The golden age of Ethiopian popular music (as heard on the fabled ETHIOPIQUES series) is famous in part for the sparsity of material that it yielded: The state-owned recording industry was largely a ramshackle government vanity, and while music of the music it captured was strikingly haunting, only a few dozen tracks were recorded in the 1960s and '70s...
Express Band - Ethiopian Instrumental Music
Since then, the floodgates have opened as Ethiopia has more or less entered the modern world -- more artists are making and recording more music than was dreamed possible back in the politically repressive "good old days," and the fruits of this renaissance are heard on this 6-CD set.
The tracks are from the late 1990s and early '00s -- the artists are generally younger, more modern musicians, although a few old-timers like Mahmoud Ahmed are still alive and kicking, and sound as cool as ever. Although this collection doesn't have the same eerie power as the '70s-era recordings, anyone who got into the ETHIOPIQUES discs will want to check this out as well, to see where the music has gone since then.
Akalé Wubé’s third album, Sost (“three” in Amharique) is perfectly in line with their previous records, it is also a testament to a more mature and experienced band, who have proved able to win over different audiences in different circumstances with their infectious grooves. While touring in Ethiopia, the band realised that local musicians had stopped playing music from the Swinging Addis golden age. A puzzling but liberating discovery that convinced the band to completely stand behind their project, and release three albums to date.
More than half of the tracks in “Sost” are original compositions, with the other half being songs discovered on old cassette tapes brought back from Ethiopia. Akalé Wubé have invited the radiant Genet Asefa on three tracks, an Ethiopian singer with whom they have often shared the stage. Cautious to give precedence to authentic encounters, the band have chosen only to invite musicians with whom they have already played in a live context. Manu Dibango’s presence on the album is not an opportunistic move: there are strong human and musical ties between the afro-jazz pioneer and Akalé Wubé. Another sign of the band’s high quality expectations is that the album has been recorded in a studio set up by the band itself in the heart of Paris. This is a space that Akalé Wubé have made their own and which has permitted them to master completely the process of recording this album.
Akalé Wubé - Anbessa (feat Manu Dibango)
Akalé Wubé's third album is aptly-titled Sost, which means 'three' in Amharic--the official language of Ethiopia. The music is highly groove-based and follows the early traditions of Ethiopian jazz, which is not too unlike the popular Ethiopiques series. About half of the music is based on traditional recordings and cassettes found in Ethiopia, while the other half of the songs are original compositions. The emotive vocalist, Genet Asefa, leads a few tracks with her seasoned voice in line with tradition Ethiopia music. The blurt of a trumpet, the beat of a drum, and a jazzy melody with Afro-jazz flavorings rounds out the gist of each song. However, each song brings something new to light--whether it be a hook, a sound, or a rhythm. Akalé Wubé know how to tease the feet with danceable grooves and lush sounds. This is another acclaimed album. ~ review by Matthew Forss
Ethio Cali is a Los Angeles-based Ethio-Jazz ensemble, led by trumpeter, arranger, and composer Todd Simon. The ensemble’s sublime sound is inspired by the golden age of Ethiopian music of the 1960’s and 70’s, filtered through a lens that is uniquely Los Angeles.
Acknowledging the diverse musical foundations of Ethio-Jazz, the ensemble also draws inspiration from the rhythmic and melodic textures of Sudan, Somalia, Ghana, and Colombia. Ethio Cali’s published cassette Live at The Blue Whale. [ find it : HERE ]
Todd Simon's Ethio-Cali Ensemble - Fowler Museum at UCLA 8/14/11
Ethio Cali features: Todd Simon – Trumpet, Flugelhorn, Music Director Kamasi Washington – Tenor Saxophone Randal Fisher – Tenor Saxophone Mark de Clive-Lowe – Keys Alan Lightner – Steel Pan Damon Aaron – Guitar Pat Bailey – Bass Steve Haney – Percussion Te’Amir Yohannes Sweeney – Percussion Dexter Story – Drums
Extended Family:
Kamasi Washington - Tenor Sax
Justo Almario - Tenor Sax/Clarinet
Richi Panta - Percussion
Geoff Mann - Percussion
Elizabeth Lea - Trombone
Mark Cross - Keys
Thomas Lea - Viola
Tylana Renga - Vioin
Peter Jacobson - Cello
Special Guests:
Dereb the Ambassador
Kelela Martin
Perna (Antibalas/Ocote Soul Sounds)
Jared Tankel (Budoes Band)
Aaron Johnson (Antibalas/FELA!)
