For years Sun Hop Fat has been at the forefront of introducing the unique sounds of Ethiopian Jazz to the masses. The music blends the rhythms of traditional American funk (James Brown, Parliament) and jazz (Yusef Lateef, Miles Davis) with harmonies and melodies from East Africa. The result is an up-tempo groove machine that borrows harmonies from the Middle East. The music focuses primarily on arrangements from the “golden era” of Ethiopian Jazz but includes original compositions as well. This all-star band includes standout musicians from other popular San Francisco Bay Area groups.
Sun Hop Fat has developed a solid following throughout Northern California by playing a number of clubs and festivals. The ability of the band to captivate sit down jazz crowds as well as steal the spotlight in prime festival slots, encouraging crowds to get up and dance, makes the group flexible in its appeal and garners support from diverse audiences.
Sun Hop Fat @ DNA Lounge
Sun Hop Fat - 01 - Dewel (3:20)
Sun Hop Fat - 02 - Kasaleftkut Hulu (9:08)
Sun Hop Fat - 03 - Sabye (6:09)
Anthony Ant - Trumpet
Dave Eagle - Congas
Jeremy Greene - Tenor/Alto Saxophone
Nicholas Gyorkos - Trombone
Dii Martin - Guitar
Harrison Murphy- Keyboards
Christopher Noonan - Baritone Saxophone
Daniel Silberstein - Percussion
Randy Schwartz - Drums
Jesse Sheehan - Tenor Saxophone
Jesse Toews - Bass
Sun Hop Fat just released their first album. You can find it here on bandcamp site > Sun Hop Fat debut album
Tilahun W/Georgis - 01 - Amen (5:31) Tilahun W/Georgis - 02 - Genet (5:49) Tilahun W/Georgis - 03 - Heart To Heart (5:47) Tilahun W/Georgis - 04 - What Do I Know (6:27) Tilahun W/Georgis - 05 - Walk Of Life (5:17) Tilahun W/Georgis - 06 - One For Maritu L. (7:55) Tilahun W/Georgis - 07 - My Other Half (4:54) Tilahun W/Georgis - 08 - Friend (5:15) Tilahun W/Georgis - 09 - Let It Be (5:10) Tilahun W/Georgis - 10 - I Am On The Road (4:56)
Comprised of some of Addis Ababas finest acoustic musicians, the Addis Acoustic Project brings forth Ethiopias popular tunes from the 1950s and 1960s in a new light. Directed and arranged by guitarist Girum Mezmur, the Addis Acoustic Project unfolds vintage Ethiopian music in a fresh and contemporary way. The groups musical style has influences of traditional East-African, Jazz, and Afro-Caribbean rhythms among other styles.
Addis Acoustic Project - Live at Jazzamba
August, 2012 - "Meche Dereshe"
The band, composed of veteran musicians such as Ayele Mamo (Mandolin), as well as contemporary musicians such as Girum Mezmur (Guitars, Accordion), Henock Temesgen (Double Bass), Nathaniel Tesemma (Drums, Percussions), Aklilu Wolde Yohannes (Clarinet, Flute), and Misale Legesse (Kebero, Percussions), produces unique sounds dear to most Ethiopians and that undoubtedly appeal to a greater world music audience.
Addis Acoustic Project presents its performance with an attempt to stay true and authentic to the styles as well as instrumentations of the 1950s Ethiopian popular music, yet introducing fresh and contemporary musical elements with ample room for spontaneity and improvisation.
Addis Acoustic Projects founder/ musical director, Girum Mezmur, has performed with the whos who of Ethiopian music including Aster Awoke, Ali Birra, Mahmoud Ahmed, Alemayehu Eshete, and Teddy Afro. His musical relationship with Mahmoud Ahmed has provided him the opportunity to tour several countries worldwide including Africa, Europe, and Canada, playing at major international music festivals such as the WOMAD, the Montreal Jazz Festival, Roskilde Festival, etc. Girum has also had the honor of participating in U.Ks 2007 BBC Radio World Music Award, appearing as Mahmoud Ahmeds guitarist. It was here where Mahmoud Ahmed won the nomination for Best Artist under the category Africa. Girum has also performed / recorded with other renown African artists such as Angelique Kidjo, Ray Lema, and Ali Keita. Girum Mezmur is also a co-founder of Jazzamba Music School and Jazzamba Lounge, as well as the yearly Acacia Jazz & World Music Festival in Addis Ababa.
Since its premiere at the 7th Ethiopian Music Festival (May 2008), the Addis Acoustic Project has been enjoying great success. The group currently performs on a weekly basis at one of Addis Ababas hip jazz spots..."Jazzamba Lounge".
