Tsedenia GebreMarkos is one of the leading musicians in the Ethiopian music scene. She gets her inspirations from traditional and contemporary Ethiopian music. In addition to having a lot of success with commercial hits such as “Ewedehalu”, “Atalay”, “Mengedegna” and “Yiker Beyalehu”, Tsedenia is also famous for having strong lyrics to raise awareness about issues she holds dear.
She’s made a name for herself singing to raise awareness about HIV/AIDS in her country. Tsedenia broke ground when she became the first Ethiopian artist to ever win the prestigious African Kora Awards back in 2004 for “Ewedehalu”. In addition this multitalented star was featured in the hit movie “Motherland”, has a standing radio-show and is rumored to be featured in an upcoming film from the producers of “500 years Later”. Even if her melodious and soulful sound is what she is famous for, Tsedenia broke the barriers again when she decided to be innovative and join forces with Ethiopian dub band Dub Colossus.
They released an EP, ‘A Town Called Addis’ in June 2008 through Real World Records and a full length LP album of the same name was released in August 2008 exclusively through the Bowers & Wilkins Music Club. Always looking for bigger challenges and constantly rebranding herself is what enabled this Ethiopian jewel to win this year’s AFRIMA (All Africa Music Awards) “Best female artist in Eastern Africa”.
When she arrived in her homeland in 1997 for the first time since she'd left in 1981, Ethiopian-born and Washington, D.C.-based songstress Aster Aweke was greeted by thousands of loyal followers awaiting her plane. During the month-long tour that followed, Aweke performed before more than 80,000 people and showed that she remains one of Ethiopia's best-loved performers.
Aweke has been equally successful throughout the world. Her second album, Kabu, spent four weeks in the top position on the CMJ New Music Charts, and was in the Top Ten of Billboard's World Music Charts for ten weeks in 1990.
Aster Aweke - Sikuar (Sugar)
A native of Gandor, a small town near Lake Tara, Aweke was raised in the capital city of Addis Ababa. The daughter of senior civil servant in the Imperial government, Aweke was determined to become a musician by the age of 13. By her late teens, she was singing in Addis Ababa clubs and hotels with such bands as the Continental Band, Hotel D'Afrique Band, Shebele Band, and the Ibex Band (before they became the internationally known Roha Band). Launching a solo career, Aweke was encouraged by musical entrepreneur Ali Tango, who financed and released five cassettes and two singles of her music. By 1981, Aweke had become disillusioned by Ethiopia's oppressive political climate and relocated to the United States. Temporarily settling in the Bay Area of California with plans to pursue an education; within two years, Aweke continued on to Washington, D.C., the site of the largest Ethiopian population in the U.S. After building a following with her performances in local Ethiopian restaurants, Aweke toured the U.S. and Europe in 1985.
Back in the '80s Ethiopian music was extremely hard to come by outside of Ethiopia. Mahmoud Ahmed's brilliant Ere Mela Mela was released on LP by the Belgian label Crammed Discs around 1985, and later in the decade the exile singer Aster Aweke released Aster, recorded in the UK with mainly non-Ethiopian backup musicians. That was just about it, unless you were lucky enough to know Ethiopians who could supply you with scratchy, poorly dubbed cassettes from the motherland.
All that changed in the '90s when political change opened the country up. A fine collection of traditional and modern music, Music From Ethiopia (Caprice CAP 21432) came out in 1992, and within a few years the incredible Ethiopiques series opened the world's ears to the classic sounds of "Swingin' Addis" from the '60s and early '70s
When it became possible for Ethiopian musicians to travel freely it was only natural that they would gravitate to U.S. recording studios, and in the last 15 years there has arisen a robust market in CDs made here. For the most part these are "under the radar" - not available through the usual "World Music™" outlets like Sterns. The main issue I have with these American recordings is the overwhelming use of synthesizers. That said, many of these productions are surprisingly sophisticated, a far cry from the rinky-dink keyboards and drum machines of much contemporary African music.
In 2004, Quantic, Miles Cleret and B+ went to Addis Ababa, the capital of Ethiopia, to find records and meet with Mulatu Astatke. It was fitting then that when Quantic came to LA to DJ for the Mulatu show he came with records almost all found on that first unique trip. Trawling eBay is not the same as a trip to East Africa.
Quanticmade the trip and on the evening of February 1st, 2009, he buckled everyone at the Luckmann Theatre into their seats, and took us on a one hour flight back. Here is the DJ set in its entirety. And don't be alarmed by a few crackles and pops, that's what 30+ year-old records sound like.
