DJ Sirak - Addis Soul vol 1

                          R E U P L O A D   


Original source :  

      One of the most beautiful things about music is its influence on both the past and present.  The music of today owes an incalculable debt to the musical forefathers and foremothers of yesteryear. 

      Most recently, DJ Sirak - representing both NYC and Ethiopia - dropped a mix invoking the music of Ethiopia's Golden Era...reminding us how these musical masterpieces have influenced music of today - with artists such as Common and K'naan sampling what are undisputedly some of the hottest break beats of all time. 

      Sirak describes his lastest mix - Addis Soul Vol. 1 as "Ethiopian Music in it's Funkish, Afrobeatish days with some modern mixes and blends as how it is used today... this is Vol. 1 out of 4 parts.. stayed tuned and we will keep you dancing like your uncle from the 60's and 70's..."

   Africology  by  DJ Sirak   

01. Intro - Dj-Sirak
02.  Mary Jane - Burns
03. Tizita - Seyfu Yohannes
04. CommonBuy - The Game
05. Shellela - Getachew Mukurya
06. I Come Prepared - By K'Naan
07. Eruq Yaleshee - Alèmayéhu Eshèté
08. Dr. No - Ethio-Soul
09. Hagerwa Gonder - Alèmayéhu Eshèté
10. Ené Nègn Bay Manèsh - Girma Bèyènè
11. Astawisalew - Lemma Demissew
12. Mulatu Astatke - Interlude
13. Tchero Adari Negn - Alèmayéhu Eshèté
14. Almokerkum NeberBuy  By Hirut Beqele
15. Fiqer Fiqer New - Alèmayéhu Eshèté
16. Aykedashim Libe - Tilahun Gessesse
17. Hasabe - Ayalew Misfin
18. Lèzèlalèm Nuri - Lemma Demissew
19. Gizie Degu NegerBuy - Mahmoud Ahmed
20. Freestyle At The Africology Studio's - M.Anifest

Emilia Mitiku - Winter [EP] [2012] [swe+ethiopia]

Emilia Mitiku - Winter Beach

       Emilia Rydberg also known as Emilia Mitiku (born 5 January 1978, Stockholm, Sweden) is a Swedish pop music and soul singer, mostly known for her hit, “Big Big World”. Emilia was discovered in 1996 by Lars Anderson, son of ABBA’s manager, Stig Anderson.

         Rydberg’s father is Ethiopian singer Teshome Mitiku, and her mother is Swedish. She used an alias of Emilia in the first years of her career but in 2012 she has started to perform under the name of Emilia Mitiku using her father’s surname. 

      She was exposed to a unique mix of cultures throughout her youth, reared by a Swedish mother and Ethiopian father. The traditional Ethiopian music and jazz that filled the house, thanks to her musical father, introduced Emilia to the joys of singing and performance early on. She decided on a life in music at the age of ten after one of her father's concerts, and was accepted into the Adolf Fredriks Music School in Stockholm shortly thereafter. 

       She studied classical music there for eight years, playing soul and pop music on the side. Emilia was discovered by Lars Anderson (son of ABBA member Stig Anderson) in 1996. Together she and Anderson set to work writing and recording what would become her debut record. Though finding time between work and her studies at university was difficult, the hard work paid off with the release of Emilia's debut single, "Big Big World," in September 1998. 

      The song became the fastest-selling single in Swedish history, attaining gold status after six days on the air, and platinum status five days after that. The song quickly went on to win fans all over Europe, dominating charts from Norway to Turkey. The full-length record Big Big World hit shelves in 1999, ultimately selling over a million copies. Her self-titled follow-up drew a producer and songwriters from the highest levels of the pop music industry. Though Emilia did not rule the pop charts as its predecessor had, the artist enjoyed the high sales and first-rate touring that come only with international stardom. 

      After a long period of silence, Emilia returned to the spotlight in 2007 with her third original release, Sma Ord Av Karlek, on the the independent Bonnier label rather than the behemoth Universal, which was responsible for her two previous records. In 2009, Emilia entered a competition to represent her country at the Eurovision Song Contest. 

Nazarenes - Songs of life [2005] [ethiopia]

Nazarenes - Song Of Righteous Life

01. Nazarenes - Song of Judgement day (5:11)
02. Nazarenes - Song of love (4:10)
03. Nazarenes - Song of creation (feat. t-root) (4:27)
04. Nazarenes - Song of righteous life (5:08)
05. Nazarenes - Song of liberation (3:49)
06. Nazarenes - Song of Mary Jane (4:56)
07. Nazarenes - Song of war mongers (3:34)
08. Nazarenes - Song of consoling (4:37)
09. Nazarenes - Song of mother Earth (4:37)
10. Nazarenes - Song of unity (5:21)
11. Nazarenes - Song of sharing (4:48)
12. Nazarenes - Song of mission (3:38)
13. Nazarenes - Song of memories (4:52)

Almaz Yebio - Down To Earth [2013] [swe+ethiopia]

https://www.youtube.com/watch?v=lbwuN-nb4Kg

https://www.youtube.com/watch?v=tGYNcOxI4es

The beginning

       Music was a part of my life very early on. I began to sing in a choir when I was five years old. My family moved from Sweden to Kitwe, Zambia for a couple of years before continuing to Addis Abeba, Ethiopia. There I started playing the piano, an instrument I've always returned to through the years. Haile Selassie was deposed by a military junta so my parents quickly decided to take us children back to Sweden where I began taking classical guitar classes. I continued playing the guitar for more than a decade before realizing that my voice was my main instrument! I was 20 years old and studying at the Academy of music in Malmoe, Sweden when it became clear to me.