Vardan Ovsepian
Semere-Ab Etmet
Yohannes Tutu
Sweeney Rickey
EthioCali - 01 - Azmar (11:19) EthioCali - 02 - Mulatu (13:14) EthioCali - 03 - Sabye (My Saba) - Live @ Del Monte Speakeasy March 17,12 (7:10) EthioCali - 04 - Sidama de Cali (5:11) EthioCali - 05 - Tadias - Live @ Del Monte Speakeasy March 17, 2012(7:10) EthioCali - 06 - Tiny Pyramids (8:08) EthioCali - 07 - Zafari Live at the Blue Whale (9:37) EthioCali - 08 - Zafari (8:50)
Tadesse Alemu (Amharic: ታደሠ ዓለሙ) was an Ethiopian singer from Wollega who sang traditional Ethiopian songs, sometimes Christian-based, in an upbeat pop-music style with the modern-day electronic instrumentation that is characteristic of today's Ethiopian popular music.
Active since 1997, nothing was known about his origins. However, an interview with Alemu's wife on Voice of Ethiopia radio during fall 2007 confirmed that he had become sick and died that July in Addis Ababa of a short disease, which resulted from an infection that was caused by a stabbing wound from several years previously that had not healed properly, just before he was set to leave the country on a concert tour.
Big Shawn is musician from San Francisco, California, USA. He makes hip-hop/ rap/ instrumental music. Here is his extraordinary work from 2011 based on old ethiopian tunes and hits.
BIG SHAWN - 01 (3:21) BIG SHAWN - 02 (3:26) BIG SHAWN - 03 (3:36) BIG SHAWN - 04 (4:03) BIG SHAWN - 05 (3:51) BIG SHAWN - 06 (3:11) BIG SHAWN - 07 (4:15) BIG SHAWN - 08 (3:41) BIG SHAWN - 09 (3:38) BIG SHAWN - 10 (3:48) BIG SHAWN - 11 (3:50) BIG SHAWN - 12 (3:33) BIG SHAWN - 13 (3:42)
Kibrom Birhane is Ethiopian Pianist, Multi Instrumentalist / producer / songwriter / Record / Mix engineer, arranger and composer passionate about Ethiopian folk, world, pop, jazz and gospel music.
Kibrom started his musical career in a very early stage of his life, and had the opportunity to work, perform and record with musicians from all over the world. While attending Los Angeles College of music, he was fortunate to learn under great musicians such as: Sean Halley (Vinnie Colaiuta, Jerry Marotta, Richard Marx), Andre Knecht, Andrew Murdock (Godsmack, Alice Cooper, Linkin Park), Dave Pozzi (Celine Dion, Diana Krall), Howie Shear (George Benson, Stevie Wonder), Tony Inzalaco (Oscar Peterson, Dexter Gordon) and many others.
Kibrom Birhane - Zelesegna ዘለሰኛ
Learning how to play the krar, a five stringed traditional Ethiopian lyre, at age 8, Kibrom Birhane found himself enthralled by Orthodox chanting. “Always it moves me when I hear music,” he says. And from that time on he knew he wanted to pursue a career in music. Kibrom eventually began teaching piano to other students for about three years before receiving a scholarship to attend the Los Angeles College of Music where he developed a passion beyond Ethiopian folk music, and became a songwriter and composer focusing on the fusion of Ethiopian folk with jazz and gospel sounds. His debut album entitled ‘Kibrom’s Tizita’ was recently released by Tsehai Records, a new division of Tsehai Publishers. Kibrom describes his new album as “an exploration of Ethiopian heritage through folk and pop music with a jazz backbone.”