The band has also performed internationally at renowned festivals and venues such as WOMEX09 in Copenhagen, Selam Festival in Stockholm, TFF Rudolstadt Festival in Germany, Tree House in Nairobi, Sauti za Busara Festival in Zanzibar, and MASA in Ivory Coast among others.
The band released its debut album "Tewesta"- Remembrance" on the world music label, Harmonia Mundi/World Village in August 2011.
Addis Acoustic Project - Live at Jazzamba 01 [Ethiopia](Addis Abeba) (4:57)
Addis Acoustic Project - Live at Jazzamba 02 [Ethiopia](Addis Abeba) (3:58)
Addis Acoustic Project - Live at Jazzamba 03 [Ethiopia](Addis Abeba) (0:35)
Addis Acoustic Project - Live at Jazzamba 04 [Ethiopia](Addis Abeba) (3:24)
Addis Acoustic Project - Live at Jazzamba 05 [Ethiopia](Addis Abeba) (4:54)
Addis Acoustic Project - Live at Jazzamba 06 [Ethiopia](Addis Abeba) (5:42)
Addis Acoustic Project - Live at Jazzamba 07 [Ethiopia](Addis Abeba) (4:13)
Addis Acoustic Project - Live at Jazzamba 08 [Ethiopia](Addis Abeba) (5:57)
Addis Acoustic Project - Live at Jazzamba 09 [Ethiopia](Addis Abeba) (6:31)
Addis Acoustic Project - Live at Jazzamba 10 [Ethiopia](Addis Abeba) (5:11)
Addis Acoustic Project - Live at Jazzamba 11 [Ethiopia](Addis Abeba) (9:53)
Addis Acoustic Project - Live at Jazzamba 12 [Ethiopia](Addis Abeba) (4:41)
Addis Acoustic Project - Live at Jazzamba 13 [Ethiopia](Addis Abeba) (11:29)
Addis Acoustic Project - Live at Jazzamba 14 [Ethiopia](Addis Abeba) (4:25)
Addis Acoustic Project - Live at Jazzamba 15 [Ethiopia](Addis Abeba) (9:01)
Addis Acoustic Project - Live at Jazzamba 16 [Ethiopia](Addis Abeba) (6:50)
Addis Acoustic Project - Live at Jazzamba 17 [Ethiopia](Addis Abeba) (7:57)
Addis Acoustic Project - Live at Jazzamba 18 [Ethiopia](Addis Abeba) (7:23)
TEDDY MAK has been a composer, arranger, producer, songwriter, and an accomplished performer for over twenty eight years. He is one of the pioneer, performer and major contributor to the development of Ethiopia's innovative 'new age' music.
Teddy Mak developed a passion formusic in German school Addis Abeba at an early age of eight, which was accompanied with hours of rigorous practice on the piano at home. Teddy’s youthful talent was enthusiastically supported by his father, Teddy's family provided an enabling environment that encouraged young Teddy to put in enough hours of practice on the piano which laid a firm foundation for his life’s work in Ethiopian music. Teddy Mak first studied music at the Yared Music School in Addis Ababa, which was followed by studying music, majoring in American Jazz, at the Northern Virginia Community College. He had his chance playing with great bands, which included, among others, the Shebelles, the Dahlacs and the Ethiostar band in Addis Ababa. This was the time when Teddy Mak got a chance to meet and perform with Bob Marley at the Ghion Hotel in Addis Ababa.
Throughout his career, he has compiled and created numerous melodic sounds and rhythmical beats that have made his musical compositions distinguishable. His masterful compilations have been soothing the ears of a broad range of listeners, for the past 3- decades.
Teddy Mak - Wetatuan Lidj
Teddy Mak’s musical accomplishments include over 573 arrangments and musical compositions, a cultural musical presentation, in the presence of delegates from fifty countries, at the World Economic Forum on Africa in Addis Ababa, composed sound tracks for twenty five documentary films and, wrote original soundtrack for a fifty-four segment Ethiopian movie drama series “Gemena” for Ethiopian TV.
Teddy Mak has presented a commissioned musical presentation and album on the occasion of the 50th Anniversary of the African Union.
Teddy Mak - 01 - Sam Mak CV (7:31)
Teddy Mak - 02 - Langano Endless Cruise in Minor (5:43)
Teddy Mak - 03 - Celebration Song Tribute for Au 50th Anniversarry (5:46)
Teddy Mak - 04 - Time Out (26:05)
Teddy Mak - 05 - Ethio Mak Jazz (7:33)
Teddy Mak - 06 - Tribute for Girma Beyene Set Alamnim T. Mak Style (5:47)
Ethio Cali is a Los Angeles-based Ethio-Jazz ensemble, led by trumpeter, arranger, and composer Todd Simon. The ensemble’s sublime sound is inspired by the golden age of Ethiopian music of the 1960’s and 70’s, filtered through a lens that is uniquely Los Angeles.
