Dawit Senbetta - Instrumental music

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                                                              Dawit Senbetta - Bati

01. Dawit Senbetta - Aqim (4:36)

02. Dawit Senbetta - Qumetish (4:59)

03. Dawit Senbetta - Gubiliye (7:27)

04. Dawit Senbetta - Hode (7:27)

05. Dawit Senbetta - Ketifat Aldinim (4:33)

06. Dawit Senbetta - Arada (6:20)

07. Dawit Senbetta - Enkuan Qome (5:29)

08. Dawit Senbetta - Yefikir Wetmed New (5:20)

09. Dawit Senbetta - Instrumental (5:00)

10. Dawit Senbetta - Na Lideribilih (5:53)

Abiyou Solomon - In Search of My Roots [2008]

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       Born in Addis Ababa, Ethiopia, Abiyou Solomon began his love affair with the guitar when he watched his older brother tinker with the instrument around the house. At age 14, his brother bought him his first acoustic guitar and, soon after, he started playing at St. Francesco Theology College. While in high school he joined the Medhane Alem school band and, in his senior year, he played with the Alazarist Mission school band.

        It was Genene Nebebe who recruited Abiyou to join the Genet Hotel Band. He next joined the Zambezi Club band and after a short period with them, he joined the Hotel D’Afrique band, led by Genene. He later joined the second incarnation of the Dahlak Band. In 1982, he joined the Hager Fikir Theatre Band and it was then that he first fell truly in love with the varied cultural music of Ethiopia. Also during this period, Abiyou had the pleasure to play with Abebe Kassa (alto saxophone) and Negusse Assefa (tenor saxophone). He would be reunited with Negusse when they formed the Abyssinia Band.

        During his stint at the Hager Fikir Theatre, famed Ethiopian producer and arranger, Abegasu Shiota, persuaded Abiyou to switch to the bass guitar and he was soon asked to join the Ethio Stars band as a bass player, a post he eventually left to become a studio musician/arranger. In this role, he was involved in the production of 150+ recordings, working with a multitude of famous traditional and contemporary musicians, including Bahru Kegne, Yirga Dubale, Assnaketch Werku, Lemma Gebrehiwot, Abebe Tessema, Theodros Tadesse, Tsegaye Eshetu, Teshome Assegid, Kuku Sebsibe, Wubshet Fisseha, Martha Ashagari, Setegn Atanaw and many more.

        In 1991, Abiyou joined the Abyssinia Band as a bassist. Their first gig was on the 1991 Ethiopian New Year. The following year, the band recorded five tracks for a Swedish compilation CD, Music from Ethiopia. The CD’s success in Sweden led to a tour of country, along with a performance at Etnosoi in Finland. Abiyou Solomon and The Abyssinia Band were also featured in the book, Rough Guide to World Music Volume One: Africa, Europe & the Middle East.

        After the Abyssinia Band disbanded, Abiyou returned to being a session bassist until he moved to the United States in 1995, when he became a sought-after tour bassist. In that capacity, he has backed Mahmoud Ahmed, Aster Aweke, Theodros Tadesse, Hamelmal Abate, Tsehaye Yohannes, Neway Debebe and countless others. Apart from this album, Abiyou has released an Ethiopian Instrumental CD titled Abiy, and he produced and arranged Maritu Legesse’s Yebati Nigest. Currently, Abiyou resides in Addis Ababa, Ethiopia and is reforming the Abyssinia band.

        Abiyou Solomon’s new CD, “In Search of my Roots” showcases Ethiopian/world music and shows how this music has carried into the 21st century while retaining it’s traditional roots.

           Many instruments can be heard on this CD, along with Ethiopian singing and vocal styles. Abiyou Solomon was born in Addis Ababa. He began getting interested in the guitar by watching his older brother play around the house.  His brother later bought him his first acoustic,which he started playing at St. Francesco Theology College. He later joined the Genet Hotel band.

        In 1982, he joined the Hager Fikir Theatre Band. During his stint there,famous Ethiopian producer Abegasu Shiota convinced him to switch to electric bass guitar. He became an in-demand session bassist in America after this decision.

         “Erikum Wello” has a repetitive quality that is hypnotizing.The vocals and the sound effects used are very different. The instruments used on this track are what the listener focuses on. You can hear drums and traditional sounds,along with horns. 

         “Hasa Konso” has an early ‘70s funk sound. The tone of the electric bass really sticks out on this track.There is an auto-wah effect that is being used on the synth that is cool. Basically,there are many great sound effects used throughout this album with great musicianship.