In 2006 Nick 'Dubulah' Page, British producer, multi-instrumentalist and founding member of Transglobal Underground and Syriana, first travelled to Ethiopia's capital Addis Ababa. His aim was to collaborate with musicians and explore traditional Azmari styles, 60s Ethiopian pop, Ethiojazz and 70s Jamaican Dub Reggae. He came across some amazingly talented artists – female vocalists Tsedenia Gebremarkos and Sintayehu 'Mimi' Zenebe, Ethiojazz pianist Samuel Yirga, tenor sax player Feleke Hailu and Teremage Woretaw on messenqo (one-string fiddle) and vocals.
Dub Colossus was born. The first recordings were exclusively previewed on Society of Sound. Then followed the critically acclaimed debut album 'A Town Called Addis,' (2008) and a series of outstanding live shows.
Especially for Society of Sound, the band have put together ‘Dub Will Tear Us Apart’, featuring ten brand new tracks fresh from studio sessions in Real World, Edinburgh and Addis Ababa. Highlights include Dub Colossus’ Anglo-Ethiopian version of the reggae classic, “Uptown Top Ranking”, written and originally performed by Jamaican girl duo Althea & Donna, which topped the UK singles chart in 1978. "It had a big effect on me," explains Nick Page, "seeing it on Top Of The Pops… it was a first in many ways."
The connection between Ethiopia and Jamaica has been well documented, especially with regards to the lyrical content of a lot of Jamaican Roots Reggae music. Dub Colossus’ dread Abesha version is fronted by Sintayehu and Tsedenia, with UK/Jamaican guest MC JP Higgins.
Other highlights include "Guragignia", a ferociously funky Ethiopian song which sounds like a blue taxi going at full speed with no brakes during rush hour in Addis Ababa. A live show favourite, it features lead vocals by Sintayehu. "Selemi" is another live favourite, an Ethio-Funk stomper fronted by Tsedenia supported by the keyboards of Samuel Yirga and saxes of Feleke Hailu, that morphs into a southern Ethiopian rhythm of release. In contrast, "Medina" is a Teremage Woretaw traditional solo track, for voice and messenqo. A gospel song performed to mark a period of fasting, Teremage sings in growling wild swoops as he bows his messenqo with an intense energy.
Dub Will Tear Us Apart features members of the current live band for the first time: drummer Nick Van Gelder (ex Jamiroquai, Brand New Heavies), bass player Dr Das (ex Asian Dub Foundation), vocalist PJ Higgins (Natacha Atlas, Almamegretta, Kenneth Bager), as well as the wonderful Horns of Negus, who recently worked with Dr John, Dizzee Rascal, The Streets, consisting of Ben Somers (tenor and baritone sax), Robert Dowell (trombone) and Jonathan Radford (trumpet).
Setting the trend for the Jano sound is a new synthesis which injects Ethiopian music into the genre of rock to create hot and harmoniously wild sounding of Ethiopian rock. Behind it is Jano, a band consisting two female vocalists, two male lead vocalists and six musicians who play bass guitar, rhythm guitar, lead guitar, keyboards and a drum. The two things the players have in common is that all of them are in their twenties and all share a single dream – to become the first international rock phenomena from Ethiopia.
The man behind the making of Jano is Addis Gassesse, a renowned Ethiopian music manager who shuttles between Addis Abeba, New York and Kingston, Jamaica. Now Addis wants to get Jano play at international concerts and compete with any rock band on the world stage.
Jano Band - Darigne
Jano has a unique way of showing the flare of its members, who, some of them came from different gospel choirs. The fusion of Ethiopian music with Rock is a complete detachment from the long tradition of music norm. But the songs are partly written by the band members themselves and partly by Yilma Gabreab, a popular Ethiopian song writer. The result is the first ever rock band in Ethiopia.
While some of the band members have been heavily influenced by rock stars such as the Rolling Stones and Metallica, others have been influenced by jazz, pop and reggae. This diverse background of the members can be clearly seen in the unique sound of their music that takes its nuances from an eclectic assortment of styles that, deep down, didn’t abandon an Ethiopian flavor.
Jano Band are: Kirubel Tesfaye (Band Leader and synthesizer) Michael Hailu (Musical Director and Lead Guitar) Dibekulu Tafesse (vocals) Haleluya Tekletsadik (vocals) Hewan Gebrewold (vocals) Hailu Merga (vocals) Yohannes Mekonen (drums) Daniel Negash (bass)