Acknowledging the diverse musical foundations of Ethio-Jazz, the ensemble also draws inspiration from the rhythmic and melodic textures of Sudan, Somalia, Ghana, and Colombia. Ethio Cali’s published cassette Live at The Blue Whale. [ find it : HERE ]
Todd Simon's Ethio-Cali Ensemble - Fowler Museum at UCLA 8/14/11
Ethio Cali features: Todd Simon – Trumpet, Flugelhorn, Music Director Kamasi Washington – Tenor Saxophone Randal Fisher – Tenor Saxophone Mark de Clive-Lowe – Keys Alan Lightner – Steel Pan Damon Aaron – Guitar Pat Bailey – Bass Steve Haney – Percussion Te’Amir Yohannes Sweeney – Percussion Dexter Story – Drums
Extended Family:
Kamasi Washington - Tenor Sax
Justo Almario - Tenor Sax/Clarinet
Richi Panta - Percussion
Geoff Mann - Percussion
Elizabeth Lea - Trombone
Mark Cross - Keys
Thomas Lea - Viola
Tylana Renga - Vioin
Peter Jacobson - Cello
Special Guests:
Dereb the Ambassador
Kelela Martin
Perna (Antibalas/Ocote Soul Sounds)
Jared Tankel (Budoes Band)
Aaron Johnson (Antibalas/FELA!)
Vardan Ovsepian
Semere-Ab Etmet
Yohannes Tutu
Sweeney Rickey
EthioCali - 01 - Azmar (11:19) EthioCali - 02 - Mulatu (13:14) EthioCali - 03 - Sabye (My Saba) - Live @ Del Monte Speakeasy March 17,12 (7:10) EthioCali - 04 - Sidama de Cali (5:11) EthioCali - 05 - Tadias - Live @ Del Monte Speakeasy March 17, 2012(7:10) EthioCali - 06 - Tiny Pyramids (8:08) EthioCali - 07 - Zafari Live at the Blue Whale (9:37) EthioCali - 08 - Zafari (8:50)
Kibrom Birhane is Ethiopian Pianist, Multi Instrumentalist / producer / songwriter / Record / Mix engineer, arranger and composer passionate about Ethiopian folk, world, pop, jazz and gospel music.
Kibrom started his musical career in a very early stage of his life, and had the opportunity to work, perform and record with musicians from all over the world. While attending Los Angeles College of music, he was fortunate to learn under great musicians such as: Sean Halley (Vinnie Colaiuta, Jerry Marotta, Richard Marx), Andre Knecht, Andrew Murdock (Godsmack, Alice Cooper, Linkin Park), Dave Pozzi (Celine Dion, Diana Krall), Howie Shear (George Benson, Stevie Wonder), Tony Inzalaco (Oscar Peterson, Dexter Gordon) and many others.
Kibrom Birhane - Zelesegna ዘለሰኛ
Learning how to play the krar, a five stringed traditional Ethiopian lyre, at age 8, Kibrom Birhane found himself enthralled by Orthodox chanting. “Always it moves me when I hear music,” he says. And from that time on he knew he wanted to pursue a career in music. Kibrom eventually began teaching piano to other students for about three years before receiving a scholarship to attend the Los Angeles College of Music where he developed a passion beyond Ethiopian folk music, and became a songwriter and composer focusing on the fusion of Ethiopian folk with jazz and gospel sounds. His debut album entitled ‘Kibrom’s Tizita’ was recently released by Tsehai Records, a new division of Tsehai Publishers. Kibrom describes his new album as “an exploration of Ethiopian heritage through folk and pop music with a jazz backbone.”
Kibrom is also a record and mixing engineer and says he “learned to play all of these different roles over time, and with that came new innovations” in his music and sound. His solo pieces are among his most personal works, and Kibrom shares that they are “an expression of what I feel at the moment. I don’t study or learn solos; I just play them.”
Kibrom hopes to reach the younger generation with his music. He sees the power of fusion as a way to expose individuals to Ethiopian music while adopting a style that is already familiar to them (such as jazz). Kibrom has already garnered some success including writing the score for the documentary film ‘Sincerely Ethiopia,’ singing in the award-winning documentary ‘Get Together Girls,’ and composing music for the documentary on the African Union’s 50th year celebration.