         “Ethiopia 2000” is another funky track. Musicians should listen to CDs such as this to get ideas for creating original music. All the music here is original -- great horns, solid bass tones,and tons of traditional instruments.

        Overall, Abiyou Solomon’s “ In search of my roots” retains the true sounds of traditional Ethiopian and world music with wonderful musicianship.

Elias Negash - Harrambe [Lets Pull Together] [2001]

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01. Elias Negash - Lost Love (5:26)
02. Elias Negash - Ououta (5:37)
03. Elias Negash - Silky Spider (6:26)
04. Elias Negash - Ethiopian Nights II (4:33)
05. Elias Negash - She's My Soul (7:05)
06. Elias Negash - Jambo (Hello) (3:53)
07. Elias Negash - Kemdelaye (My Way) (6:13)
08. Elias Negash - Separation (5:14)
09. Elias Negash - Almaz (My Precious Diamond) (4:29)
10. Elias Negash - Malaika (My Angel) (6:24)
11. Elias Negash - Memories (8:11)
12. Elias Negash - Harrambe (Let's Pull Together) (5:24)
13. Elias Negash - Ethiopian Nights II (Instrumental) (4:52)

Girma Yifrashewa - The Shepherd with the Flute [2001]

   

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     Born in Addis Ababa on 15 October 1967, Girma Yefrashewa learnt to play the Kirar, a harp-like traditional Ethiopian string instrument, at a tender age. He was introduced to piano at the age of 16 when he joined the Yared School of Music in Addis Ababa , where he studied for four years and graduated with a diploma in piano under Valentina Semenova. He then received a five-year bursary from the Ethiopian government to study at the Sofia State Conservatory of Music, in Bulgaria and graduated with a Masters in Piano under Professor Atanas Kurtev.

        It is in Bulgaria that he made an impact as a solo pianist holding shows throughout the country until his return to East Africa in 1995.

          His best achievement as a performer is in the sphere of romantic and impressionist repertoires, above all the piano works of Schumann, Schubert, Chopin and Debussy. He has a preference and well-determined approach to the music of Bach as well as to those of Mozart and Beethoven.

       Girma was privileged to have received scholarships for short-term specialization courses from the British and German Governments, at the Royal Academy of Music in London (1997) under Professor Frank Wibaut and at the Hochschule fur Music Und Theater – Felix Mendelssohn Bartholdy – in Leipzig (1999) under Professor Helgeheide Schimdt , respectively.

       With regard to his work experience, on his return to Ethiopia in 1995, he took up a position with the Yared School of Music as a piano teacher where he worked until 2001. He was also working at the Sheraton Addis as a Pianist for one year (2000-2001). Now Girma is involved in his private work to promote Ethiopian and Classical Music throughout the continent and beyond. On his spare time, he also gives private piano lessons to students of different age groups.

       Girma has so far released three albums: The Shepherd with the Flute (2001), Meleya Keleme (2003) and Elilta (2005).

       Girma has many compositions (among which is the famed Shepherd with the Flute, based on the composition of Professor Ashenafi Kebede’s music) and has extensively worked on music arrangement. His latest album “Elilta” features exclusively his own compositions and arrangements and the pieces are all based on Ethiopian traditional tunes.

       In 2005, on the occasion of the celebrations of the 100th Anniversary of the commencement of Ethio-German diplomatic relations, Girma was given the unique opportunity to perform with the German Leipzig Youth Symphony Orchestra. The concert of German music (Beethoven’s Piano Concerto no. 2) and Ethiopian music (Girma’s own compositions) was highly acclaimed both in German (Leipzig and Berlin) and Addis Ababa.

       Girma has held many concerts both in Ethiopia and outside not only on his international tours (solo tour and with Ethiopian vocalists), but also on separate invitations sent to him (Egypt, Djibouti, Rwanda, Burundi, Kenya, Uganda, Mauritius, Mozambique, Zimbabwe, Namibia, Lesotho, South Africa, Seychelles, Zambia, Malawi, Bulgaria, Italy, Germany, United Kingdom, France, Australia, USA).

        In October 2009, Girma was invited for the International Symposium and Festival in The USA under the title of “Africa Meets North America “In the University of California Los Angeles (UCLA).