       Since my graduation as Master in fine Arts I've been working on a freelance basis as an artist, conductor and as a teacher. The projects through the years have been many and varied; some of which you can find amongst the records at sale.

01 - Almaz Yebio - Merry go round – M.Godée/A. Yebio
02 - Almaz Yebio - Further to fly – P.Simon
03 - Almaz Yebio - Hearts and bones – P.Simon
04 - Almaz Yebio - En dag var hon borta – K.Jonsson/J.Willén
05 - Almaz Yebio - Dancing – M.Ingvarsson/A.Yebio
06 - Almaz Yebio - Down to earth – P.Gabriel,T.Newman/P.Gabriel
07 - Almaz Yebio - Have a good time – P.Simon
08 - Almaz Yebio - The little things – F. Lundin/T-L.Væring
09 - Almaz Yebio - Solsbury hill – P.Gabriel
10 - Almaz Yebio - Washing of the water – P.Gabriel

       The latest recording "Down to earth" is the project closest to my heart at the moment! A sort of Almaz Yebio trio project that expanded towards more musicaians; an urge to give every song it's own sound within the record. I'm the producer of this record together with Mats Ingvarsson and it's also the first release on my own label!

     Member of Stroman/Jönsson vocal project, a Sweden/England collaboration discovering a suite written for five singers and five instrumentalists: Lena Willemark, Linda Pettersson-Bratt, myself, Scott Stroman, Cleveland Watkiss, all singers, and Maggi Olin-piano, Lisbeth Diers-percusion, Mattias Hjorth-bass, Cennet Jönsson-saxophones, Henrik Frisk- saxophones. A highly interesting and lovely piece of music with a lot of space for improvisations.

        Guest soloist on the latest record by Kjeld Lauritsen trio "In the zone". Kjeld is an institution all by himself in the Danish jazz community with his swinging Hammond organ playing!

         Since the release we have done quite some gigs together and it's really a thrill for someone like me who needs an injection of soul/jazz once in a while, that Hammond provides a sound to jump off of, every single time! In the trio you also find: Per Gade-guitar and Sören Frost-drums.

         Anna Weister-Andersson is one of Sweden's most acclaimed gospel singers and choir leaders. She is passionate about black american gospel music, and is putting her work as a composer, teacher and choir conductor into spreading and sharing this music throughout the country. 2011 Anna gathered a choir of ten singers and fie musicians to do the first recording entirely with her compositions, "One in Christ". I was invited to take part in this fantastic project, and we still do concerts when there is a possibility to gather the whole gang. Quite an undescribable feeling to be singing together with people like Samuel Ljungblahd, Malin Övrell, Ingela Olsson, Frank Ådahl, Malcolm Chambers, Martina W Möllås, Per Ankarberg, Kristina Talajic and Anna of course!

Almaz Yebio:  Vocals

Krister Jonsson:  Guitars and backing vocals

Mats Ingvarsson:  Basses, backing vocals, rhythm guitar

Fredrik Lundin:  Saxophones

Björn Jönsson:  Drums

Christian Glass:  Percussion

Dan Svensson:  Backing vocals

Tigist Afework - [2005] - Yemtalgne [ethiopia]

01. Tigist Afework - Genboyen Azye (5:30)
02. Tigist Afework - Kalgebahugne (4:59)
03. Tigist Afework - Zeblder (5:51)
04. Tigist Afework - Ingeda (5:04)
05. Tigist Afework - Anten Badebabay (5:15)
06. Tigist Afework - Yemtalgne (4:50)
07. Tigist Afework - Sew Wedeh Btgegne (6:41)
08. Tigist Afework - Men Yelegnal (5:23)
09. Tigist Afework - Asayew Mengedun (5:20)
10. Tigist Afework - Indatema (5:45)
11. Tigist Afework - Abatatek (5:29)

Mohammed Wardi - [1994] - Live in Addis Ababa (1994) [sudan]

   R   E   U   P   L   O   A   D   

       Mohammed Wardi, a singing (and tambour playing) legend from Nubian Sudan, had been singing and playing for some 40 years at the time of this album, but one can hardly tell of such an age by his sound. He recites poetry to song, along with a line of instruments from both the east and west. 

          His arrangements involve the use of multiple rhythms on the various drums, along with the occasional electric blues playing by his guitarists. 

        The highlight of the album, apart from the tightly packed instrumental lines, is Wardi's own quavering vocals, which fill each and every song with a quality and power rarely heard in the West. The love songs can evoke a response despite the language barrier, and that's really quite something to look for in a recording.

       Mohammed Wardi, who recorded more than 300 songs in the 60s and 70s--to the best of my knowledge, none of them are available. excellent album. It makes sense that the album Live in Addis Ababa, 1994, was recorded in Ethiopia, as there are plenty of similarities the music shares with the sounds of  this nearby country, but Wardi's gorgeous, high-pitched voice sounds more Arabic. He fronts a great, string-laden 18-piece band. 

     In 1991 he left his war-torn country and took exile in Cairo. I believe these days he lives in Los Angeles, where he has performed a couple of times--but for the most part he's inactive. He did some sessions in LA in 1999, rerecording many of his old songs, but they've never been released. I assume that the mess in Sudan these days precludes any imminent effort to reissue his classic recordings, but hopefully one day we'll get to hear the stuff. 

      This album is a great introduction into the world os Sudanese rhythms that will surely make your spirit smile. The strength of the indigenous music holds this album together, and while the synthesized background textures and drum machine are sure to please the afropop fan in you, I am also eagerly awaiting a raw, ethnic release from Blue Nile.

Sudanese-American producer Mohamed Elomrabi calls this "Sudanese pop music" but I am struck by the album's jazz feel. Either way, Rhythms of Sudan's contagious sounds will point our musical curiosity toward this fascinating culture

Enjoy !!!