“The raw sincerity of Birhane’s music seeks to make strong connections with listeners as they are transported on a musical journey. And a journey it is – Kibrom uses Ethiopian scales, which are rarely heard in Western music. The distinct nature of these scales makes for hypnotic listening,” states Tsehai Records.
Kibrom Birhane - 01 - Pending Prayer (4:06)
Kibrom Birhane - 02 - Yonas Gorfe Tribute (5:10)
Kibrom Birhane - 03 - Simagne Hageree (4:25)
Kibrom Birhane - 04 - Wazema (5:26)
Kibrom Birhane - 05 - Broken but Beautiful (10:06)
Selam Seyoum Woldemariam, also known as "Selamino", is an African musician who has turned out 250 (mostly locally produced) albums in his more than forty years as a professional musician. He has been called “The Jimi Hendrix of Ethiopia” and is a national legend.
In Memory Of Tekle Tesfazghi - Kemdilayey
Early life
Selam Seyoum Woldemariam was born in Addis Abeba, Ethiopia, in 1954 to a director-teacher father, Seyoum Woldemariam Kidane, and an assistant teacher-housewife mother, Tsirha Nemariam.
The family moved to Asmara, Eritrea, in 1965 and stayed there throughout his childhood (c. 1965–1972). While in Addis Ababa, his father worked in a school run by American missionaries. They brought various records of spiritual songs; Woldemariam and his siblings studied some of the songs and sang them at the Mekane Yesus Church in Addis Ababa. The family owned an acoustic guitar, and while each of his siblings tried to learn, he was the most disciplined in his musical study.
During the mid-1960s, Woldemariam formed a church music quintet choir group in Asmara at "Geza Kenisha", which became popular and pulled hundreds of followers to the church where they performed. Later, they included a Swedish drummer but the sound eventually became too noisy for the elderly congregation and they had to discontinue playing.
Woldemariam returned to Addis Ababa in 1972 and finished high school. This was at the height of the Ethiopian Civil War and classes in most schools, including Addis Ababa University (AAU) were disrupted. Soon, all higher learning institutions were closed, while students and staff were forced to join the national campaign (Idget Behibret). With the AAU closed, Woldemariam could no longer continue his education.
Woldemariam later returned and graduated with a BA in History from AAU in 1988. He wrote his senior essay on Ethiopian music: "Origin and Development of Zemenawi Music in Ethiopia, 1896-1974”.
BSB Ibex and ROHA
He joined The Black Soul Band (BSB) while they were on tour in Addis Ababa in 1973. Alemayehu Eshete and Slim Jones were the main vocalists of the group and together with Tesfaye Lemma of Orchestra Ethiopia, they travelled to various parts of Ethiopia. Towards mid-1974, Woldemariam and some other members of BSB joined the Venus club.
After working for a year or so at the Venus, Woldemariam replaced Zimbabwean Ibex Band guitar player Andrew Wilson at the Ras Hotel. During that time, Ibex was dominated by two foreign musicians: Ismail Jingo, vocalist and percussionist and Andrew Wilson, lead guitarist. At the time, most foreigners were leaving Ethiopia due to the revolution and Jingo and Wilson couldn’t stay. As a result, the band re-formed as Ibex (II) with the inclusion of some new members.
Mahmoud Ahmed was already in the group. The first recording the group did was his Ere Mela Mela album (LP) around 1975, which was later to become their first ever CD in Ethiopian history, released by a good friend, Francis Falceto on his Ethiopiques series. (Ethiopiques # 7). Ibex disbanded in 1979 as most of its members left for the Sudan, while Mahmoud left for the US. The remaining three members, Giovanni Rico, Fekadu Andemeskel and Selam Woldemariam, formed ROHA Band. The Ibex and ROHA Band dominated the music of the 1970s and 80s. They arranged and recorded well over 250 albums (2500 songs), accompanying various Ethiopian vocalists. From 1980 to 1990, The ROHA Band travelled extensively, throughout Europe, Middle East and the USA as well as to some parts of Africa. Mulatu Astatke joined the ROHA Band at the Paris and Spain summer shows in 1987.
Recent and current work
During 2000, Woldemariam moved to the US, and started collaboration on the Power of The Trinity project with the Brooklyn-based Tomas Doncker Band. Besides co-writing and playing guitar on some tunes, Woldemariam is also involved as a production consultant. He has performed with the group at various venues. They will be performing together in a long-awaited show at the New York Summer stage in July and August.
Woldemariam is in the process of expanding his thesis paper on Ethiopian music and gathering together a book based on his over forty years of experience in music. He is also working on an instrumental album.
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