                               The Shepherd with the Flute

      The 2001 CD, The Shepherd with the Flute, includes works of Beethoven, Chopin, Debussy, Mozart and Schumann, as well as a new work by the pianist himself. It is called The Shepherd Flutist (7:14) and is based on The Shepherd with the Flute, a composition of Ashenafi Kebede, an Ethiopian composer. 

01. Girma Yifrashewa - Für Elise (2:51)

02. Girma Yifrashewa - Fantasie-Impromptu Op.66 (5:19)
03. Girma Yifrashewa - The shepherd with the flute (7:14)
04. Girma Yifrashewa - Gymnopedie (3:57)
05. Girma Yifrashewa - Nocturen Op. 54 No 4 (3:51)
06. Girma Yifrashewa - Papillons Op.2 (15:43)
07. Girma Yifrashewa - Rondo alla Turca (3:30)
08. Girma Yifrashewa - Prelude No 2 (4:11)
09. Girma Yifrashewa - Clair de lune (4:51)
10. Girma Yifrashewa - Valse in A minor Op.34, No 2 (4:52)
11. Girma Yifrashewa - Arabesque Op.18 (6:26)

Seleshe Demassae - Songs from Ethiopia today [1993]

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       This album has a collection of fun, upbeat, and playful songs. It is unusual in the sense that it is a collection of childrens play songs but its great beats and rhythm make it a definite must have...

 Seleshe Damassae - Hoya Hoya

Souleymane Toure (talking drum, djembe)

Fuad Temam, Zemene Abuhay, Bisrat Lenna, Abiy Alemayehu, Fasid Lemmar, Shewanqziwe Abate, Abiy Letachew Abebe, Tadesse Woyessa, Getachew Zewdie (background vocals)

1. Eté Meté    2:29

2. Degegna    4:20

3. Tewale    5:14

4. Ya Megalé    3:53

5. Degé            5:46

6. Ché            4:15

7. Endeyawes    5:42

8. Worio Wata 4:37

9. Alé Hoy    2:34

10. Denbouche    2:24

11. Ere Amsal    4:48

12. Agaro            3:29

13. Neterek    4:29

14. Ambasel    6:28

15. Segno Maskegno 3:26

16. Aya Ho Ho    4:35

Jano - Ertale [2012] [ethiopia]

JANO - An Ethiopian rock explosion melodies, massive bass and drum poly rhythms, metal guitar assault, soaring vocals, dense electronic textures.

A devastating energy blast! So far, there has been nothing this powerful and versatile that might be associated with "word music". African futurism at its most liberated and intense, a hard rock element unheard of in Ethiopian music, until now, its the New Rock Revolution.

JANO BAND - Erikum

The ensemble cast drips with talent. Guitarist Michael Hailu supplies the force with huge metal riffs and a detailed harmonic sense. The dual vocals of Debekelu Tafesse and Hailu Amerga are complete contrast with each other. Back and forth, one after another, creating a completely unexpected dynamic that never let's up.

The vision of this music is awe-inspiring.The raw talent, energy and power of the group is overwhelming. It is a musical earth quake the likes of which we haven't seen in generation.the next generation of world music has arrived with a mighty explosion. Stand and behold!

The tracks on JANO's debut release are a tour de force of Ethiopian music reinvented with the intense energy of a rock band and the barley restrained fury of a youth already seeking redemption-a clear parallel to the smoldering volcano in northeast Ethiopia that is namesake for the album, Ertale.

ERTALE was produced by the legendary producer and musician Bill Laswell who has worked with an extraordinary range of musicians, artists and thinkers around the world. In the Americans Africa, The Caribbean, Europe, The middle East, India, China and Japan.

JANO was created and managed by Trio Entertainment, which was founded by Addis Gessese (Ziggy Marely, Teddy Afro and Gigi) and Ermiyas Amelga, Founder Chairman and CEO of the Access Group of Companies. JANO is destined to conquer the world.

This is not just an introduction to a new music but to the history of a diverse culture unlike any other. Ethiopia, the only African Country not to be colonized by foreign powers, champions of the battle of Adwa.

Enjoy JANO band!

Jano - 01 - Ethiopiawit Konjo (4:07)

Jano - 02 - Yigermal (4:59)

Jano - 03 - Irasen (6:21)

Jano - 04 - Ayrak (5:05)

Jano - 05 - Irrekum (5:06)

Jano - 06 - Gude (6:53)

Jano - 07 - Mariye (6:55)

Jano - 08 - Mehed Mehed (6:28)

Jano - 09 - Tazebkut (7:06)

Jano - 10 - Anchi Hegere (4:04)