Blogtrotters

Thursday, November 29, 2012

v.a. - Manzuma [Muslims in Ethiopia]



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ISLAM IN ETHIOPIA

       Although Ethiopia is often perceived as a dominantly Christian country Islam has an important place in the historic and a cultural composition of the country. The first Muslims arrived in Ethiopia during the time of the prophet Muhammad in 615 A.D. and the emergence of the first Muslim sultanates in central Ethiopia date back to the 9th century. Today about 34% of the Ethiopian population are Muslims and Islam is the dominant religion in a number of regions, such as Afar, Somali, Harar, Eastern and Southwestern Oromiya, parts of the Gurage region and the eastern part of the region Wollo. This region is inhabited by a mixture of different ethnic groups, Amhara, Oromo, Argobba and Afar, though Amharic speakers are the majority.



SUFISM

       The introduction of Sufi brotherhoods in Eastern Wollo in the 18th century led to the establishment of centers of Muslim scholarship. Some of the most important centers in Wollo are Anna, Dana, Č̣ali, Geta and Tiru Sina. Theses centers are active till this day and draw pupils from other Muslim regions of Ethiopia such as Jimma and the Gurage region, thus their influence extend beyond the local area. The centers have become destinations of yearly pilgrimages and the scholars who founded these centers as well as their successors are often venerated as awliya, i.e. (Muslim holy men).



MANZUMA

       Manzuma is an Arabic term meaning “put into poetic form” and refers to a text written in the metrical system of Classical Arabic Poetry. In Ethiopia manzuma usually refers to Islamic poetry which is performed in a chanted manner. Manzuma was first introduced by Jamal ad-Din Muhammad, the founder of the first Sufi center in Anna in Northeastern Wollo. Although being Ethiopian he used the Arabic language to compose manzuma poems. Shaykh Misbah Deresa from Dana is said to be the first who used his mother tongue Amharic for the composition of manzuma poetry. The most influential Amharic manzuma poet was Sayyid Ibrahim Yasin better known as She Č̣ali, who founded Sufi center in the eastern part of Wollo in the first decades of the 20th century.



LANGUAGE

       The first manzuma poems composed by Ethiopian Muslim poets were written in Arabic. Because manzuma appeared first in Wollo, where most of the people speak Amharic, most of manzuma poems are composed in Amharic. But in recent times manzuma became also popular in other regions of Ethiopia where other languages are spoken. Today there manzuma poets who compose in other languages, especially in Oromo. In Harar another center of Islamic scholarship in Eastern Ethiopia, religious poetry is known under the name zikri.


CONTENT AND PERFORMANCE OF MANZUMA

       In Ethiopia most of manzuma texts are praise poems and contain different religious topics such as prayer for the Prophet (tawaṣolāt), praise of the Prophet (madḥ an-nabī), which also include biographical accounts of the Prophet (mawlid and miʿrāǧ), and praising God (ṯanāʾ Allāh).

       Though manzuma poems are performed orally they are usually written beforehand. In writing manzuma poems authors usually write in the so-called ajem script, i.e. the use of the Arabic alphabet for Amharic.

       Manzuma poems are usually recited during religious celebrations like mawlid, i.e. the birthday of the Prophet or ziyāra, religious pilgrimages. Other occasions are ḥaḍra meetings, i.e. Sufi gatherings for collective prayers and ḏikr mediations. Manzuma “songs” are chanted by one lead performer who is accompanied by a chorus. The chorus performers are often so-called deresa, i.e. religious students. In Wollo there are basically different forms of manzuma performances. It can be with the accompaniment of a drum, also called dəbbe (dəbbe meaning drum in Amharic), by hand-clapping and sometimes dancing or without any accompaniment in this case called əngurguro.



1. Mahammadnuur Mahammad - Allaahummasallii (9:49)
2. Mohammed Awel - Tajil Mursil (6:29)
3. Mohammed Awel - Ulammaa Binager (7:23)
4. Mohammed Awel - Yahabibi Salam Aleykum (7:26)
5. Raya Manzuma - 01 (17:17)
6. She Ahmed Vol 2 a - She Ahmed Vol 2 a (29:31)


Tuesday, November 20, 2012

Traditional music group of the National theatre of Ethiopia - [1980]


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        Traditional music group of the National theatre of Ethiopia (1980)




side 1

1. Amara Rumba (tradditional)
2. Our party gives strenght ( revolutionary song)
3. Music of Ifu Gobene ( traditional instrumental song)
4. No life without kisses (traditional song)
5. Learn from History (traditional song)

side 2

1. Aures (tradditional)
2. Brave warrior (traditional song)
3. My revolution (tradditional)
4. Wind of Revolution  (contemporary song)
5. My land  (tradditional)





v.a. - Folk music of Ethiopia and Eritrea [fw04405] [1951]


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Monday, November 19, 2012

Mulatu Astatke - Assiyo Bellema [1994]


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       Mulatu Astatke is a musical titan, in the same league as the likes of Fela Kuti and King Sunny Ade, yet he was first recognized to most people when The Paris-based world music record label, Buda Musique devoted the entire 4th installment of their respected series, Ethiopiques, to his compositions in 1998.




