy" Makonnenis a composer, arranger, producer, and masterful music performer. "Anchiye" is very rare album. I found it on Soulseek, the best P2P software ever. Don't have any data or coverart, rip is pretty lousy, but music is great.