Kibrom is also a record and mixing engineer and says he “learned to play all of these different roles over time, and with that came new innovations” in his music and sound. His solo pieces are among his most personal works, and Kibrom shares that they are “an expression of what I feel at the moment. I don’t study or learn solos; I just play them.”
Kibrom hopes to reach the younger generation with his music. He sees the power of fusion as a way to expose individuals to Ethiopian music while adopting a style that is already familiar to them (such as jazz). Kibrom has already garnered some success including writing the score for the documentary film ‘Sincerely Ethiopia,’ singing in the award-winning documentary ‘Get Together Girls,’ and composing music for the documentary on the African Union’s 50th year celebration.
“The raw sincerity of Birhane’s music seeks to make strong connections with listeners as they are transported on a musical journey. And a journey it is – Kibrom uses Ethiopian scales, which are rarely heard in Western music. The distinct nature of these scales makes for hypnotic listening,” states Tsehai Records.
Kibrom Birhane - 01 - Pending Prayer (4:06)
Kibrom Birhane - 02 - Yonas Gorfe Tribute (5:10)
Kibrom Birhane - 03 - Simagne Hageree (4:25)
Kibrom Birhane - 04 - Wazema (5:26)
Kibrom Birhane - 05 - Broken but Beautiful (10:06)
Teshome Wolde is born 8 September 1957, Shoa, Ethiopia. A soul singer in the style of Mahmoud Ahmed, Wolde first found success in the mid-70s with a series of acclaimed performances at the City Hall Theatre in Addis Ababa. In 1981 he released his first cassette in Ethiopia and he has subsequently released eight more for the local market. He has performed throughout Ethiopia and in neighbouring countries including Djibouti and Saudi Arabia. He has also toured in Europe and the USA.
His debut CD, The Ethiopian Soul Review, was recorded at a concert at the Rocket Hall in London in 1994, with backing supplied by the Ethio Stars. Released four years later it features a mixture of high-energy dance tunes and soulful ballads and resembles an intense North African version of the Memphis Soul Reviews of the 60s.
Teshome Wolde
Teshome Wolde’s love of music took root at a very young age. Early on, he imitated popular artists such as Tilahun Gessesse, Mahmoud Ahmed and Teshome Mitiku, singing their hits to his friends and family. A turning point came when the Soul Echos Band staged a live performance at his middle school; Teshome heard Alemayehu Eshete and Getachew Kassa sing and, at that moment, decided that music was his true calling. Against his parents’ advice, he left school to pursue his dream. After being tested by renowned music instructor and band conductor Nerses Nalbandian, Teshome was hired at the City Hall and has been performing there ever since. Eight years into his professional career, home entered the recording studio for the first time, along with the Dahlak Band, and has since recorded eight albums with a variety of bands, including the legendary Roha Band.
Teshome’s career has afforded him the opportunity to travel worldwide, sharing his songs with music lovers across the globe. He participated in the 11th World Young Festival in Cuba and the 13th World Young Festival in North Korea and has performed concerts in Africa, Europe, and the Middle East. One of his fondest memories is sharing the stage with the Ethio-Stars Band during the AIT-sponsored 1991 North American Tour.
Aklilu Seyum was one of the most talented singers and songwriters from Ethiopia. He has born 1954 in Gonder and started music career at the age of 18, by joining Police Orchestra.
Aklilu Seyum was not lonely among a list of artists who succeeded and reached the public consciousness of modern Ethiopian music. He published 9 solo albums and 1 collaboration album
Aklilu left Ethiopia in 1990 and went to Israel.
He died on saturday, 04/12/2010. after a long struggle that lasted four years as a result of cancer.