       Astatke was born in 1943 in a town called Jimma in Ethiopia. His family sent him abroad to Wales to study chemical engineering, and instead, he came home with a degree in Music and a whole new sound brewing in his head. After Wales, he proceeded to the prestigious Berklee College of Music becoming the first African student to attend, studying the Vibraphone and percussion.








       After completing his studies and a brief stay in New York, he went home with his new-found knowledge of jazz, and fused it with the rich modal sounds of his home land, giving birth to a new genre: Ethio-Jazz. Jazz was a revolutionary sound not only in Ethiopia, but in all of East Africa. It wasnt until the 1970s that his sound was embraced, at which point , he was a widely revered and respected figure in the Ethiopian music scene. He performed with many Ethiopian stars such as Mahmoud Ahmed, as well as Duke Ellington and his band when they toured Ethiopia in 1973. By the 1980s though it seemed he had faded away the international eye and into obscurity.Thanks to the release of the Ethiopiques, Mulatu experienced what few African artists have ever experienced, an international come-back. His music was the score for Jim Jarmuschs film Broken Flowers in 2005, bringing him into even sharper focus in the international eye.Today, he has been embraced and sampled by a whole new generation of artists and fans, including artists such as Nas, Damian Marley, Cut Chemist, Quantic, Oh No, Madlib, and Knaan. In 2008 he released an album titled Inspiration Information Vol. 3 and toured with the internationally renowned eight- piece funk group the Heliocentrics.









       On March 30th, 2010 Mulatu released his latest album Mulatu Steps Ahead on Strut Records. Brimming with new compositions and re-arrangements of older classics it is an absolute must-have in anyones collection. After more than 50 years in the game he is still able to do what he does best: use the abstractions of jazz to tell an African story. 






     Mulatu Astatke - Assiyo Bellema

       This record from the early nineties features a blend of old and new Ethio-Jazz tunes as well as Mulatu's interpretations of some traditional Ethiopian songs.Recorded at Omega Studios, Rockville, Maryland, U.S.A.



v.a. - Ethio-Grooves-Mix [2011]


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Ethio-Grooves-Mix


01 Mulatu Astatke – Maskaram Setaba (1)
02 Menelik Wossenachew with Mulatu & All-Star Band – Fikratchin (1)
03 Mulatu Astatke – Yekerme Sew (1)
04 Mahmoud Ahmed with Dahlac Band – Yalem Baytewarnegn (3)
05 Tesfa Mariam Kidane – Heywete (1)
06 Alemayehu Eshete – Kochen Messasate (2)
07 Bahta Gebre Hiwot – Gizie (2)
08 Ibrahim Mahmoud – Gual Aboy Reda (5)
09 Mulatu Astatke – Hooha (1)
10 Aselefech Ashine And Getenesh Kebret – Meche New (4)
11 Tilahun Gessesse with Mulatu & All-Star Band – Lanchi Biye (1)
12 Girma Beyene – Yebekagnale (2)
13 Mulatu Astatke – Emnete (1)
14 Getatchew Mekuria – Yegenet Muziqa (6)
15 Menelik Wossenachew with Mulatu & All-Star Band – Beluw Bedubaye (1)
16 Alemayehu Eshete with Girma Beyene & All-Star Band – Addis Ababa Bete (2)
17 Tilahun Gessesse – Tchuheten Bitsemu (4)
18 Menelik Wossenachew – Chereka (2)
19 Walias Band – Musika Silt (2)
20 Mahmoud Ahmoud with Dahlac Band – Yefikir Wuha Temu (3)
21 Mulatu Astatke – Tezeta (1)

Arranged By;

(1) Mulatu Astatke;
(2) Girma Beyene;
(3) Tezera Haile Michael;
(4) Teshome Sissay;
(5) Ghermaie Solomon;
(6) Getatchew Mekuria




Girma Wolde Michael - Loga [1994]



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For over 25 years, Girma Wolde Michael has played professionally with various bands – The City Hall, The Shebelle, and The Ethio-Stars Band among them – and has performed with the Admas band on many projects and tours. He plays the clarinet and flute, but Girma is perhaps best known for his skill with the saxophone; his smooth touch and soothing sounds have been admired by fans and peers alike. Girma’s unique sound has been influenced by his extensive travel across the musical landscape of Africa, the Middle East, Europe and North America.


01. Girma Wolde Michael - Loga [Nesh Loga] (6:23)
02. Girma Wolde Michael - Wetatwa (6:45)
03. Girma Wolde Michael - Yamognegnal (5:58)
04. Girma Wolde Michael - Tizita (6:21)
05. Girma Wolde Michael - Fikrishin Derrebe (4:20)
06. Girma Wolde Michael - Nigerign Minnew (6:47)
07. Girma Wolde Michael - Tey Atastchenikign (6:51)
08. Girma Wolde Michael - Shemonmwanayewa & Fikre Hoy (7:35)
09. Girma Wolde Michael - Yewoliyo (4:55)
10. Girma Wolde Michael - Sewunetwa (3:22)